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Editions Mego has finally reissued the woefully out-of-print complete recorded oeuvre of this massively influential and infrequently convening laptop supergroup. Unsurprisingly, it still sounds great. The Magic Sound Of...’ and ‘The Return Of...’, originally released in 1999 and 2002. Fenn O’Berg (Christian Fennesz, Jim O’Rourke and Peter Rehberg) first hit the scene after a surprise appearance at the Nickelsdorf Festival in 1997. Throughout 1998 and 1999 the trio toured extensively throughout A…
last copies...As the title suggests this album is referencing the parallel universes of modern 20th century composition and hedonistic rave culture. A challenging but ultimately rewarding set of Electronic Music compositions which push these two reference points into unknown areas. Set in apparent contrast are the sequence of six pieces Acid In The Style of David Tudor, where hyperchaotic functions are inherently coupled to their sources of manipulation - a Buchla modular synthesizer in combinat…
Brooklyn noise herald and Hospital Productions label-head, Dominick Fernow presents his first release for the Editions Mego label. Fernow has been an active instigator in the power electronics and noise genre for well over a decade, with 100+ releases issued so far, usually limited and covering all known formats. Known in particular for his harrowing live performances where he uses his voice, amps, microphones, coins, tools, suitcases etc., to create a brain-bashing journey through mangled, nega…
Editions Mego issues the first album by duo Lucio Capece and Mika Vainio. At first glance, the two seem unlikely partners. Two standard-bearers at opposing poles of extremity, both sonically and geographically. Lucio from Argentina and rooted in the traditions of jazz and improv, while Mika, hailing from Finland, sourced in early '90s electronic and industrial scenes. However, they both share an alarming attention to detail when it comes to their audio compositions, and neither are afraid …
All audio made by Peter Rehberg 2004-2008. For the following Gisèle Vienne productions : 'I Apologize' (2004), 'Une Belle Enfant Blonde' (2005), 'Jerk' (2008). Text written and spoken by Dennis Cooper. Action on ÔMurder Version' by Catherine Robbe-Grillet & Jonathan Capdevielle. Mastered at Piethopraxis, Köln, June 2008. Artwork by SOMA. Photos by Gisèle Vienne. Peter Rehberg's collaboration with the Paris based puppeteer and choreographer, Gisèle Vienne began in 2001, with the production of the…
The boiling up bottomless numbness. Slowly disappearing and so suddenly reappearing. A constant vivid reminder yet as honest as possible. The man from deep river quickly develops between two lonely desperate individuals, and the savage natives around him turn just as quickly against their own mountain god. The ´illness´ is caused by several deeply depressing circumstances and by the intense difficulty of other sickening circumstances happening around deep river. The underlining of this situation…
Despite only being released now 'Hedonism' is actually the first studio album by Dirk Dresselhaus and Ilpo Vaisanen as duo, a project which started in 1999. Five years in the making and being started before Hildur Gudnadottir joined forces, 'Hedonism' is colllision of urban and rural settings. The opening five blistering tracks retain a full in sci-fi punk feel being made in Dirk's Berlin studio. Tracks such as 'Holding Loose' and 'Adrenaline Strike' are brutal urban mantras bristling with energ…
Done by ibitsu, March 2008. Mastered at Piethopraxis, Köln, September 2008. Artwork by Soma, July 2008. A curious and highly fine tuned digital composition emerging from somewhere in Japan. Starting life nearly a decade ago, this piece was refined, restarted, thrown away, though lost and finally adjusted and completed in March of this year. A shimmering sub rumble counters hi-end tweaks, like an acid drenched take on the spirit of early trente oiseaux releases. 'foolproof betters fools bettering…
One continuous track split into 11 parts. Acoustic-digital presentation recorded Colchester Arts Centre 17.10.2006. Final mix by Z'ev London 01.2008. Mastered at Piethopraxis, Köln 04.2008. Neither Z'ev or pita need any introduction in these circles. These two heavyweights of experimental music have been associates for two decades. Their creative collaboration came about after a meeting in 2004, which led to a monthly file exchange program in 2005. Instead of releasing results immediately it was…
'Silvia Fssler: computer, electronics, guitar. Billy Roisz: computer, turntable. Recorded & mixed June 2007 by Dieter Kovacic at Fleetinsel-Hamburg. Mastered by Martin Siewert at Motone Sound Services-Vienna. 'Skylla' is a monster. A sheering, scathing collision of computer generated sounds meshed with guitar and turntable. The results are intense yet bearable, funny but not stupid. From the rhythmical excesses of 'Pink Umbrella' and 'Kirre' to the subtle dronescape of 'Syne', this is a full on …
'Angel is Ilpo Vaisanen (Pan sonic), Hildur Gudnadóttir (Lost In Hildurness) and Dirk Dresselhaus (Schneider TM). 'Kalmukia' is a vast epic, sprawling through guitar riffs spanning deep electronic canyons overlooked by a melocholic grey sky. A journey leading to discovery and a final mutation. All players delicately playing off each other creating a mesmerising work that sounds like nothing they have done before yet still retaining the audio signatures they have become known for. Packaged in a n…
'6¡Fskyquake is an audio composition designed in 2001 but explored conjunction with the american sculptor Banks Violette's solo shows in summer 2007. Actually, two shows at two different galleries, Barbara Gladstone & Team, running simultaneously for the duration. The interaction of sound and Violette's work revisited concepts touched in prior collaboration of loss, absence, residual energy of a missed evocative experience. The composition was captured at a recording session during the installa…
QuintetAvant is comprised of members Lionel Marchetti, Jérome Noetinger, Jean Pallandre, Marc Pichelin and Laurent Sassi, five leading lights of the French improvised, electronic, electroacoustic scene. This recording sees them combine electronic tape, analogue synths and a united love for strange sonorities. Like its predecessor, the vinyl-only release Floppy Nails on Mego, this is an exciting display of concrete improvisation. Taken from a live session at the Musique Action Festival, and maste…
This is the second full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Devastatingly beautiful four-part follow up to the highly acclaimed debut CD, recorded in a former abattoir in Angers, as well as a 16th century manor in the extreme west of France. Taking the blueprint that was laid out on the first record even further, with the ecstatic build up of "Theme," the near-psychedelic "Abattoir," and closing wi…
KTL is a collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). This is a six-part collision amongst the increasingly fading presences between the light and the dark, with some pieces recorded in a resistance fortress in southern France during a thunderstorm -- while others were recorded in a winter garden drenched in sunlight. The collaboration came about as the two were working on a theatre production by Gisèle Vienne and Dennis Cooper, entitled Kinder…
Kevin drumm (guitar and noise) and Daniel Menche (organ and noise) recorded Fall of 2006 in Chicago at Uggae's Porta-toilet studio. Mixed and mastered at Stereophonic Mastering in Portland, Oregon. One organ, one guitar, several fuzz boxes and two highly regarded purveyors of american extreme sonics are the savuory ingredients that created Gauntlet. Building on Menche's aural low end physicality and drumm's exacting attention to high frequency detail - the aptly titled 'Gauntlet' is sizzling, sc…
Ectoplasmic drool, ruptured voice, multi-temporal cash, concerti for nostrils, hyperactive excursions into comedy and violence. An aural textbook of constant change presenting a multi-dynamic evaluation of what may be possible with what we have at this point. Equal parts postwar beard and modern patchnocrat, Flux compendium sees two of Melbourne's hairiest sons nose dive and writhe in their unique take of sonic totalism, rising out of the muck with their kaleidoscopic best. Far from the lifeless…
"Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create a time…