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"As a member of 70’s proggers Heldon, Georges Grünblatt made the unusual journey from psych rocker to full time psychiatrist. But not before his one and only 1980 album K-Priss bombed commercially. The solo offering was recorded in the autumn of 1977 for Polydor with his Heldon contemporaries; the influential guitarist Richard Pinhas, Francois Auger, Didier Batard and others, while Jean-Louis Rizet, one half of the one-off prog collaborative Besombes and Rizet who put out the spacey masterpiece …
This is a psychedelic masterpiece, a stunning piece of work made mainly by synths from various kinds (VCS, Farfisas, Mellotron, etc), backed up occasionally with drums and other sounds. The tracks are mainly instrumental and takes the listener through a trip, like the gods of psychedelic music intended. "Think the Germans had the market cornered on dark-edged electronics in the 70s? Guess again, because this mid 70s gem from Frenchman Philippe Besombes easily rivals the most progressive work of…