Zither

Scottish singer and guitarist Alasdair Roberts and Norwegian just intonation explorer Fredrik Rasten stretch seven traditional Scottish ballads into slow, drone-rich spells: an hour of overtones, hurdy-gurdy, psaltery and two voices.

Black Vinyl Edition. An overview of Laraaji’s earliest works, Glimpses of Infinity gathers selections from his 1978 debut Celestial Vibration and six additional studio sessions from the era. Segue To Infinity (Glimpse) is a peek into the very start of Laraaji’s remarkable catalog, a small piece of the upcoming 4LP Segue To Infinity — his 1978 debut when he was still known as Edward Larry Gordon, Celestial Vibration, and six more side-long studio sessions from recently discovered acetates from th…

2022 Repress expected to ship early November -  Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privately-pressed opus of 1975.Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score …

Decoder Ensemble plays first recordings of works on remix, sampling and copy-paste by Brigitta Muntendorf, Ole Hübner, Stefan Prins, Matthias Kranebitter and Leopold Hurt, most commissioned for its 2017 Big Data Weekend. Coproduced with Deutschlandfunk.

Tài tử music from southern Vietnam played by Vũy Chỗ, Ba Tu, Phạm Văn Môn and Đoạn Văn Dũng on zithers, lutes, guitar, flute and violin, recorded on 26 May 1999 at Sender Freies Berlin.

Psalms, folk hymns and vespers by Estonian composer Cyrillus Kreek sung by Vox Clamantis under Jaan-Eik Tulve, with nyckelharpa and kannel interludes by Marco Ambrosini; recorded April 2018 at the Transfiguration Church, Tallinn.

Solo album by Stephan Micus in four parts for voice, hammered dulcimers, nay, sho, shakuhachi and Bavarian zithers, all played by him through overdubbing. Recorded January 1986 at Tonstudio Bauer, Ludwigsburg. ECM 1318, 1986.

Stephan Micus' 26th solo album for ECM, centred on the Colombian tiple with dilruba, sattar, bowed sapeh, tableharp, nay, Cambodian flute, chord zither and voice, all played and sung by Micus. Recorded 2021-2023 at MCM Studios.

Stephan Micus's 25th solo album for ECM: nine pieces for thunder gods of different cultures, built around the Tibetan dung chen trumpet. Micus plays all instruments and voices, recorded 2020-2022 at MCM Studios.

Solo album by Stephan Micus, his 22nd for ECM: ten original pieces led by the Swedish nyckelharpa, with balanzikom, shakuhachi, genbri, chord and bass zithers, steel-string guitar and voice, all played by Micus and recorded 2014-2016 at MCM Studios.

Solo album by Stephan Micus in ten parts, layering raj nplaim (Laotian free-reed pipe), nohkan, sho, zithers, kalimba, shakuhachi, sinding and up to nineteen of his own voices. Recorded 2007-2010 at MCM Studios; released 2010.

Eight-part suite by Stephan Micus, who plays every instrument and sings every voice: duduk, bass duduk, Bavarian zither, sinding and doussn' gouni harps, charangos, hammered dulcimers, nay, gongs. Recorded 2005-2007 at MCM Studios; his 18th ECM album.

Stephan Micus's cycle of three days and three nights inspired by a stay on Mount Athos, with zither, sattar, shakuhachi, suling, ney, flowerpots and his own multi-tracked voice, recorded at MCM Studios between November 1993 and February 1994.