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Beautiful solo work from Anthony Braxton -- recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" -- one that runs for 25 minutes, and which features Braxton blowing straight, and almost with some of those Lee Konitz-inspired modes he was using around the time. The tune's still got some of the darkness you might expect from Braxton -- but things really go out …
Mythical avant jazz lp on the rare FUTURA label - part of the contemporary FUTURA SON cat. A truly magical session from Dec. 72 with Bebe Guerin, Jean Guerin, Francoise Achard, Dominique Dalmasso, Jouck Minor, Francois Tusques and Jean-Paul Rondpierre. Some amazingly deep compositions, a must for any serious collector of out-there sounds.SHOULD HAVE BEEN IN NWW LIST!!!!Vite also was also a member of Un Drame Musical Instante!
Originating from the 1960s’ French jazz scene, Jacques Thollot left a string of unclassifiable recordings ranging from free neo-expressionist explorations for keyboard and percussion to ornate, carefully arranged baroque jazz. But Thollot’s imagination was too rich to enclose him within jazz idiom. His instrumentals, proportional and highly inventive, are often fragile and elusive. His rich arrangements were as lofty as they were airy. Formally impeccable, they were never academic.Were it not fo…
his first solo album, included in the NWW list. Influenced by musicians as diverse as Django Reinhardt and Cecil Taylor, French guitarist Raymond Boni has developed a unique and dazzling style derived from gypsy technique. After studying the piano and switching to the harmonica, Raymond Boni learned how to play the guitar with Gypsies living near his home. This empirical experience would leave a permanent imprint on Boni's approach to the instrument. In the early '60s, still a teenager, he decid…
A mindblowing masterpiece, of course included in the NWW list: Red Noise's one and only album was originally released near the end of 1970 on the legendary Futura label. Red Noise was a radical, inventive avant rock band with some improvised jazz elements, as well as a heavy dose of Zappa-esque humor. The first side is a bunch of interconnected tracks, some of them much shorter than a minute, like the opening piece, "Cosmic Toilet Ditty," which consists of footsteps and a toilet flush. Quirky so…
Amazing music by one of the French piano legend Georges Arvanitas, in the company of George's fantastic rhythm duo of Charles Saudrais on drums and Jacky Samson on bass
Barricade, already known as the roots of ZNR, were a radical French commune formed in 1969 by over thirty musicians / non-musicians around François Billard (saxophone, voices, harmonica) and Gérard Lapeyre (violin) in Marseilles. They had wandered from place to place, changed their members one after another, and gigged on various stages in France around 1970.In 1973, they were split into two Barricades - one is a radically political & anarchic music outfit around François named Barricade Crève-V…