★MIE Music
Polar satellites
Polar Satellites is a mesmerising collection of percussion improvisations performed in duo by Nathan and Scott deep in the winter of 2009 and 2010 with absolutely no overdubs. Building on the starkness of last years Effigy by Pelt, the duo have recorded an even bleaker, more minimal and hermetically vibed record together. Unnerving and hypnotic, Polar Satellites is an intense journey into the unknown, awash with uncategorisable percussive instruments, kalimbas and banjo.
Nathan and Scott first m…
Cat mask at huggie temple
“The outcome of a collective trudge across the European/American desert for 40 days and 40 nights.†Cat Mask at Huggie Temple is the superb debut 12†by Desert Heat, a dust bowl rock trio of Steve Gunn, John Truscinski and Cian Nugent. The trio originally came together when they played a bowling alley followed by an appearance at Tusk Festival in Newcastle, UK where the trio jammed together like they had been a band for years. Part of the group\'s success hinges on John and Ste…
Regions of the old school
After the mind-erasing and shamanic Amaranthine released in January 2012, MIE is ecstatic to be working with Richard again on a true magnum opus of the Youngsian experimental catalogue. Regions of the Old School is an epic and proudly sprawling collection of instrumentals and songs. In a conceptual nod to the long out of print Festival, released in 1994 by Table of the Elements, it features five extended tracks scored for a diverse array of instruments with guest vocals by Madeleine Hynes and ad…
Cry
Cry was recorded in a shed at Taieri Mouth between 1998 and 2000 and then released by Emperor Jones on CD in 2000. Alastair has always been one of the most admired yet paradoxically ignored musicians from the New Zealand underground since he first started out in The Rip on Flying Nun Records in the early 1980s. Having already worked with the incredibly talented New Zealander otherwise known as Michael Morley, it seemed natural for MIE’s next step to go on to work with Alastair on getting …
Joining the queue to become one of those ordinary ghosts
Koboku Senju, meaning something like a Selection of Dead Trees', is the quintet of Tetuzi Akiyama, Toshimaru Nakamura, Martin Taxt, Eivind Lønning, and Espen Reinertsen. Akiyama and Nakamura, on guitar and no input mixing board respectively, have long been two of the leading improvisers from the Tokyo scene, and Lønning, Reinertsen and Taxt, on trumpet, saxophone and tuba respectively, are three young and active improvisers from Norway with an increasing reputation for their adventurous yet matu…
Live at St Mary's Old Church & Burial Ground
Recorded live at St Mary’s Old Church & Burial Ground in Stoke Newington, London on the 16th October 2011, the band have laid down what is quite possibly the fullest realisation of their monolithically heavy live shows. Its a juddering juggernaught of crushing intensity, pounding drums thudding their way through beds of gargantuan psych guitar drones, while electrifying sitar collides against booming vocal incantations and lysergic doom heaviness. For those you you that are in…
Effigy
Shipping by the next week: MIE Records are unbelievably honoured to be releasing Effigy by Pelt this October 29, the first album recorded since 2007 by the acoustic-only droners. Recorded live in June 2011 in an old yoga studio in Mount Horeb, Wisconsin and a decommissioned synagogue called the Gates of Heaven in nearby Madison, the band have laid down their most accomplished and fully realised work to date. Epic in every sense of the word, Effigy is a sprawling journey through their singular pl…
Vent
After performing at a concert in Oakland, 2010 and feeling proud of their musical output, Tom Carter (Charlambides) and Pete Swanson (Yellow Swans) decided to collaborate with one another again as a guitar duo. The resulting record amalgamates Tom's recent self-oscillating, power starved shredding psychedelia, with Pete's self proclaimed "more neanderthal attempts at VU/Roy Montgomery inspired simple melodicism". Ultimately, the album is an unusual haze of oscillator sweeps, dying batte…
Dumb Supper
Blood n guts folk from the Anglo-American duo. The Wire says “The twining harmonies…recall the heyday of English pastoral folk song”. Plan B says "Dumb Supper is one of those rare modern folk albums that will find a home both in the longstanding 'traditional' music community and among those attracted to the form's more experimental and lo-fi possibilities". Most of the tracks are re-discovered and adapted by the Tylers, their searing harmonies and sparse, vital instrumentation breathing n…
Concatenating Fields
After last years twice sold out and now long out of print record with Mark McGuire, the guitarist from Emeralds, Trouble Books are about to release 'Concatenating Fields'. Their most accomplished and fully realised work yet, it has everything from the perfect minimal pop song, to Eno like guitar symphonies, to a noise freakout with legendary cult Ohioan noiseniks, Tusco Terror. It's an unbelievable treat for MIE to be working once again with the band and their label, Bark and Hiss, in get…
The Dew Line
Deluxe gatefold sleeve reissue of this all-time classic of deformed rock song and avant guitar downs from Michael Morley of The Dead C: originally issued in 1994 by Table Of The Elements/Precious Metal, this new edition re-masters the original while adding five bonus tracks from the same time period and re-jigging the running order for maximal wipe-out.. Michael Morley has trawled through his extensive collection of unreleased tracks from the original recording period to integrate a furth…
Yagua Ovy
Yaguà Ovy is the first collaboration between the sublime noise artist, Daniel Menche, and Anla Courtis, the Argentinean experimental guitarist and founder of Reynols. Based around the Argentinean mythology of the Werewolf, or "the blue dog" that lives on the "Land without Evil" of Mbya–Guarani, Yaguà Ovy shows Menche and Courtis at their commanding best, whipping up a cacophony of primal and natural noise from all manner of objects and instruments. Menche draws out the sound and resonance…
Poisson
Work of this quality tends to be the product of a self-contained and selfconcsious tradition, even if a hermetic one. And in this case I fancy I can hear the flowering of a Northern/Midlands sensibilty that setms orignally from the A Band, Youngs and Wickham-Smith, and Ashtray Navigations. It is informed by ecstatic jazz but its roots are in pragmatic sonic experimentalism of a determindedly autochthonous kind. You can almost smell the witch trials in this, and I urge you all to catch a h…
Amaranthine
Every new Richard Youngs LP is in some way an event – his modus is so restless and yet his muse remains so distinctively personal that it’s always a thrill to see where he’s gonna dive in next. Amaranthine puts his vocals way up front for a series of four ecstatic bardic/future folk classics that ride in on wave after staggering wave of free form percussion, clanging household objects, shakuhachi and fuzz guitar. The vocals fall into the classic post-Summer Wanderer style of endlessly rep…