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Tip! *100 copies limited edition* Fades/Costellazioni is a work of sound art designed to be exhibited in a dedicated space. It has been realised in the form of a web application: to listen to it you need an internet connection and a stereo audio system. It is a work to be explored and perceived in its plasticity, because the material of which it is made - the sound - by its own nature does not fill the air in a uniform way, manifesting itself instead through hollows and plenums, areas that thick…
*2022 stock* Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of arti…
*2022 stock* Six conversations recorded in Berlin between the artist Heimo Lattner and colleagues, focusing on the artist's research and practice, especially around the recurring theme of the voice, which Lattner's work queries as fundamental to issues concerning the formation of social and cultural identity. Would it be a mistake to think that the concern to raise the voice has to do with a capacity that certain individuals have? Would it be a mistake to think that the inclination to speak up c…
*2022 stock* In the last 10 years we have experienced a seismic shift in media culture, as the social media revolution of the noughties has brought vastly expanded networking, mobility and connection. This shift has significantly altered the making of art as well as the ways that audiences engage with art. Unsitely Aesthetics seeks to describe and understand these changes in art production and its accompanying new aesthetics, coining the term “unsitely” to point to the dispersed way that many ar…
*2022 stock* Radio makes an impression, casting songs far and wide to end up on innumerable receivers, within countless ears. This instant of reception inserts a soundtrack to physical location and the encounters happening, intensifying music's ability to give emotional charge: a sound in the distance, playing on a stranger's ghetto blaster, or traveling from an open window, across a city street, to arrive at the moment to become forever associated with a certain happening, where song and event …
*2022 stock* Essay, sentimental diary, and critical pamphlet, Techno Casa binds together the textual production originally composed for a series of eleven video works presented during 2013 through site-specific installations. Through an all-encompassing stream of consciousness, Riccardo Benassi delivers a critical reflection on the impact of technology in our daily relation to space, and how technological devices have radically altered the structures for living and organizing the real, from arch…
*2022 stock* Christof Migone's Sound Voice Perform documents the performance, sound, and video works of the Canadian artist. Working since the mid-80s, Migone weaves together a multitude of media, from radio to telephones to digital objects, to form a stunning and highly dynamic practice. Combining an acute sonic sensibility with performative usages of the body, video, and the voice, his work engages corporeal presence with a subtle invasion, unsettling speech and gesture through investigative a…
*In process of stocking* Premodern acoustic traces as the basis for new communities of thought in the present (a project responding to the work of the self-taught acoustic archaeologist Umashankar Manthravadi). Coming to Know asks how listening to the past together might transform our sense of the knowledge held in common. It sets aside the visual techniques of the archaeological site, the museum, and the larger project of colonial modernity, and instead constitutes itself as a resonant structur…
An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.
In a world dominated by the visual, could contemporary resistances be auditory? What is the materiality of sound? How does the materiality of sound affect listening? What resistances can be configured from working with biomaterials and sound? Do these bio_sonic_agencies open up other possible spaces that do not exist in the visual regime? The radio work Bio_Sonic_Agencies follows such questioning through a focus on matters of air. Air is highlighted as an elemental force that moves across human …
Actualising the concert of Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962, Free Jazz Communism contextualizes the politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of avant-garde music.
An account of an album about Albania by British experimental musicians made in the eighties. Also involving stories about the Albanian Society, William Bland, A. L. lloyd, RCPB ML, and Cornelius Cardew.
The analysis, history and reception of the Canterbury music scene between the late 1960s and early 1970s. From the band Soft Machine supporting Jimi Hendrix on tour in the US in 1968, to Robert Wyatt's famous Rock Bottom album later, to the bands Caravan and Hatfield and the North: the artists and music of the Canterbury scene in England gave a specific and colourful stamp to rock music in the late 1960s and early 1970s. With their commitment to unpredictable stage behaviour and radical humour, …
Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.
*In process of stocking. 300 copies limited edition* Akousis Records is proud to announce the new release by Cyprien Busolini - viola and Bertrand Gauguet - alto saxophone. Recorded by Christophe Hauser at La Muse en circuit, Alfortville (FR) 2021 September 3
Black Truffle announce Uri Katzenstein's Audio Works, produced in collaboration with Holon's Centre for Digital Art. Spanning sculptural installation, performance, video art, and many other media, Katzenstein's absurdist, poetic, and often hilarious work made extensive use of sound and music. This, however, is the first release dedicated to the artist's audio work, collecting 28 tracks produced between the early 1980s and 2017. Compiled from dozens of hours of recordings left uncatalogued (some …
*2022 stock. Limited edition of 100 copies.* A series of commissioned works, each connected to a location given to me. The sites were used as recording studios for creating multilayered compositions with minimal to none post-production. All instruments were played on site. Roz was recorded in Roz-sur-Couesnon in April-May 2014, mixed in Nantes in September 2016. Commissioned by the sound art gallery Le Bon Accueil (Rennes), as a workshop with schools from the area of the Mont Saint-Michel. Bruz …
*2022 stock. Limited edition of 100 copies.* Shadows and Reflections develops from an audiovisual collaboration between Monty Adkins and the painter Andy Fullalove exhibited at Bradford Cathedral in October 2016. The exhibition comprised a series of fourteen paintings and sound that responded to the newly restored altarpiece by William Morris as well as the priceless stained glass windows in the Cathedral made my Morris’s company, which include designs by Morris, Ford Madox Brown, Edward Burne-J…
*2022 stock. Limited edition of 100 copies.* To start AMT and Tarab exchanged materials and objects. AMT exchanged a single sound sculpture for Tarab’s collection of small objects. This material exchange led to activity. AMT manually manipulated, Tarab also, but more often than not he placed the sculpture in situations and let them work on it. Once again exchanges took place, this time of audio material. Elements where then selected and arranged and further rearranged; some left untouched and so…
Another release in the ongoing CCC Archives series. From the archives vol. 2 with rare material by Ira Cohen, Bert Schierbeek, Hans Plomp, Louise Landes Levi and more.