★Drag City
What We Have Known
2025 stock The b-side by Joanna Newsom of the now-distant (but still close) "Sprout and the Bean" single, pressed into its very own piece of vinyl with its very own etching on the other side and a Civil War-styled jacket designed just for the occasion. Buy it from us or from your favorite store, no one else allowed.
For Translucence
The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.
Live From A Shark Cage
Killer beauty, slowly circling animals & the heaviest, most deluxe vinyl to date. File with all your Aerial M records.
Camoufleur
2025 repress, LP version. "Sometimes it's like an overstuffed musical armchair -- quite comfy, even when lumpy. The contribution of Markus Popp, whose style of digital scratching has made Oval an experimental household name, adds to the density and often provides an echo of Gastr past while the rest of Camoufleur paints the future." Jim O'Rourke's last album with Gastr del Sol is a subdued, meditative affair, bringing together elements of folk, jazz, film music, and the avant-garde. "The Seasons…
Whistle from Above
Reinvigorated by months of shutdown woodshedding, David Grubbs developed new works for guitar, as well as a piano piece and an exceptionally eerie bit of musique concrète. Inspired by the deep dive into Gastr del Sol’s duo magic that facilitated last year’s compilation box, David opened his deeply personal solo pieces for engaging conversational gambits with modern masters Rhodri Davies, Andrea Belfi, Nikos Veliotis, Nate Wooley, and Cleek Schrey.
Antigone
Big tip! Antigone is Eiko Ishibashi’s latest musical masterwork, one rife with chilling speculations for the future calling from inside her own head. Out March 28th, it marks Eiko’s first “traditional” songcraft album — that is, with lyrics and singing — since 2018’s acclaimed The Dream My Bones Dream, arriving on the heels of her celebrated soundtracks for Ryusuke Hamaguchi’s films. Within Antigone, Eiko teases out images from a dystopia not unlike the one we’ve already got. Hers is suffused wi…
Projectile
Projectile is an artist’s book by Reto Geiser, David Grubbs, and John Sparagana that spirals outward from a single source image: a news photograph of chair-throwing at the conclusion of a cancelled rock concert in the early 1980s. Visual artist John Sparagana has long produced sliced and mixed collage works in which a source image is enlarged, copies of the image sliced vertically into 1/8” strips and then sequenced horizontally, followed by a second stage in which the stretched image is sliced …
A Shaw Deal
Some things take a long time. And some things are meant to last. But how you know that, or learn how to find out, that’s a more intangible thing. That’s A Shaw Deal – intangible. A communal meeting place for two old friends and their different musics. A Shaw Deal is the first album by Geologist and DS. They go back a long ways – back before Highlife, before Shaw joined White Magic – back to the early childhood of Animal Collective. Basically, Doug Shaw touched down in NYC around 2003, and he and…
Snowbug
After the high times and critical-mass arrangements of the previous two records, Snowbug exuded a breezy, spare, morning-after vibe. Edified by all manner of world-folk, classic Brazilian pop and the first volumes of the Ethiopiques comp, the Llamas recorded in London with Fulton Dingley and in Chicago with Bundy Brown and Jim O’Rourke engineering at Electrical Audio and John McEntire mixing at Soma. Snowbug is an understated, underrated gem.
Lollo Rosso
The remix album, with marvelously creative EDM remakes from some of the best powerbook players of the day: Mouse On Mars, Jim O’Rourke, Kid Loco, Schneider TM, Stock, Hausen & Walkman, Cornelius and The High Llamas themselves. In addition to showcasing this emerging new generation of digital masters, the treatments here also highlight an oft-undersung aspect of The High Llamas’ sound – the influence of Krautrock.
Cold And Bouncy
Having passed – at least figuratively – through hundreds of years over the course of their previous two albums, the good ship High Llamas docked, fully loaded, into a congenial present moment for once in its life. O’Hagan’s continued work with Tim Gane and Stereolab caused a healthy dose of electronica to spike the Llamas’ already heady brew, creating an apex of late 90s-style neo-exotica. RIYL: Mouse On Mars, Oval, Grand Royal, Dots and Loops.
Hawaii
The High Llamas discover America – yes, it had been done before, but not via their envisaged pilgrims’ passage. Energized by the breakthroughs of Gideon Gaye, they went all-in, producing a wide-screen epic further exploring their unique agenda. The reference points multiplied, stretching through realms of classic pop and jazz, soundtrack music, exotica and neo-Americana, while charting a journey through musical landscapes of abiding lightness.
Gideon Gaye
This brave foray into conceptual art music produced a jaw-dropping reset on the 20th century pop perspective. The High Llamas engaged songwriting and production with an eye toward filmmaking. Digging through ephemera of choice vintages with post-modern zest, they struck a rich vein they could call their own – a kind of gothic Americana, formal aspects pushed to extremes. The spirit of discovery here can be vibrantly felt over 30 years later.
Santa Barbara
*1st ever LP pressing!* For The Llamas’ 1992 debut, Sean O’Hagan, working the sextant to navigate a post-Microdisney course in the musical world, posted them up as a guitar pop band (RIYL: NRBQ, Big Star, Steely Dan), with nine exquisitely crafted examples of the oft out-of-step sound. Had there been no more after this, Santa Barbara would still be sought-after buried treasure by the perennial waves of voyagers seeking these sweet, jangling spices to this very day.
We Will Be Wherever the Fires Are Lit
begin form here...
begin from here...our world lives when their world ceases to existbegin from here...with hopes, between silent skies, while world breathes again and the fever subsidesbegin from here...and to those who strike blowsbegin from here...while we keep goingbegin from here...while we mourn, we also fight
We will be wherever the fires are lit!
We will be wherever the fires are lit, a sort of sequel to Tashi Dorji’s first DC release Stateless, takes the torch and storms forward, with t…
Lifetime
Sun Araw’s tenth studio album, Lifetime, continues to investigate space as a motionless field against which many motions are observed! Stasis: wheels within and wheels without! “Dripping Magnetizations! Arcs of Slowing Rotations!” Two LPs at 45 RPM. Mixed by Cameron Stallones & Jake Viator, Mastered by JJ Golden. Please enjoy this adventure in sound.
Companion Rises (Twig Harper Remix)
6OOA’s 2020 opus is reunmanaged by sound composer Twig Harper, whose remix goes places no other remix record could dare under his unlimited brief. In the process, it affords the wizard of Six Organs, Ben Chasny, the chance to re-present the record in a form as insane as the world into which the record was, and is headed. A soundtrack to California chaos, done two ways, sometimes at the same time! RIYL: Electronic, New Age, Modern Classical
Earthly Pleasures
Veteran electronic music composer Jill Fraser’s new work takes stock of generations and lifetimes of memory, speculating on how the spirit of our songs might be interpreted after we’re gone. With her 1978 Serge Modular, Prism Modular and Ableton Push 3 in the circuit path, she recomposes a stack of American revival hymns, making new creations for the future. A fluent meditation upon mortality and rebirth amid numinous infinities of dimensional sound.
Hav
Whitney Johnson, alter-ego of psychoacoustic voyager Matchess, debuts with a new composition that meditates on the duality of the human body. An instrument that collates awesome sensory pleasures, allows us to feel, and, best of all, to hear music, it’s also forever wearing on its slow death march. Using sine waves, marimba, viola, Arp Odyssey and Halldorophone, Whitney radiates healing waves to soothe and heal our flawed, but inspiring system.