★Creative Sources
Kochuu
Isabelle Duthoit, clarinet, voice. Roger Turner, percussion. Alexander Frangenheim, double bass. Recorded in Berlin 2014.
Three Rushes
Ernesto Rodrigues, harp and objects. Katsura Yamauchi, alto saxophone. Carlos Santos, computer.
Empty pingeonhole
Udo Schindler, bass- & contrabass-clarinet, soprano saxophone, cornet. Elisabeth Harnik, pleyel-piano. Live recording Octobver 26, 2012 in München.
Berlin
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
All about Mimi
Ernesto Rodrigues, viola. Ricardo Guerreiro, computer. Christian Wolfarth, cymbals. Recorded 2012 in Lisbon.
Verwandlung
Coralie Lonfat, laptop. Nathalie Huber, piano, objects, harmonium. Recorded in november 2012 at Atelier Musiquezag, Lausanne (CH).
47°13' N 7°E
Another uncommon sonic wringer from Portuguese label Creative Sources has been signed by a couple of Switzerland-based (as you could easily surmise from the geographical coordinate, which point to a place the district of Franches-Montagnes in the canton of Jura in Switzerland, they used to name this release) musicians, Lea Danzeisen and Christoph Schiller, who decided to squeeze the spinet, the little brother of harpsichord and piano, whose sound got totally transfigured by meticulous mod…
Le beau déviant
Heddy Boubaker, alto & bass saxophones. Ernesto Rodrigues, viola. Abdul Moimême, prepared electric guitars. Recorded in Lisbon, 2010.
Excerpts from anything
Matthias Muche - trombone. Philip Zoubek - Piano. Achim Tang - double bass. Recorded in Köln, Germany. Mastered by Markus Braun. Graphic design by Carlos Santos.
The Bird And The Giant
restocked: Swedish percussionist Erik Carlsson in a solo work using multi-tracking to create a set of composition ranging from ominous environments to quirky abstractions, an excellent collection of modern percussion pieces. "This is a fine album of carefully constructed, but also somehow partly unconsidered works by a finely talented musician. The six pieces each make clear musical statements, separate to one another and yet they form a well rounded, nicely balanced suite when brought tog…
Vers l'île paresseuse
Martine Altenburger - cello. Frédéric Blondy - piano. Bertrand Gauguet - alto & soprano saxophones. Recorded in Paris, France, 2009.
Oort
David Chiesa - double bass. Jean-Sébastien Mariage - acoustic guitar. Recorded by Pierre-Henri Thiébaut at école Britten in Périgueux.
Sin Asunto
Jason Kahn - amplified percussion. Vincent Millioud - violin. Bo Wiget - cello. Christian Weber - contrabass. Recorded in Zürich, 2008. Cover design Jason Kahn.
Suspensão
'Ernesto Rodrigues - viola, harp, metronomes, objects. Guilherme Rodrigues - cello. Gil Gonçalves - tuba. Nuno Torres - alto saxophone. Abdul Moimeme - prepared electric guitars. Armando Pereira - accordion, toy piano. Carlos Santos - electronics, piezo elements. José Oliveira - percussion.' (label info)
Few and far between
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…
3 : 1
The cracked, pinched, squeaked, and scraped sounds of the twin trumpets of Mazen Kerbaj and Birgit Ulher and the damped, scrubbed, and rasping sounds of Sharif Sehnaoui seem surprisingly familiar these days. Now that so many players have incorporated these techniques into their vocabularies, it allows one to focus on how they‘re used interactively rather than simply as sounds in and of themselves. Kerbaj and Sehnaoui have gained some visibility as core members of a group of free improvisers base…
Helbzeit
We enter an open landscape, rich in impressions, and then leave the beaten track. Here and there we notice something that merits closer inspection. After a shorter or longer pause, we venture a little in another direction. We might simply take the day as it comes and without concern let everything that has been and that we have experienced go to the winds. Or perhaps perceive the singular aspects shown by this landscape with an acute awareness. Use them to recall past events and experiences, thu…
Murmurios
TONARTENSEMBLE: Georgia Ch Hoppe (clarinet, mandolin, objects), Nicola Kruse (violin), Ernesto RODRIGUES (viola), Robert Klammer (zither, electronics, analog synthesizer), Heiner Metzger (soundtable), Helmuth Neuman (trumpet, waldhorn), Thomas Niese (double bass), Thomas Österheld (bass clarinet), Krischa Weber (cello) and Hannes Wiennert (soprano saxophone, trompsax, sheng). Recorded December 2009 in Hamburg.