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An underrated acid folk masterpiece brought to you by the classic couple Terry (guitar, mandolin, banjo) and Gay Woods (vocals), who formed the band after departing from the very influential british combo Steeleye Span. They recorded their debut album in 1971 on the small indie label Greenwich Gramophone Company. Think about the holy magic of the irish folk scene alongside some essential progressive rock scores.
*2023 stock* His 1971 debut Bright City was released on the legendary Deram, sub-label of Decca, and is such a stellar example of modern folk with lush strings arrangements. A brilliant songwriting alongside a pastoral feeling, gentle melodies and a solid background with several amazing players literally bridging the gap between contemporary pop and blues. The album – faithfully remastered – offers a vision of urban Scotland with a bluesy feel and it has to be ranked alongside the work of lumina…
For the first time on vinyl, these previously unreleased sessions by the British jazz rock band. Recorded live at the Impulse studios prior to their 1972 debut album on Blackey/Warner. With liner notes by bassist Colin Hodgkinson. Colin Hodgkinson first met Ron Aspery whilst the two were playing in Eric Delaney's Showband. The two began to talk about forming their own band around 1969, and eventually Back Door came to fruition in 1971, with Tony Hicks joining on drums. Hodgkinson made an innovat…
Another underground folk masterpiece back on the map. Forerunner of the british revival Ian A. Anderson licensed the album on his own The Village Thing on December 1971. Besides a couple of excellent cover- Black Uncle Remus penned by Loudon Wainwright III and a minor Bob Dylan classic as One Too Many Mornings – the album shows a more forward thinking production, with several bucolic progressive arrangements.
*In process of stocking* Brainticket was an obscure Krautrock band born out of a 60's jazz group featuring Belgian born keyboardist Joel Vandroogenbroeck, based in Switzerland. The leader went for a fortunate solo career after the former group disbanded, reaching a cult status especially in Italy with a series of sought after libraries. Released in 1978 on Cenacolo, Images Of Flute In Nature is pure magic translated in music. Conceived by Joel with a little help from vocalist Carole Muriel (an A…
*In process of stocking. Fully licensed, ltd to 500 copies* The sole self-titled album by English progsters Chillum was in fact an offshoot project of famous psychedelic icon Second Hand. They shared three members - George Hart, Ken Elliott, Kieran O'Connor – with the former band, giving birth to a more experimental act. The record originally saw the light of day in 1971. The lp was supposed to be the third Second Hand album, but apparently the members decided to change the band's name. Their …
Fully licensed, ltd to 500 copies, gatefold vinyl. The sole album by cultish british prog-blues combo. Originally released in 1970 on influential label Vertigo, their self-titled album is still one of the most original effort of the England jazz-rock scene. Fronted by Linda Hoyle, a powerful vocalist who sounds like a cross between Carol King and Julie Driscoll, the line-up was completed by Mo Foster (bass), Mike Jupp (electric and 12-string guitars), Lynton Naiff (keyboards) and Grant Serpell (…
*Fully licensed, ltd to 500 copies, 180 gr. Comprised of a precious inlay card featuring an exclusive essai by Emma Tricca.* “This is an album that takes you on a supernatural journey to the discovery of ancient sounds that move our souls in the deepest of manners”.
Veronique Chalot was born in Normandy in the north of France, but it was in Paris that she first became interested in traditional French folk music. In 1974 she landed in Rome where she soon earned a small, but dedicated following.…
*In process of stocking. Limited edition of 500 copies* Another unsung hero of the long lost british prog history, Julian Jay Savarin is a keyboard player and composer, poet and science fiction author, hence the association with the most epic and romantic tendencies of the genre. He was born in Dominica (an island between Martinique and Guadeloupe in the Caribbean) and moved to the UK in 1962. He debuted in 1970 with Julian's Treatment, a short-lived progressive rock band which his sole album – …
Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind …