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By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howar…
Temporary Super Offer! Summertime from the LP My Name Is Albert Ayler made me discover Albert Ayler. His unique interpretation of Summertime motivated me to go to Lörrach crossing the border from Switzerland to Germany to listen to the concert of the…
Temporary Super Offer! Four For Trane became one of the classic, iconic albums of the post-bop era. The explanation is three-fold. First, the material. Rather than follow Coltrane’s lead into the most extreme of his free-blowing anthems, Shepp select…
Temporary Super Offer! 'The music on this CD is an impressive document of such a search for meaning and artistic legitimacy. It doesn’t want to add something even louder to the supposedly spectacular. On the contrary: Here, it is about the subtle int…
Temporary Super Offer! In his comprehensive 1966 Jazz Monthly article, “Eric Dolphy,” Jack Cooke reported that the advance buzz aboutduet passages for bass clarinet and bass, “Something Sweet, Something Tender” approximated the hinge-like ballads tha…
Temporary Super Offer! "The title Ornette at 12 is something of a misnomer. Although Ornette is Denardo’s middle name, why wasn’t the album called Denardo at 12, his age at the time of the concert? Is there a hidden meaning related to Ornette’s own c…
Temporary Super Offer! "Only ghosts don’t make footfalls (another Beckett title!) that we can hear, don’t need to open and close doors to effect passage. These men together are enacting over a longer duration a strong sense of life- as-lived. They ar…
"In the spring of 1949, the music was ready to undergo a transformation. Both Miles Davis and Tadd Dameron were experimenting with their larger groups, but they were also presented with the opportunity to travel to Paris, to present a programme of ne…
Temporary Super Offer! "Rare performances and concerts. The Sound of the Munich Filmprodction and the concert of Helsinki are first releases. The Rotterdam concert was available in the Holy Ghost bootleg box." – Werner X. Uehlinger. "Albert Ayler’s l…
Temporary Super Offer! Johnny Griffin came to Thelonius Monk with a reputation as a speed demon – double-timing the tempo was his default mechanism, elaborating melodies with a mixture of mellow swing and complex bop phrasing. Their contrasting natur…
Temporary Super Offer! 'The CD’s title is borrowed from computer language: STRG + X is the key combination for “cut to the clipboard” to be temporarily stored and pasted somewhere else at a later time. Perhaps the most important quality of this caref…
Temporary Super Offer! Compositori sardi contemporanei produced by the Swiss label Hat Hut Records Basel and directed by Werner X. Uehlingeris a snapshot of the Sardinian contemporary music world with an initial focus on eight composers Luciano Chess…
Temporary Super Offer! We can only answer that question from an individual perspective, based upon our perception of place, and space, and time, and stimuli. Each of these categories exists within a complex of contexts – for example, there is the st…
Temporary Super Offer! Allow me to expand on a much restated quote from Albert Ayler: "Coltrane was The Father, Pharoah was The Son, and I was...The Holy Ghost.” If we remain with the Christian iconography, that makes Archie Shepp, Simon Peter, or th…
Here is a chance to hear Miles Davis in something close to real time. Small matter that most collectors of hard bop will have these sides already and will be familiar with a particular running order. Perhaps those who have invested in the complete se…
Temporary Super Offer! By 1965, Paul Bley had settled on the trio format, and touring Europe revealed a warmer reception for music that employed chordless improvisations, three-way rhythmic counterpoint, unfamiliar melodic constructs, and malleable s…
Temporary Super Offer! Thelonious Monk devised a new theoretical basis for his compositional aesthetic, an unorthodox, deconstructed and reinvented pianistic approach that defined his music’s unique rhythmic and melodic parameters. The piano was the …
Point of Departure was an inflection point in Hill’s output for Blue Note, his penchant for formal complexity and compacted materials – which he revisited beginning in 1969 with a nonet date, tracks with a string quartet-augmented ensemble, and an al…
Recorded live 1958 in Stuttgaert. First time on CD. Performed by: Eddie Williams, Art Hoyle, Eddie Mullens, Dave Gonzales, Macky Kasper trumpets; Louis Blackburn, Wade Marcus, Larry Wilson, trombones; Leon Zachary, Bobby Plater, alto saxophones; Andy…
Temporary Super Offer! Recorded 1964, 1965 & 1966 live New York. 7 Tracks, 2 tracks never on CD available. "This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's …