★Errant Bodies
Matters of Listening
A sound composition based on a workshop focusing on questions of sound, listening, collaboration, and community. Matters of Listening took place as a workshop and public event held at the Museo de la Solidaridad Salvador Allende, Santiago de Chile, on June 30, 2019. Focusing on questions of sound, listening, collaboration, and community, the workshop developed as an explorative gathering for sharing, discussing, and making together: to pull from the closets and backrooms various materials and ob…
Dirty Ear Report #03
* English Edition * Dirty Ear Report #3 documents a collective workshop by sound artists and researchers working in the fields of experimental dramaturgy, sonic social engagement, and voice studies. Representing the sixth in the series of the Dirty Ear Forum held in Lisbon in 2016, the Report brings together essays, text pieces, and documents from the participants. In particular, questions of affect and urban experience are considered, posing sound as a vehicle for generating performative cartog…
Tuning Butterflies
Dialect melodies are passed along since time immemorial and yet are only spontaneously available in the moment. Before caught and preserved they have to be released. Antje Vowinckel reflects upon this paradox through a collection of dialect recordings which are then imitated by humming musicians who try to catch the correct melodic lines. Vowinckel recorded most of the voices herself in remote areas of Europe and the United States, because there you can find the most sing-songiest accents. Howev…
Grounds for Possible Music
Gender, voice, language, and identity in musical composition and experimental sound practices.How do we get to imagine the music we make? Where and how is it grounded? What is the relationship between the art and its maker, and what and who does music represent?Gender, voice, language, and identity are four important notions for musical creation, for the shaping of a canon, and for the interactions in the field. All four notions are strongly contextual and carry an inherent sense of paradigm and…
Overhearing and Interrupting
Organised in 8 “episodes,” Brandon LaBelle's reference monograph guides us through a number of his installation works and scripts from 2003 to 2014, raising questions of space and community, and further, to the direction of the social and its political potential. Three essays and an interview, as well as the recording on CD of a recent live performance, complete the book.Compiling works and writings from the last 13 years, this comprehensive monograph on American artist, writer and theorist Bran…
Room Tone
Published in November 2015. English edition, 16 x 21 cm (softcover), 112 pages (color ill.). Texts by Robin Wilson and Brandon LaBelle; interview with Brandon LaBelle by Elena Biserna. The publication documents a project developed by artist Brandon LaBelle which attempts to instigate conversations between sound and architecture through a set of audio recordings of the artist's apartment in Berlin.“Sound moves between inside and outside. It disturbs what may appear static while also providing mom…
Almost Nothing with Luc Ferrari
Originally published in France in 2002, Jacqueline Caux’s Presque Rien avec Luc Ferrari is the first book to offer a comprehensive and insightful look into the work and career of one the most pioneering music composers of the second half of the 20th century. Errant Bodies Press is pleased to release the English edition translated by Jérôme Hansen.True to the genre-defying career of Luc Ferrari, who passed away in 2005 at the age of 76, the book skilfully assembles original interviews conducted b…
Beyond utopia
2012. English edition, 18,5 x 24 cm (softcover), 126 pages (b/w ill.). Edited by Sophie Warren and Jonathan Mosley. Contributions by Maria Fusco, Marie-Anne McQuay, Paul O'Neill, Elizabeth Price, Jane Rendell, Lee Stickells, Robin Wilson. Based on a project initiated by the collaborative practice of Sophie Warren and Jonathan Mosley with writer Robin Wilson, Beyond Utopia queries the function of utopian thinking in urban planning and spatial culture. The aim of the original project was to…
Surface Tension Supplement No. 1
Edited by Ken Ehrlich and Brandon LaBelle. Essays by Jennifer Gabrys, Robin Wilson, Michael Rakowitz, Claudine Isé, Octavio Camargo, Kathy Battista, Brandon Lattu, Simparch, e-Xplo, James O'Leary, Kristin Kreider, et al. 'Following the success of Surface Tension: Problematics of Site, Surface Tension: Supplement No. 1 presents contemporary site-based practices in art, architecture and performance through writing, documentation and projects. It offers readers a string of moments when artist…
Manual for the construction of a sound
Surface Tension Supplément N°4. 'Organized as a temporary working group, the Manual project set out to explore sound and auditory experience as platforms for social meeting, urban intervention and environmental investigation. Developed in collaboration with Atelier Nord and the Ultima festival and staged in Oslo in 2009, the project brought together six artists from around Europe engaged in experimental media practices. The project functioned as a series of process-oriented field studies of the …
Manual for the construction of a cart as a device to elaborate s
Bilingual edition (English / Portuguese). 21 x 27,5 cm (softcover), 72 pages (17 color & 15 b/w ill.). 2009. Edited by Octávio Camargo & Brandon LaBelle. Contributions by Ricardo Basbaum, Alex Cabral, Octávio Camargo, Ken Ehrlich, Jennifer Gabrys, Brandon LaBelle, Margit Leisner, Josina Melo, Rubens Pileggi, Ines Schaber. Extending artistic research and work taking place since 2006 in Curitiba, Brazil, the publication brings together documentation and related texts that aim to elaborate on the q…
What remains of a building divided into equal parts and distribu
2009. English edition. 15 x 23 (softcover). 72 pages (b/w ill.). Edited by Ken Ehrlich & Brandon LaBelle. Contributions by Rachel Allen, Ava Bromberg, Ken Ehrlich, Jesko Fezer & Mathias Heyden, Nis R¿mer, Carl Michael von Hausswolff and The Land Foundation. What remains of a building divided into equal parts and distributed for reconfiguration is the second volume in the Surface Tension Supplement series dedicated to publishing documentation and critical writing on site-based practices in art, a…
Site of Sound: Of Architecture and the Ear Vol. 2
Since the publication of the first volume of Site of Sound in 1999 the issues and activities pertaining to sound and architecture have expanded to circulate more dynamically within the fields of sound art, sound design, and spatial practices. From acoustical technologies and urban planning to public art, concerns for auditory structures and the experiences of listening are finding deeper footing within both artistic and environmental contexts. Recent noise mappings across Europe, along with new …
African Feedback
Through a process of listening and speaking, African Feedback documents an exchange between artist Alessandro Bosetti and residents of villages throughout West Africa. Playing music by various experimental and avant-garde composers to people met in villages, Bosetti records their responses, asking them what they are hearing, and how they relate to the music and sounds. Composing their responses, with field recordings made throughout his travels, African Feedback is a musical portrait of cultural…
Noise media language
A pioneer since the early 60s in sound art and digital composition, yasunao Tone has composed for Merce Cunningham (alongside John Cage) and been a member of the groups Ongaku, Hi-Red Center, and Fluxus. He is unabashedly avant-garde and continues today to engage questions of noise, language, and systems of representation. This indispensable monograph catalogues the artist's career through documentation of seminal projects. Including a cd of works ranging from early performance experiments to cu…
WRITING ALOUD
Writing Aloud is an anthology focusing on the relationship of language to sound, writing to music, and brings together a highly diverse collection of essays, interviews, meditations, visual projects, text-sound scores and audio by some of the leading individuals in the field of cultural and performance studies, experimental music and contemporary art.Starting from the perspective that the sound of the voice is crucial to our perceptions and understandings of language, to the creative possibility…
One reason to live. Conversations about music with Julius Nil
This is the challenge posed by Julius Nil, Sunday nights on Resonance FM in London. Each episode, Nil invited one guest to choose one piece of music to listen to and talk about. One Reason To Live compiles fourteen insightful, inciteful, conversations with some of the most important and innovative figures in jazz, rock, classical, sound art, cultural theory, and philosophy. Guests include David Toop, John Parish, Kaffe Matthews, Steven Connor, Eric Roth, Scanner, Andrew McGettigan, Brandon LaBel…
Works: 1975 to 2005
An unstoppable attraction for extreme sounds, in line with the passions that emerged from the international underground at the end of the Seventies, carried John Duncan through complex paths and artistic practices (from Los Angeles to Amsterdam, then Tokyo, then Italy, in Scrutto San Leonardo, Tuscany). More and more contaminated territories, close to a certain kind of performing art which, in the Viennese actionism and body art, the transgre…
Radio territories
The legacy of radio and the arts has spawned forms of radical culture, from early Modernist notions of the “Wireless Imagination” and its subsequent vernacular tongues to Acoustic Ecology’s call for “Radical Radio” based on removing the DJ, transmission and broadcast media upsets and redistributes understandings of place, corporeality, social exchange, and the politics of information. Such instances of radicality find their current expression in radio networking and streaming, which seek to coun…
Two Films
Including the films 'Hashima, Japan 2002' (installation and documentary versions) and 'Al Qasr, Bahriyah Oasis, Egypt 2005'. Plus 'filmmakers in conversation'. 'Straddling the line between documentary and audio-visual meditations on landscape, the Hausswolff-Nordanstad filmic partnership taps both the detritus of human civilization and its uncanny ability to withstand the forces of nature. In 'Hashima, Japan 2002' we are given a portrait of the Battleship Island off the coast of Nagasaki, a form…