Chantal Michelle
Pulse, Puls-ar, Procession (Tape)
FormatTapeLabelDinzu ArtefactsGenreElectronic
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A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end. For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.
Format
Chantal Michelle – Field recordings / electronics / feedback
Alina Maldonado – Violin / electronics
Brian Allen Simon – Tenor saxophone
Release notes
"For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion 24 minute study for a piece with no end" Written, recorded and mixed [...] in Annandale-on-Hudson, New York Edition of 100
| A | Part I | ||
| B | Part II |
- Chantal Michelle
- Field Recording, Electronics [Electronics, Feedback], Written By, Recorded By, Mixed By
- Giuseppe Ielasi
- Mastered By
- Devin Blaskovich
- Photography By
- Brian Allen Simon
- Tenor Saxophone
- Alina Maldonado
- Violin, Electronics
