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Congaree Nomads takes as its basis 24 three-minute recordings Greg Stuart and I made in the park, along Cedar Creek and the Kingsnake, the Weston Lake and the River trails. It is a “nomadic” series that moves very gradually from the Creek to the Cong…
Michael Pisaro and Greg Stuart's Kingsnake Grey is a field recording of sundown in the Congaree National Park in South Carolina. The beautiful and erratic sonic transformation that occurred over the 72 minutes was the model for the other two pieces. …
Anabasis is a composition in 72 parts for five musicians, loosely based on four kinds of materials: Sand, Wind, Tone and Wave. The musicians featured on this recording (in addition to Michael Pisaro and Stuart) will be Patrick Farmer, Joe Panzner and…
5 CD Box. The five discs come in an oversized box with cover art by Marcus Kaiser and Yuko Zama. The box set also includes a 24-page full-color booklet containing additional photos by Joachim Eckl, Marcus Kaiser, Emmanuelle Waeckerle, and Michael Pi…
A six-track album based almost entirely on samples (from Curtis Mayfield to John Carpenter). "The really striking thing, though, is the kinship between Pisaro’s approach here and his other music. Many of his previous compositions have taken simple, g…
Field Recordings from Syros, Greece and Southern California in 2015 and 2017. Piano performed by Reinier van Houdt, recorded in The Wild Beast, CalArts, June 2015Inside image by Michael Pisaro / Thanks to Keith Rowe.The sounds come and go against a b…
Michael Pisaro's Continuum Unbound is a three CD box set, featuring three individual as well as linked CD-length pieces, each 72 minutes long. 'Kingsnake Grey' is a field recording of sundown in the Congaree National Park in South Carolina. The beaut…
We are very happy to announce the release of GW 010, a 72-minute CD version of Closed Categories in Cartesian Worlds, for crotales and sine tones (composed by Michael Pisaro, performed by Greg Stuart, mastered by Michael Pisaro and Joe Panzner). Thos…
Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections."The most convincing way to avoid reality is to lose yo…
Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections."The most convincing way to avoid reality is to lose yo…
A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Ga…
In contrast to the melange of its ‘successor,’ Hearing Metal 3 has moments of separation wherein Stuart and Pisaro can be discretely heard. For this piece, Stuart revisits the textures of ricefall (2), delicately and not-so-delicately pouring grains…
Pisaro’s “Hearing Metal” series is a multipart lecture of the above, now on its third rendition. Each is in dedication to the sculptor Constantin Brâncuşi, with track names and piece subtitles littered with Brâncuşi references (Sleeping Muse, The End…
Gravity Wave, a new CD label, curated by composer Michael Pisaro, designed by Yuko Zama. Icefall (2), a 72-minute piece for 64 separate tracks of rice falling on objects. This recording is the second part of a trilogy of the first disc length works b…
Gravity Wave, a new CD label, curated by composer Michael Pisaro, designed by Yuko Zama. July Mountain: three versions, contains a re-release of this 21-minute piece for field recordings and percussion (the original .point engraved edition is sold ou…
“Close constellations and a drum on the ground (2010) began as scored work with electronics but then developed a life of its own in the studio. It consists of the alternation of sedimentary layers of low percussion samples (mixed with guitar and m…
“Asleep, street, pipes, tones (2009) is an investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar. The investigations form ten three-minute episodes, assembled in studio by Pisar…