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1998 release ** "Wendy Mae Chambers (b 1953) is known for the scope and originality of her works, typified by large and unusual instrumental combinations. In Chambers’s own words, Twelve² is a voodoo tone poem in eleven movements for twelve percussio…
Jerome Kitzke (b. 1955) has described himself as being as much a storyteller as a composer, and that description makes sense. Throughout his music there is a strong dramatic, narrative, theatrical component. Performers shout, sing, move and dance, of…
Drummer Joey Baron has played with such unorthodox types as John Zorn, Wayne Horvitz, and Tim Berne, so it's not surprising that his own sessions are equally diverse and ambitious. This date presents an unusual instrumental lineup and a freewheeling,…
The music on this recording is drawn from a range of solo, chamber, and orchestral works composed by Brian Fennelly (b 1937) over a period of two decades. In his thirty-year career, Fennelly has contributed more than sixty works to the repertoire of …
Gary Graffman and I have been staunch friends since we met as students at the Curtis Institute in 1943. The notion of pooling our talents, however, arose only when we returned to that Institute nearly five decades later, Gary as director, I on the fa…
Andrew Imbrie (b 1921) is a composer whose independence and singularity of purpose have endowed a prodigious output that awaits wider discovery. His method of composing is not in and of itself remarkable. He is, rather, of a tradition wherein achieve…
Eric Chasalow (b 1955), who grew to aesthetic maturity as Postmodernism was evolving, points (not at all surprisingly) to jazz as part of the family tree. In 1983, Chasalow created a set of three works for soloist and electronic sounds. The composer …
In a robustly maximalist age that gladly permits the fusion of unrelated styles and the flaunting of eclecticism, Wes York's (b 1949) music stands out as reductive, elliptical, elusive, implying diversity rather than spelling it out. It is a music t…
This is not a recording for the fainthearted, the straitlaced, or the stylistically correct. Bass trombonist David Taylor has assembled a multi-faceted self-portrait out of pieces he selected, inspired, and composed. His eclecticism demonstrates how …
It is a monumental task to interpret the music of Jimi Hendrix on the flute. The incredible flute virtuoso Robert Dick has managed to do it with ease, finesse, and soul. There is almost no sound that he cannot create on the flute with his amazing tec…
This CD presents two of the less often heard, most extreme and hardest to categorize sides of Roger Reynolds. The music for Ivanov is collaborative, utilitarian music for the theater. Versions/Stages is abstract experiment, music inspired by the desi…
This recording is the product of a remarkable intercultural musical experiment. It contains five strikingly varied works, each one the fruit of musical cross-pollination between America and the island of Bali. The three American composers represented…
Virgil Thomson's piano music can best be described as pure direct American plainsong. Hymn tunes get transposed, rhythms overturn or collide, often with comic results; cowboy songs turn into fugues. Thomson made use of all materials, from Sunday Scho…
Carlos Surinach (b 1915) is an American composer whose Spanish heritage, together with the rigors of German musical training, has enabled him to produce an oeuvre that "achieves an effect of novelty by exploiting all the familiar clichés of the `Span…
Apart from musical considerations, it is entirely appropriate that the work of Leonard Bernstein (1918-1990) stands beside the compositions of three younger Americans on this program of recorded premieres. By example and deed, Bernstein served like n…
Michelle Ekizian (b 1956) and Louis Karchin (b 1951) represent a generation of American composers that has seen postwar American serialism enriched by other compositional approaches, both new and old. The process of stylistic synthesis and individual…
The spontaneous exploration of musical ideas can be exciting, rewarding, and challenging for both the performer and the audience; jazz musicians demonstrate this constantly. Most of the participants in this recording project have had extensive experi…
Composer and pianist Bob Nell is best known for his work with Kelly Roberty and Brad Edwards, collectively known as The N/R/E Trio, with whom he performs regularly throughout the Midwest and Canada, backing such jazz luminaries as Eddie Harris, Ray B…
Ned Rorem's music strives for clarity. He distrusts the convoluted, the pompous, the grandiose. To some degree this is a legacy of his years in Paris and his exposure to figures such as Poulenc, Auric, and Cocteau. However, Rorem treated the neoclass…
The woodwind quintet is to the wind instruments as the string quartet is to the strings. Composers have treated the heterogenous ensemble of flute, oboe, clarinet, bassoon, and horn as a unity for so long now that it has become a musical commonplace.…