★Deutscher Musikrat
Zeitgenössische Musik In Der Bundesrepublik Deutschland 1 (1945-1950) (3LP box)
First volume of the massive and exhaustive 3LP box series of "Contemporary Music from West Germany" released in the early 80's by Deutscher Musikrat, presenting pieces composed between 1945 and 1952 by Richard Strauss, Werner Egk, Paul Hindemith, Ernst Pepping, Johann Nepomuk David, Philipp Jarnach and Hermann Reutter. With insert.
Zeitgenössische Musik In Der Bundesrepublik Deutschland 4 (1950-1960) (3LP box)
Fourth volume of the massive and exhaustive 3LP box series of "Contemporary Music from West Germany" released in the early 80's by Deutscher Musikrat, presenting pieces composed between 1950 and 1960 by Hans Werner Henze, Karlheinz Stockhausen, Hans G. Helms / Hans Otte, Dieter Schnebel, Mauricio Kagel, Winfried Zillig, Giselher Klebe, Karl Höller, Siegfried Borris, Fritz Büchtger, Harald Genzmer and Hans Ulrich Engelmann. With insert.
Zeitgenössische Musik In Der Bundesrepublik Deutschland 8 (1970-1980) (3LP box)
Eigth volume of the massive and exhaustive 3LP box series of "Contemporary Music from West Germany" released in the early 80's by Deutscher Musikrat, presenting pieces composed between 1970 and 1980 by Hans Werner Henze, Wolfgang Rihm, Hans-Joachim Hespos, Walter Zimmermann, Josef Anton Riedl, Peter Michael Hamel, Mauricio Kagel, Isang Yun, Mathias Spahlinger, Nicolaus A. Huber. With insert.
Zeitgenössische Musik In Der Bundesrepublik Deutschland 10 (1970-1980) (3LP box)
Tenth volume of the massive and exhaustive 3LP box series of "Contemporary Music from West Germany" released in the early 80's by Deutscher Musikrat, presenting pieces composed between 1970 and 1980 by Helmut Lachenmann, Dieter Schnebel, Karlheinz Stockhausen, York Höller, Robert HP Platz, Wilhelm Killmayer, Wolfgang Rihm, Mauricio Kagel. With insert.
Earthing
"String quartet” seems a rather reductive way of describing any of the four utterly compelling works by Clara Iannotta that the Jack Quartet play here. For as well as demanding that the string players employ every conventional technique, the Italian composer extends their sound world farther, both with electronics and with “found objects” applied to the strings and bodies of the instruments.
The four pieces all date from the last seven years. The earliest, A Failed Entertainment, borrows the wor…