★Herbal International
Pochen - Oder : Mit Nachschleifendem Zwirnsfaden Die Treppe Hinunterkollern
*2024 stock* I recorded the sounds for this piece in March 2011 at the "Performance Arts Forum" in France. The PAF is housed in a former convent school, which was built at the end of the 19th Century in the village of St. Erme in Picardy. After the convent school and a hospital during World War I, various temporary uses and a long term of vacancy, the PAF was founded in 2006 as a workplace for artists.
During my three-week stay, I kept sneaking through the 6.400 m2 building: From the attic to th…
Instead of the Sun
Recorded in Sydney by Chris Abrahams and Burkhard Beins from January 5th to 9th, 2015. “I am quite a fan when it comes to the music on Abrahams, as he brings much energy and vibrancy to the table, and that is no different on this new release.It's quite difficult to dissect what is going on here. Should one not know who made this album, a blind test if you will, then one could easily think this is an album made with a modular synthesizer and perhaps very little something else; it is not easy to d…
Soundtracks
Three compositions made for films.
1 – 4 . A grammar for listening 2
From Luke Fowler's 16mm film “A grammar for listening part 2”, 2009.
All sounds recorded in Paris, and Glasgow.
5 . A Hemero Phaestos 2 From Christian Jaccard's video “A Hemero Phaestos”, 2013. All sounds recorded in the Foundery Susse, Ivry
6 – 8 . Polymères 2From Marie-Christine Navarro’s drama “Ce pays qui s'appelle Tane”, 2012.With organ recordings (composed and recorded by Jean-Luc Guionnet)Eric La Casa says about his p…
Trial And Error
Game of Patience is one of the few groups in South East Asia region dedicated solely to the creation of free improvised music. Unconstrained by any given tradition, they draw influence and techniques from both the Asian and Western experimental music traditions. Performing with a focused intensity complimented by mercurial group interplay, they create sharp sweeping shards of improvised noise-jazz, creating textures combining extended techniques and electronics with elements of free jazz, electr…
Lac (Lake)
The subjective portrait of a geographic entity. Latitude: 45 51\' 24.12 N 45.8567 Longitude: 6 10\' 19.92 E 6.1722. Composed between 2004 and 2007 in Annecy (France). Co-produced by MIA. LAC is dedicated to Eric La Casa.
Stroomtoon II
"In December 2011 I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's the same setup that I still use nowadays, mainly consisting of an old Phillips analogue tone generator and a selection of effects units. When making Stroomtoon, it felt like moving into new territory that was worth explore more. While that album is very …
_, and Vice Versa
Vice-Versa is an album with 2 process. Originally was gathering some works which produced between 2005 - 2009, with a lose concept of exploring the digital composition by using analog source, as a general guideline. Once the concept become much clearer, more works which share the similar concept were dig out from the hard drive for a better overview and consideration to create an album; on the second process, some of the works has been carry forward with more focus on the development of t…
W2 (1998-2008)
"We think that we « make a journey » but soon enough it's the journey that makes – and unmakes - us." (Nicolas Bouvier, "l'usage du monde"). When I listen today to these pieces, I hear, of course, a geographic inventory of all the places I encountered. Above all, though, and as if by default, I hear the sonic journal of twelve years spent recording sound.My relation to the sites wasn't based on a desire to « document » but it is worth noting, however, that a « sound story », more trivial perhaps…
Non-Organic Bias
The work of Jean-Luc Guionnet deals at times with organs, church organs, pipe organs. Only one piece here with organ sounds. All three are granted a text to explain what they are about, but they aren't too easy to understand. Likewise I don't know what Guionnet does to his organ sounds. Are they played in real time? Are they layered? Are they processed? I simply don't know. In 'Espace Bas' it seems this is not the case, and its played 'as is', with lots of air sounding through occasionally playe…