★Gilgongo Records
Escaped Language
Recorded during Ina/GRM’s 2016 Présences Électronique Festival in Paris, John Wiese’s “Escaped Language” is a concise and calculated piece which slowly evolved in various settings over a number of years. While 2015’s “Deviate From Balance” 2xLP was expansive and chronicled performances and work employing many other musicians, here Wiese dissects and reassembles portions of his vocabulary alone. Simultaneously dense and sparse, delicate and abrasive, free and tactical, the resulting recording s…
Dash
Dash' is just over eight minutes long, and it's forty-three tracks. If you've heard the band before then you might know what this means - short hyperactive bursts of the finest extreme noise punk the world has likely ever witnessed. And I don't say that lightly, noise punk that is; there are instruments or at least there were, at some point, but these are chiselled away by hellish jackhammer beats and electrical blasts. It is telling that Lasse Marhaug joins the core duo of John Wiese and …
Rip
Recorded up and down the West Coast by JESSE JACKSON, CORYDON RONNAU, and JOHN WIESE and featuring appearances by YELLOW SWANS, PETER KOLOVOS (OPEN CITY) and PAUL COSTUROS (DEATH SENTENCE: PANDA!). Studio and live recordings with concrète witcery.
Grisp
Running the gamut of improv, concrète, industrial tape music, and cut-up sounds. Featuring appearances by MITCHELL BROWN (GASP), AARON HEMPHILL (LIARS), PETER KOLOVOS (OPEN CITY), RICK POTTS (LAFMS, SOLID EYE, AIRWAY), and source material by SMEGMA and the HATERS. Partially collects material from the Beat (777 Was 666), Grisp, and DDT (Chondritic Sound) cassettes. For those that say things like, "I don't really listen to CDs"—you're totally lame.
Fortune
An on going project of prolific artist JOHN WIESE, SISSY SPACEK has taken many forms: intricate collages of the small, quiet, details that trickle through in between “sound”, drums spliced and severed, 18-piece “noise” orchestras, performances that included nothing but the act of shattering glass as source sound to ones that result in broken basses and bleeding throats, etc. On “Fortune,” Wiese has assembled a trio with CHARLIE MUMMA (drums) and CORYDON RONNAU (vocals): crafting twenty-six…