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Drag City drops the sixth and latest David Grubbs pop album, The Plain Where the Palace Stood, which finds David once again twining together the diverse strands of his vast interests. Working with Andrea Belfi (drums, electronics) and Stefano Pilia (guitar) - plus Attila Faravelli on electronics - creates a sympathetic groupthink that David expects more and greater from in the years to come. The welcome return of his distinctive overdriven guitar tone is a highlight of the record. And C. S…
The 'Prince' & the Marquis (Mick Turner of DIRTY THREE) unfurled the scroll together, with Tren Brother Jim White (DIRTY THREE, CAT POWER) rumbling & banging things & playing drums, & the Bonny gang crew of Van Campbell, Emmett Kelly & Angel Olsen added invaluable dimensions to the moments herein.
Double LP edition. Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba H…
VINYL VERSION! NOTE NEW PRICING! Alasdair Roberts is bidding farewell to his nom-de-musique, APPENDIX OUT. What once was Appendix Out is now & forever Alasdair Roberts. The broadest work in young Roberts' canon so far. Heavily steeped in the lineage of European folk, the words & music of "Farewell Sorrow" evoke a spirit of youth, an air of reckless abandon, a passion not meant to stay in this world.
"'It's about a race war and it happens in Florida. And the Jewish people sit in trees. And the black people are run by M.C. Hammer. And the whites are run by Vanilla Ice. I wanted to write the Great American Choose Your Own Adventure novel.' -- Harmony Korine, addressing a national television audience, 10/17/97. Back in print from Harmony Korine, A Crack-Up at the Race Riots was originally published by Mainstreet/Doubleday in 1998. Korine's first novel presents fragments of a portrait in …
In the Summer of 2010, the underground trend of 'trash-humping' JUMPED the NASHVILLE CITY LIMITS as the film Trash Humpers spread across the nation, screening in movie theaters, galleries, bars and grills and anyplace, really, indoors or out, that could draw a crowd to see the thing. Filmmaker Harmony Korine often accompanied the film, standing around and answering questions when he wasn't doing something else. It was something to see, but the only problem was, all you could do once you'd …
Some cream for your acid-folk tea - hitherto unreleased sides from the two and a half bards (well, two bards and a maiden - forsooth!) who self-released All On the First Day back in '72. These include studio recordings from later in the 70s, a couple live songs and an outtake from the legendary album itself! Well, the first legendary album anyway - for Blue Clouds is clearly another.
Alasdair Roberts continues to do his bit for Scottish folk heritage on a fyne suite of augmented standards and new songs accompanied by his pals. Alasdair brings his undoubted charm, skill and imagination to ten songs ranging from celebratory elegies ('The Merry Wake') to doom-laden laments ('The Laverock in the Blackthorn'), distilling the passion, pain and yearning of hundreds of years of tradition with a timeless voice, perfectly summed up by fellow countryman and poet Robin Robertson: …
Along with fellow Chicagoans Tortoise, Gastr Del Sol has managed to create an indie-rock audience for progressive music. On this release, the last with multi-instrumentalist and producer Jim O'Rourke, the group's music is more melodic and concise than in the past. But at the same time, the group retains its dedication to experimenting with song forms and production techniques. Augmented by friends and hired hands who play a variety of instruments, Gastr aims for the grand pop of Van Dyke …
Six Organs goes stomping wordlessly into the next phase with heavy gravity boots on. This is full-bore, petals-to-the-metals Six Organs, featuring Ben Chasny backed with his erstwhile bandmates known as Comets on Fire
Six Organs mainstay Ben Chasny has become one of the high shamen of the US psychedelic underground, disseminating his hairy vision between at least three bands and a couple of genres over the past decade. His umpteenth album begins with a sonic white-out called Waswasa – a thrilling myocardial infarction of guitar more in keeping with another of his bands, Comets on Fire, who are, in fact, on board here. How Chasny tells his sprawling, incandescent guitar solos apart, we may never know; this is …
Well further gifts abound, as this 1976 concert on Galactic Zoo Disk/Drag City will attest. Clearly, the explorations of Sandy Bull were not lost on the far-out audiences of the Bay Area, and though the heady days of the '60s have gone, the Berkeley heads are still in full force, hanging on Sandy's every note with a clearly expressed delight as they wait for headliner Leo Kottke to take the stage. Even though there were no further albums after 1972's Demolition Derby (a candidate for unhi…
Don't lose control — dig Blues Control! Following a circular path in order to access the unknown, Russ and Lea nab chaos in a plastic cup and crush rock into diamonds, or something that looks like them anyway. Valley ho! This new record is like drugs for your ears.
"Man, our minds were blown by that God and Hair box. When we were given a chance to work with some of the folks from The Source back in 2008, we just said yeah, let's hear more of that craaazy music. First came the never-before-heard tape from Children of the Sixth Root Race, Songs From the Source. Then, Magnificence in the Memory, a vault-diving expedition by NNCK's Dave Nuss credited to Father Yod and the Source Family. Now in the year 2012, rare energies are at play, and the times are c…
LP version with bonus 7"; one of the great Drag City releases (and one of the great American music solo albums) finally on vinyl again. "In 1970, Mayo Thompson (once-and-future leader of The Red Krayola) recorded an album entitled Corky's Debt To His Father. Walt Andrus' Texas Revolution label released the record -- but just barely, selling a few hundred LPs with no promotion to speak of. The copies that made it into shops became the treasured objects of taste-makers around the globe -- which ma…
Vinyl version. The untidy trio trip lightly & jazzily from etude to still life to exploding the air into flames around us with just a violin, electric guitar & trap kit. Don't shade your eyes! Look "Toward the Low Sun" & you will know once again the burn of the Dirty Three.
Years of research into the bio-electric output of the human brain have now been harnessed with the creation of a device that allows man to monitor and interface with another's brain using a box that appears to be no more complicated than a guitar effects pedal! Batoh's experiements with this machine are only part of the album; the other tracks utilize traditional Japanese ritual melodies and instrumentation to form a prayer/requiem for the victims of the Great East Japan Earthquake. A dee…
A split single to be listened and heard (and more importantly, bought) with the compilation Whar the Pig Gaed on the Spree. Tradition-minded singers Alasdair Roberts, Karine Polwart, and Drew Wright do the honors. A-side: "Captain Wedderburn's Courtship" performed by Alasdair Roberts and Karine Polwart B-side: "The Dowie Dens o Yarrow" performed by Drew Wright
Come pre-Hashing with Gary! The in-between years, echoing from far out, seeking love and peace and happiness but disturbed by what all's around the treasure. It seems that '70–'71 wasn't all smiles and sunshine — paranoia struck deep, and it hit a chord: a pretty, eerie acoustic one. With archival material like this, it is always tempting to examine the songs for hints of foreshadowing, and it's easy to have a little shiver when Higgins sings such fatalistic lines as "Ragged edges will cut your …
Another addition to Drag City’s curious collection of ‘outsider’ folk records (sitting neatly alongside Gary Higgins in your collection), Ed Askew is an artist I haven’t come across before. After his debut for ESP in 1968, his second album ‘Little Eyes’ was recorded in 1970, but somehow never got past test pressing stage, and as so many records of this era did, was lost for decades. After the 70s Askew seemed to sink into obscurity, but in the early 80s he got his hands on a harpsichord, a tiple…