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Drew Wesely, Carlo Costa, Lester St. Louis, Laura Cocks, Camilo Angeles

Silence is a Sharpened Blade / Ashes / The End Site / A Pearl in the Jaw / Flautas Ahogadas para Jacobo Grinberg (5Tape in Bundle)

Label: Dinzu Artefacts

Format: 5Tape in Bundle

Genre: Experimental

Preorder: Releases April 17th 2026

€32.50
VAT exempt
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*75 copies limited edition*

DNZ122 Drew WeselySilence is a Sharpened Blade

Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence is a teacher, a doorway, a paradox. Silence is a sharpened blade.

DNZ123 Camilo ÁngelesFlautas Ahogadas para Jacobo Grinberg

Flutes and electronics trace the cartography of a mind erased, a telepathic homage, a breath, an oscillation between different realities, silence, vacuum, all amplifies what empire could not afford to let be known.

DNZ124 Laura CocksA Pearl in the Jaw

A Pearl in the Jaw is a prayer in the physical process of release and return—a collapsable space between intimacy, introversion, and internal worlds and what utterances become boiled down to purity as we shrink ourselves. Our own kernels of truth, sharpened and shined as we hold onto ourselves in periods or spaces of friction. The nacre offers calming, glowing warmth, and also refractive possibilities endless in scope. Structures that interfere both constructively and destructively with light: to speak pearl is to ask for water. To speak pearl is to understand interwoven scales of time, to pull lace through milk, to chew on interference. 

DNZ125 Lester St. Louis The End Site

 Compositions for cello, electronics, EMF and feedback

DNZ126 Carlo CostaAshes 

Ashes consists of 8 concise pieces, each developed on specific setups, with a particular combination of instruments and objects. Each track acts as its own sonic microcosm, where a few distinct sounds and textures are explored and intimately captured. The title comes from Zen master Dōgen Zenji's metaphor for being fully present, burning through thoughts like a hot fire where no traces are left after, only ashes — conceptually elusive, but like the sounds on Ashes, contemplative and deeply inspiring.

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