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*100 copies limited edition* Embracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener…
*100 copies limited edition* An absolutely gorgeous long-form piece for trombone, its sustained tones billowing into spectral rumbles that open up trance-inducing harmonic spaces. Simultaneously monumental in scale and introspectively meditative, This Is What People Think Mountains Look Like leaves the brain swirling for days with its reverberations. The venue is vital to the overall recording given its reverberant nature, allowing Barbier to follow the sound of their own trombone as it develops…
*200 copies limited edition* Unfettered harsh noise from the legendary Japanese noise artist Masami Akita aka Merzbow. Tirelessly churning layers of distortion are punctuated across two tracks with glistening, jagged feedback and thrashing pulsations that lash at the ears and utterly invigorate the senses.
*100 copies limited edition* Fen is a selective evocation and invocation of a Kildare fenland. Focusing on the vocalisations and physical communication sounds of three bird species, it is comprised of field recordings of Grasshopper Warbler, Sedge Warbler (both Summer migrant breeders) and Snipe (resident breeder), alongside tuned percussion and synthesiser textures. As a birdwatcher and sound recordist the communication and language of birds fascinates me. The singular sounds made by the these …
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
Daytimes / Nighttimes is a manifesto detailing the sonic possibility of abstraction through culture. Both works combine Trombone and SP-404 to create peaceful yet emotionally charged landscapes that juxtapose each other in character. Zekkereya El-magharbel is an interdisciplinary artist currently living in Detroit. They have been a member of the Pan Afrikan Peoples Arkestra (Los Angeles) for almost 10 years and have worked/studied with luminaries such as Angel Bat Dawid, Tyshawn Sorey, Corey Smy…
Channeling their shared interest in noise, drone, freak folk, liturgy, and some real haunted New England atmosphere, Tongue Depressor and Weston Olencki unfold their singular vision in two wild pieces of rapturous intensity and resonance. Weston Olencki is a musician, composer, and sound artist from South Carolina, now living and working in Berlin. Their work is centered around questions of instrumental music and its contexts/constructs, various mediated practices of listening and improvisation,…
Entre Pliegos embarks on a quest through shared sonic ancestry to explore the immediacy of communication, invoking a mercurial, yet at times uplifting, musical environ. The drones and growls of low strings flow into explosive electronics, while ecstatic vocal spikes morph into rambunctious linear intertwinings that settle into an interminable, grating exhale. Chilean-based double bassist Amanda Irarrázabal and Brooklyn, NY-based pianist Eli Wallace crossed paths in the summer of 2019, where they…
A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end. For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.
*100 copies limited edition* Inspired by the work of Arte Povera, NEN achieves a high level of perceptual density with a limited sonic palette, combining remnants of musical instruments and electronics between fragments of samples and field recordings. A wonderfully bizarre piece that is both continuously disorienting and thoroughly engaging.
*100 copies limited edition.* A pulsating onslaught of layered harsh noise by Merzbow on Dinzu Artefacts. Second press. Recorded & Mixed at Munemihouse, Tokyo February 2021.
*Limited edition of 400 copies.* The latest from the uncompromising John McCowen is a split release between Dinzu Artefacts and Astral Spirits. Models of Duration follows the same trajectory as McCowen's other amazing solo releases - Solo Contra (International Anthem, 2017), 4 Chairs in 3 Dimensons (Astral Spirits, 2018), Mundanas I - V (Editions Wandelweiser, 2018) but is also a whole world beyond those. McCowen continues to focus on extended possibilities of the clarinet family as well as acou…
"Sonic Animism" is a site-determined body and sound performance that investigates the state of the sentient-being on the non-human agency brought by technological sonic happenings.
The framework of the performance is an artificial environmental cycle system where each element incorporates with each other in a dynamic process. It permits micro level of properties evolve to novel integrated wholes
With this performance, Yang aims to blur the binary separation between the "objective existence" an…
Dinzu Artefacts presents Abstersion by Lorenzo Abattoir. An exquisite collage exploring the internal sound-world of an upright piano. The piano here has shed its traditional use as a musical instrument to emerge as a wonderfully sonorous body in itself. Incidental sounds which are typically relegated to the periphery are moved towards the center of attention in a kaleidoscopic unity which privileges no sound over any other, opening up a whole world of noise, tone, and every shade between.
Neti-Neti is the lo-fi ritual music duo of Matt Evans (drums/electronics) and Amirtha Kidambi (vocals/electronics) that formed amidst their mutual experiences surrounding grief after the death of loved ones. The duo shapes a vessel for processing this loss using hazy rhythmic interplay, dredging piles of noise, and serene moments of ethereal melodic counterpoint. Neti-Neti, translated as "It is not this, it is not that" from Sanskrit, is a contemplation on the nature of reality, life, death, bir…
*100 copies limited edition. In process of stocking* Dinzu Artefacts presents When The Circle Was Closed by Slow Bell Trio. Midwest trio that taps into the slower, more meditative side of improvisational music allowing for some deep listening.
*100 copies limited edition. In process of stocking* Dinzu Artefacts presents 1995 by Andreas Brandal. Unearthed tape loops from the artist's childhood home consisting of recordings on destroyed and damaged cassettes as well as shellac records played on a gramophone. Newly mixed and edited.
*100 copies limited edition. In process of stocking.* Dinzu Artefacts presents La vie des objets by Charles Barabé. Kaleidoscopic textures of crackling noise and subterranean drones woven from a ubiquitous 'silence.' Vinyl records sampled and processed through a modular system further isolating and magnifying the sound.
Tip! *Limited edition of 100 copies. In process of stocking.* Yellow brings together acclaimed LA-based musicians Kozue Matsumoto, Patrick Shiroishi, and Shoshi Watanabe. With total expressive command of their instruments, the trio unfurls a brilliant and impassioned free improvisation of the highest virtuosic caliber that is at once anguished, defiant, and vigorously hopeful. An astonishing musical work, Yellow is also a powerful political statement. The musicians came together on the basis of …