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Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…
*200 copies limited edition.* «13 Visions» is a series of compositions by Clara Lévy, performed by herself on violin. They are conceived as an imaginary meeting between two composers whose musical aesthetics share many common traits, despite the centuries separating them: Hildegard Von Bingen (c. 1098 – 1179) and Pauline Oliveros (1932 – 2016). The two composer's respective visions are thus intertwined by Levy in a cycle of thirteen pieces for solo violin. Somewhere between composition, arrangem…
'A Coiled Form' by UK-based composer Bryn Harrison. The piece was originally composed as a shorter solo in 2020, and then revised and expanded in collaboration with violinist Sarah Saviet, who gives an astonishing virtuosic performance, to become a 50-minute solo work. It was released on CD by Another Timbre in November 2022.
Loud Object is the second solo release from artist Billy Steiger, following his self released 'Recordings, drawings and photographs from in and around Frîdd Newydd' in 2016. Both a visual artist and a musician, Steiger’s Loud Object plays as a two sided experiment in markmarking and sound, as a kind of writing by ear - metallic, brushed, wooden - lines imprinted and pressed circular.
The record takes its name from the discarded title of the several-hundred-page draft of Clarice Lispector’s ev…
Other Minds is excited and proud to bring you a near-unheard early composition by legendary American Maverick composer Lou Harrison, Sonata for Unaccompanied Violin (1936), performed by our friend Kate Stenberg. This short piece was written by the precocious composer when he was barely out of high school, still a teenager, but already a year deep into studies under Henry Cowell, studies that occurred during Cowell's stint in San Quentin State Prison.
The piece was entirely unheard from its comp…
*In process of stocking. 2022 stock.* Music for Violin Alone is the debut date as leader for virtuoso violinist Mark Feldman, who has performed as a sideman with countless musicians, in genres ranging from country to avant-garde jazz. Here he performs original, classically styled pieces that exude high drama. The violin arcs over small measures of time, plummets into hurt, soars back up into the air, then lands lightly spinning. Feldman bows out grit and texture with ribbed vibratos, and achieve…
As in the Osvaldo Coluccino's own words: "Presence of the work, absence of the author. So muffled, vapor escaping from an old coffer, so dusty and apparently, in some ways, timbrically “primordial” and yet elusive, the first three compositions of the album unfold. The following three increase the dynamism and openness of the timbre. As always in my albums, also in Absum a journey takes place along the tracks that, joined together, make it up. Even in this “raw” timbre paste, emblem of adherence…
Mathieu Werchowski's latest album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.
So(u)len(skin(ner) is the second solo LP Katt Hernandez has released. After 13 years as a veteran of the variated wonderments of the experimental music scenes of the east coast, Katt moved to Sweden. She became a producer at Fylkingen and several other organizations for new and experimental music, started making electro-acoustic music alongside her long beloved violin at EMS and the Royal Music Academy alike, and is playing all about Sweden and further with a burgeoning tumult of new and fantast…
Structured improvisation compositions by violinist Malcolm Goldstein, ranging from jazzy to dense microtonal sound, in which he plays with the Montreal-based Ratchet Orchestra as composer, soloist and ensemble member.
The first complete recording of Giacinto Scelsi's works for solo violin, including the first recording of Divertimento No. 2, played by Weiping Lin, assistant concertmaster of the Vienna Radio Symphony Orchestra.
Edition Musikfabrik vol. 6: Ian Willcock's Grave, Mark Andre's ni and Kaija Saariaho's violin concerto Graal théâtre (chamber version), played live in Cologne in 2004-2007 by Ensemble Musikfabrik with Hannah Weirich, conducted by James Wood, Rupert Huber and Peter Rundel.
John Cage's Freeman Etudes, Books 1 and 2 (the first sixteen etudes for solo violin), played by Irvine Arditti at blistering speed under the composer's supervision.
First recording of the second half of John Cage's Freeman Etudes for violin, Books Three and Four, played by Irvine Arditti, the second release in his traversal of Cage's complete violin works for Mode. Released 1989.
Bach's complete Sonatas and Partitas for solo violin, BWV 1001-1006, played by Gidon Kremer on two CDs. Partitas recorded September 2001 at the Pfarrkirche St. Nikolaus, Lockenhaus; sonatas recorded March 2002 in Riga.
Solo violin recital by Carolin Widmann: Hildegard von Bingen, Enescu's Fantaisie concertante, George Benjamin's Three Miniatures, Ysaÿe's Sonata No. 5 and Bach's Partita No. 2; recorded July 2021 at Auditorio Stelio Molo RSI, Lugano, produced by Manfred Eicher.
Mieczysław Weinberg's three sonatas for solo violin (1964, 1967, 1979) played by Gidon Kremer; No. 3 recorded live at Lockenhaus in July 2013, Nos. 1 and 2 at Studio Residence Paliesius, Lithuania, in December 2019.
Thomas Zehetmair, as violinist and conductor, leads the Orchestre de chambre de Paris in Schumann's Violin Concerto WoO 23, Phantasie op. 131 and Symphony No. 1 "Spring", recorded in February 2014 at the Théâtre des Champs-Élysées, Paris.
Solo violin album by Swiss violinist Paul Giger, his first for ECM New Series: five largely improvised pieces recorded at night in the crypt and upper church of Chartres Cathedral around the summer solstice of 1988, produced by Manfred Eicher. Released 1989.