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** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** Minimalist Chilean guitarist Cristian Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan, Alvear returning to Japan in October of 2017 for additional performances in Kyoto and Osaka, then spending a day recording in Kobe; this single improvised piece he result of that day, heard as it was recorded, with a few structural edits.
"Usually the sparring partners of Tim Olive, magnetic …
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** 845 label leader and sonic explorer Tim Olive uses magnetic pickups and electronics in this meeting with radical living room concert sound artist, poet and improviser Yan Jun in Kobe, Japan, Jun using a variety of electronics, radio and field recordings as the two improvise in a wonderfully mischievous set of errant dialog and restrained deconstruction.
First up is a twenty-eight-minute work, which was recorded in Octo…
** 2021 Stock ** Fellow Canadians, Montreal's Ambiances Magnetiques collective member, turntablist and electronics artist Martin Tetrault meets Japan-based electronic explorer Tim Olive performing on magnetic pickups, in their first album despite having performed sporadically across three decades: 4 rich improvisations minimally edited, shaping sound in compelling ways.
"[... Tim] Olive did a recording on "a lovely afternoon in Montreal, minimally edited", with the well-known turntablist Martin …
** 2021 Stock ** Recording in Saskatoon in the Canadian province of Saskatchewan the day before their performance at the Sounds Like Festival, audio explorer Tim Olive brings his magnetic pickups in a first meeting with Doreen Girard performing on a prepared tsymbaly, a Ukranian hammer dulcimer, for a single, unusually evolving, and wonderfully rich improvisation.
Boro, a 2018 first-time meeting with Winnipeg-based sound artist Doreen Girard, develops a more abstracted quality, with recordings o…
** 2021 Stock. Glass-master CD with recycled chipboard cover, hand-stamped ** After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces usi…
Recording in Kobe, Japan in 2014, the duo of Jin Sangtae, organizer of Seoul's long-running dotolim concert series and who gainfully employs cast-off computer hard drives as sound sources, and Tim Olive, who uses electro-magnetic pickups to give voice to consumer/post-consumer objects, for three tracks of recycled and unorthodox sound.
"Here we have three lengthy pieces, fifty-four minutes in total, of some great music. They cover the entire dynamic spectrum, with lengthy passages being all loud…
** 2021 Stock. Glass-mastered CD with letterpress cover by Ben Owen/Middle Press ** Recording in Brooklyn in 2014, this collaboration between Tim Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation. "The inconspicuous titles of Tim Olive and Ben Owen's first collaboration make it look like an album of discrete parts, just four im…
** 2021 Stock. Edition of 100. Glass-mastered CD in hand-stamped, recycled chipboard cover ** Like mad scientists of sound, sonic explorers Tim Olive and Cal Lyall met in a Tokyo studio in 2012 armed with hydrophones, magnetic pickups and electronics to record this richly detailed and slowly unfolding work, blending organic and mechanical elements of indeterminate origin, finding absorbing dialog without clamor or tumult; intriguing and engrossing.I think I'd only heard Lyall a tiny bit on one o…
Format: Glass-mastered CD. Packaging: Recycled Chipboard Sleeve. 33 bays was recorded in October 2009 in Kyoto, during a Japan tour by the duo of Tim Olive and Alfredo Costa Monteiro. Recorded live in the studio with no overdubs, the two untitled tracks were chosen from a number of pieces captured over several days, showcasing the duo's attunement and dramatic sense of structure. Olive (one-string electric guitar) and Costa Monteiro (electro-acoustic devices) produce a rough, feral music …