★Blank Forms
Ground: Five Mechanic Convention Streams
The final album released by the composer-performer Jerry Hunt before his death, Ground: Five Mechanic Convention Streams is a rare and foundational audio document of Hunt’s compositional process. The record collects five pieces from the artist’s “Ground” series, translating his characteristically variable and spatial scores into “recorded fixtures of activity using mechanic musical instrument arrays,” to eerie and mesmerizing results. Originally released by experimental label OODiscs in 1992, it…
Blank Forms 08: Transmission from the Pleroma (Book)
Jerry Hunt (1943–1993) has been described as a shamanic figure with the look of a Central Texas meat inspector. One of the most compelling composers in the world of late twentieth-century new music, he made work that combined video synthesis, installation art, and early computers with rough-hewn sculptures, scores drawn from celestial alphabets, and homemade electronics activated by his signature wands and impassioned gestures. Hunt lived his entire life in Texas, eventually settling in a house …
The Summer House Sessions / Organic Music Theatre (3LP in bundle)
This bundle includes the following Don Cherry LPs recently released by Blank Forms:Don Cherry "The Summer House Sessions" (LP)Don Cherry "Organic Music Theatre - Festival de jazz de Chateauvallon 1972" (2LP)
Don Cherry "The Summer House Sessions" (LP)* Black vinyl, pressed at RTI and housed in a heavy-duty tip-on Stoughton jacket, with insert. * In 1968, Don Cherry had already established himself as one of the leading voices of the avant-garde. Having pioneered free jazz as a member of Ornette C…
Salmon Run
Salmon Run (Kye, 2007) is an exercise in listening, a contemplation of the sounds that permeate everyday life. In Salmon Run, available now on LP for the first time, Graham Lambkin's field recordings are profoundly democratic, collecting bits of classical music playing in the background, remnants of domestic routines and childrearing, and bird calls, chimes, and rushing water alike. The resulting fragments, manipulated and assembled by Lambkin, form a strikingly intimate sonic assemblage -- an e…
Amateur Doubles
Taped largely in a Honda Civic, Amateur Doubles (Kye, 2011) is a portrait of an oft-overlooked domestic stage: the car. Graham Lambkin captures the sounds of a family in-motion as they fiddle with windows, play with toys, bicker, pass traffic, and listen, as the song titles note, to French prog artists Besombes/Rizet and Philippe Grancher. While the set-up at first appears simple -- a car ride taken by the artist and his family through upstate New York -- Lambkin subtly and slyly manipulates the…
Poem (For Voice & Tape)
"I made the basic recordings of Tim Goss's voice during a recent return trip to England. Despite some initial reservations Tim ended up giving an animated and robust reading, drawn exclusively from work of his own creation. These tapes were then transported back to Poughkeepsie, NY, where the project was teased to completion." (Original LP sleeve notes)
Softly Softly Copy Copy
A study in anticipation, Softly Softly Copy Copy (Kye, 2009) repurposes the expectant rumblings of an audience-in-waiting, lifted by Graham Lambkin from various concert recordings of the German kosmische band Tangerine Dream. These bootlegged clips provide a skeleton for various sonic scraps and interludes—including distorted and abandoned fragments from Lambkin’s archive, new recordings on guitar and violin by Austin Argentieri and Samara Lubelski, respectively—that, together, form a compositio…
Blank Forms, Vol. 7: The Cowboy’s Dreams of Home
Edited by Lawrence Kumpf and Joe Bucciero with contributions from Angel Bat Dawid, Joe Bucciero, Charles Curtis, René Daumal, Thulani Davis, Anthony Elms, Ciarán Finlayson, Jessica Hagedorn, Judith Hamann, Sarah Hennies, Louise Landes Levi, Alan Licht, and Tashi Wada. The Cowboy’s Dreams of Home, the seventh Blank Forms anthology, takes its name from a psychedelic Wild West reverie of Texan singer-songwriter and visual artist Terry Allen. This volume privileges new texts including a retrospectiv…
Partners: A Biography of Jerry Hunt
Jerry Hunt (1943–93) was among the most eccentric figures in the world of new music. A frenetic orator, occultist and engineering consultant, his works from the 1970s through the early ’90s made use of readymade sculptures, medical technology, arcane talismans and all manner of homemade electronic implements to form confrontational recordings and enigmatic, powerful performances. Tracing Hunt’s life across his home state’s major cities to a self-built house in rural Van Zandt County, this memoir…
Try Saying You're Alive!
A memoir by Kawasaki-based writer and musician Kazuki Tomokawa (b. 1950), Try Saying You're Alive! offers a semi-fictionalized account of the vibrant Tokyo underground that he has been at the center of since the 1970s. Recounting sixty years in the life of this "screaming philosopher." Try Saying You're Alive! traces Tomokawa's beginnings in the Akita Prefecture as a "runaway toddler," his adolescent basketball career, and his wanderings as a day laborer, gambler, painter, actor, drinker, and av…
Common Tones: Selected Interviews with Artists and Musicians 1995–2020
The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and music scene.
Selected Writings and Interviews
The life and work of Maryanne Amacher are as vast as they are as yet unknown. A heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive.
Songs from the Shore
In Japanese folklore, Afuma indicates a time of day marked by spiritual or mysterious encounter. In Latin, one who inhales. Together as Afuma, Stefan Tcherepnin, and Taketo Shimada breathe sepulchral energies into the brooding, cosmic fringes of guitar-based song vernacular. Tcherepnin’s baritone and Shimada’s lap steel guitar intertwine, smearing across world’s-end horizons that propel Tcherepnin’s ragged, foreboding vocal delivery and its lyrical portents of departure, of life’s vessel unmoore…
The Wolf Has Come Down From The North
** 2021 stock ** This record of absurd, delirious sound poetry, drawn primarily from the voices of Graham Lambkin and Joe McPhee, marks their first vinyl release as a duo. It was published in 2018 in an edition of 270 regular copies and 30 copies with handmade art.
Joe McPhee has been a deeply emotional composer, improviser, and multi-instrumentalist since his emergence on the creative jazz and new music scenes in the late 60s. Inspired by the music of Albert Ayler, he taught himself the saxopho…
Organic Music Theatre - Festival de jazz de Chateauvallon 1972
* 2xLP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on gatefold Stoughton jacket. * In the late 1960s, the American trumpet player and free jazz pioneer Don Cherry (1936–1995) and the Swedish visual artist and designer Moki Cherry (1943–2009) began a collaboration that imagined an alternative space for creative music, most succinctly expressed in Moki’s aphorism “the stage is home and home is a stage.” By 1972, they had given name to a concept that united Don’s music, Moki’s art…
The Summer House Sessions
* LP on black vinyl, pressed at RTI and housed in a heavy-duty tip-on Stoughton jacket, with insert. * In 1968, Don Cherry had already established himself as one of the leading voices of the avant-garde. Having pioneered free jazz as a member of Ornette Coleman’s classic quartet, and with a high profile collaboration with John Coltrane under his belt, the globetrotting jazz trumpeter settled in Sweden with his partner Moki and her daughter Neneh. There, he assembled a group of Swedish musicians …
Music for Cello and Humming
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her CD, Music for Cello and Humming, features two pieces for cello and humming written specifically for Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own "Humming Suite" and "Study for Cello and Humming." Having arisen intuitively from Hamann's investigations into shaking, just intonation, psychoacoustic phenomena, and the voice in relation to…
Shaking Studies
Nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, Shaking Studies, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamann's conception of the term emphasizes micro and macro pulsing, including tremors, vibrato, wolf tones, and complex partial activity. Hamann begins with a sphygmological reading of …
Nothing but the Music
The sounds of late '70s and '80s east coast avant-garde jazz, soul, and punk rock are well documented, but in Nothing but the Music Thulani Davis gives us something beyond, delivering a collection of synesthetic, transportive documentary poems that breathe anecdotal and impressionistic life into a sonic-social history about which most can only speculate. Davis' verse takes free flight with its muses, scatting and leaping off the page and the shoulders of the musicians, nightclubs, and choreograp…