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Duelling blues, simultaneously piquant and distorted, from one of Death Is Not The End’s few extant acts, following the label string of compilation pearls Back for third servings after an eponymous debut and ‘Fayet’ in 2017, Torontonian siblings Kevin and Patrick Cahill pick out bittersweet, wayward blues on these 2020 recordings made in their home city and out by the lakes in Kirkfield. We’re not sure if they’re twins, but the Cahills appear to work at near subconscious, telepathic levels of fa…
Hiski Salomaa began his life in 1891 in Kangasniemi in the Southern Savonia region of Finland, emigrating to the USA after the death of his mother in 1909 - travelling via Hanko, to Hull, Liverpool, Ellis Island, Manhattan, and finally to a Finnish American community in the South Range of Michigan.
After taking to writing and performing songs as a young boy, Salomaa saw a demand amongst the growing Finnish immigrant set for music performed in their own language, and indeed in the Finnglish diale…
The tireless Death Is Not The End returns with the first of two primers of Caucasus folk in conjunction with the Ored Recordings label. Established in 2014, Ored Recordings is a free ethnographic net-label that has drawn together a truly enlightening collection of field recordings based on documenting the folk and experimental musicians living in villages and towns throughout the North Caucasus region. Working together, the two labels draw together a 13-track collection that offers an illuminati…
The tireless Death Is Not The End returns with the second of two primers of Caucasus folk in conjunction with the Ored Recordings label. We’ve been blown away by this joint endeavour from Death Is Not The End and Ored Recordings, a Nalchik, Russia-based net-label that is a treasure trove of ethnographic folk and experimental music spanning the North Caucasus region. This second volume profiles an intrinsic social function of the Circassian people; the urge to dance. Some ten tracks deep, it real…