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5 chamber works by James Weeks, beautifully performed by Explore Ensemble. An album of interlinked pieces that form a sequence. James Weeks says "I was aware of tying the pieces together as a set, by continuing and extending certain poetic ideas, ways of using and combining instruments, and ways of thinking about material....Things like the use of mixed instrumental duos, which comes from Violet-Violute, the use of a slow-moving or static background harmonic layer, which comes from Summer, the o…
A 50-minute composition for string trio by the Japan-based musical pioneer and experimentalist. Commissioned by Anton Lukoszevieze of Apartment House, who perform it beautifully.
Brief interview with Anton Lukoszevieze
Why did you choose to commission a piece from Jim O'Rourke for Apartment House, and how did you know his work?
I have known of Jim for a long time, mainly through his work with Merce Cunningham’s dance company, who I also performed with at the very end of their time. But I had n…
An extended duo for double bass and quartertone bass flute by Catherine Lamb, another US-born composer now resident in Berlin, whose previous discs include ‘Point-Wave’ and the Viola Torros double CD with Johnny Chang.Exquisitely played by Rebecca Lane and Jon Heilbron.
Wonderful engaged and engaging music by the young Western Australian composer Josten Myburgh. ‘Sculthorpe Studies’ combines harmonies taken from the work of Australian composer Peter Sculthorpe with field recordings made in Whadjuk Noongar in Western Australia.
Jet Kye Chong, percussion Jameson Feakes, electric guitar Djuna Lee, double bassStuart James, piano & electronics Kirsten Smith, flutes Josten Myburgh, alto saxophone & electronics
An extraordinary 7-part canon, which starts fast and gradually slows down across its 45 minute duration. Composed by the Berlin-based US composer Michael Winter, and performed by the leading Mexican new music ensemble Liminar.
Interview with Michael Winter
Single track is a really arresting piece that appealed to me immediately. At one level it’s obvious what’s happening – a 7-part canon that starts out fast and gradually slows down. But what else can you tell me about it?
In a way, the gradual …
Four chamber works by the Slovak composer Adrián Demoč, whose previous CD ‘Ziadba’ was extremely well-received. Apartment House again on three of the tracks, with one piece played by a Czech ensemble. The title track is the third of Another Timbre’s quarantine commissions. Stunningly beautiful music.Interview with Adrián Demoč by Lukáš Borzik:
Let’s start at the end of the disc, with the final track – the duo for violin and double bass, because I know you’re particularly fond of it. What is i…
Four pieces for cello & electronics by Judith Hamann. The second of Another Timbre’s ‘quarantine commissions’, this was produced in lockdown from Covid-19 in spring 2020 on the island of Suomenlinna in Finland. "Since I started the project I have been thinking a lot about collapse as an idea, and it’s become a really important means of thinking with and through certain ideas and experiences. Collapse in the sense of this album refers to a buckling of structure, of multiple layers suddenly witho…
Apartment House play Antoine Beuger’s exquisite hour-long piece from 2004. Wonderfully immersive and absorbing sounds that feel as if they are touching eternity.
Three mysterious, shimmering chamber works by the Australian composer Newton Armstrong, performed by Plus Minus Ensemble and Séverine Ballon (cello) "In 1990 I was studying composition at university. I basically wanted to be Stravinsky. Chris Mann took an interest in me and I started spending a lot of time at his house, drinking tea and talking. He changed my mind about a lot of things and introduced me to people who were making music that excited me. The Melbourne experimental scene was thrivin…
Four chamber works by the Toronto-based composer Martin Arnold, whose previous album ‘The Spit Veleta’ sold out last year. Beautifully played by Apartment House. "There are number of ways that the word 'ballad' could be applied to a lot of the music I make - clearly, I'm devoted to lyrical (if endlessly meandering) melodies, slow melodies that invoke a kind of vague, indistinct sentimentality. But it's significant to me that the word 'ballad' comes from the from Old French balade, from Provençal…
Five pieces by the radical young Belgian composer, Maya Verlaak, impeccably performed by Apartment House, and the soloists Sarah Saviet (violin) and Mark Knoop (piano)"Subversion has destructive connotations. However, subversion can also mean reversing a current standard: being subversive can be anything that challenges an existing system. My approach to subversion doesn’t destroy current standards, but it uses the standards to create, while developing solutions to its own characteristics and p…
Eventless Plot is the collective name for three musicians from Thessaloniki, Greece, who compose together. Vasilis Liolios, Aris Giatis and Yiannis Tsirikoglou have been collaborating in this way since they met as students 20 years ago. They bring in other musicians from Greece and Holland (where Yiannis now lives) as their compositions develop. The CD presents three of their recent and most compelling chamber works.
"The title reflects the basic idea of the composition. There is a contradiction…
Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass.
"The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some…
A unique and extraordinary 45-minute composition for piano & keyboards + percussion, written for the GBSR duo: George Barton & Siwan Rhys. Composed by Oliver Leith in 2018, and recorded in March 2020 by Mark Knoop.
"I like looking at and framing everyday life, sometimes banal things. Good day good day bad day bad day is almost an incantation, I was interested in the rituals, habits, things we tell ourselves to keep going, invasive irrational thoughts, odd pleasures and reliefs of life. Mainly be…
Epic 45-minute microtonal composition by Kraig Grady, using a 17-tone scale, the Meta-Slendro tuning, created by Erv Wilson. Composed in 2020. The instruments were specially built or adapted for the unusual tuning system.
"The idea of Monuments came from the sound of the brass, in which I include the saxophone here. Brass seems to be used much less in newer music than strings, winds and percussion which is unfortunate. Since they are used less than strings or winds in new music, they seem to inv…
Five works for flute, percussion & electronics, recorded during Covid-19 lockdown in a church in Basel, Switzerland, March 2020. Commissioned by Another Timbre and performed by Mara Winter - flute and Clara de Asís - bowed objects, percussion & electronics.
"There were some pieces that I composed and others that were formed by Mara and I, where the roles of composer / performer dissolved into each other. ‘A passage through’ was composed specifically for Mara’s bass flute, also relating very much…
A new album from the trio who released Tse in 2016, and - along with violinist Angharad Davies - Awire in 2018. Three compositions of quiet and delicate beauty, two by Christoph Schiller, and the title track by Cyril Bondi.Cyril Bondi: Indian harmoniumPierre-Yves Martel: viola da gambaChristoph Schiller: spinet
Following on from the wonderful "Cantilena", four new chamber works by the Paris-based Italian composer Giuliano d'Angiolini. Performers include Apartment House, Manuel Zurria, Mark Knoop and the composer.
Magnus Granberg and Skogen return with another exquisite hour-long piece recorded in Stockholm in November 2019. With Ko Ishikawa, Rhodri Davies, Toshimaru Nakamura, Simon Allen and others.Magnus Granberg - prepared piano & compositionKo Ishikawa - shoAnna Lindal - violinLeo Svensson Sander - celloSimon Allen - vibraphoneErik Carlsson - percussionHenrik Olsson - objectsPetter Wästberg - contact microphone, mixing board, loudspeakerToshimaru Nakamura - no-input mixing board
Four chamber works for strings by the veteran German composer Ernstalbrecht Stiebler, performed by Biliana Voutchkova, with Michael Rauter and Nurit Stark. From a string trio from 1963 to a violin solo from 2018.