★5049 Records
World Of Objects
Recorded live in concert in the fall of 2013, "World of Objects" is an intense and confounding document of 21st century improvised music. Featuring Evan Parker, a singular musician whose approach to music and the saxophone has influenced several generations of improvisers, in trio with trumpet great Nate Wooley and clarinetist Jeremiah Cymerman, "World of Objects" is both a concert document and an intricate journey through the digital post-production of Jeremiah Cymerman. Over the course of thre…
Citadels & Sanctuaries
*2022 stock. In process of stocking. 200 limited edition* Recorded during a month-long residency at Brooklyn art space Pioneer Works in late 2020, Cymerman’s fifth solo album is his most accessible work to date. While past releases have included extensive edits, overdubs, and effects processing to push his clarinet into the realm of abstraction, nearly each piece on Citadels & Sanctuaries was captured in a single take. “This album was recorded when playing lines and melodies were feeling really …
Phos
*In process of stocking* Electroacoustic improvisation trio Bloodmist is proud to present Phos, their second studio album, scheduled for release in summer of 2020. The group’s most focused offering to date, Phos showcases an expansive exploration of vivid hellscapes, encompassing elegiac clarinet melodies, feral noise textures, multi-layered electronic percussion, and wildly evocative electronic processing. Bloodmist is Jeremiah Cymerman (clarinet, electronics), Toby Driver (electric bass), and …
Arc
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Systema Munditotius, Vol 1
NYC-based electroacoustic improvisation trio Bloodmist presents Arc, their third full length album.
Decay of the Angel
*2022 stock. In process of stocking. 200 limited edition* “On a day such as this,” David Thomas once sang, “insist on more than the truth.” “Day Such as This,” from Pere Ubu’s Song of the Bailing Man, is an elaborate studio concoction in celebration of hyperbole. Jeremiah Cymerman has never signaled any great appreciation for Pere Ubu, but that song nonetheless proposes a way to describe what he does on Decay of the Angel.
The album is the outcome of years of solo clarinet concerts, some in his…