★Endless Happiness
Trio (LP)
Back in print by popular demand ! The expressive English pianist Mike Taylor recorded a couple of excellent albums in the mid-1960s, at the request of Denis Preston of Lansdowne Studios, before drug use got the better of him, resulting in a long period of homelessness and a tragically early death from drowning at the age of 30, in 1970. Trio, the only album Taylor cut with the jazz trio he fronted, has strikingly original renditions of jazz standards such as “Stella By Starlight” and “The End Of…
Kulu Sè Mama
Endless Happiness presents Kulu Sè Mama by John Coltrane. Reissue for this classic album from '67 on Orange Impulse Rec. Considered to be the last Coltrane's lifetime release it includes the all-time classic "Welcome", as defined by Coltrane himself as the song is that feeling you have when you finally do reach an awareness, an understanding which you have earned through struggle. It is a feeling of peace. A welcome feeling of peace."
Love Songs
Endless Happiness presents Love Songs by The Mike Westbrook Concert Band. Highly sought-after British Jazz-Rock with some vocals thrown in by Norma Winstone. Love Songs was recorded at Tangerine Studios, 1970, and it is sorefreshing, choral and utterly distinctive with a staggeringly good group ofmusicians led by Westbrook and Surman. A mix of the melodic and the wistful, backed by a groovy beat, reissue now available for this classic masterpiece.
Reed Streams
Long awaited reissue for Terry Riley's 1966 debut album, and one of the greatest pieces of minimal music ever created on Philip Ornstein’s iconic MassArt imprint, which also brought us Max Neuhaus & John Cage’s Fontana Mix-Feed and Allan Kaprow’s How to Make a Happening, is among the most sought after in Terry Riley vast discography. It is also the first recordings Riley made using his two personal Revox reel-to-reel tape machines (or "Time Lag Accumulators") later heard on his groundbreaking re…
The Empty Foxhole
Ornette Coleman's most controversial album back on vinyl. Originally from 1966, 'The empty foxhole' also marking the recording debut of his son Denardo, who was ten years of age at the time of the recording. " Ornette Coleman's brief tenure at Blue Note was neither as seminal as his Atlantic output nor as brazenly ambitious as his early-'70s work for Columbia and later with Prime Time. Still, the period did produce some quality music, and The Empty Foxhole is one of his most intriguing efforts. …