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One Line, Two Views features seven compositions for nine-piece
ensemble by Muhal Richard Abrams. Works range from the subtle textural
and tonal explorations of “Textures,” “Hydepth,” and the title track to
the hard bop revisitations of “11 over 4” and “The Prism 3.” The disc is
rounded out by an ebullient, joyous, and celebratory “Tribute to Julius
Hemphill and Don Pullen” and the blues-tinged “Ensemble Song.” Abrams
opts for unique instrumentation including violin, harp, and accordion.
…
Guillermo Gregorio (b. 1941, Buenos Aires) is an Argentine composer, clarinetist, and saxophonist whose career bridges avant-garde music, visual art, and architecture. Active on the Argentine experimental scene from the 1960s through the early 1980s, he was a key member of groups like Movimiento Música Más (a Fluxus collective), the Experimental Group of Buenos Aires, and the Group of Contemporary Music of La Plata, engaging in Fluxus events, multimedia spectacles, and experimental concerts.
Gre…
Gordon Mumma (born 1935) has played a pioneering role in the development and evolution of 'live-electronic' music. 'Live-electronics' as a concept and practice appears to have originated in the United States in the late 1950s, outside the few institutional electronic studios and often in the context of innovative theatre activity. From its inception, it frequently involved two processes: (1) live performance with accompanying or interacting sound materials on magnetic tape; and (2) the use of el…
This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his close collaborator, Tudor. Together, these works constitute a fascinating and historically important document of the 1960s avant-garde in America. In early 1968, Merce Cunningham created a new dance whose apparent impetus was Colin Turnbull's The Fore…
This historic release of a simultaneous performance by David Tudor and John Cage of Rainforest II and Mureau, recorded live by Radio Bremen on May 5, 1972, preserves the only surviving performance of the second of Tudor’s "Rainforest" series. In addition, it documents one of the precious few recorded collaborations between these two visionaries. In 1970 Cage composed the piece called Mureau, in which phrases from Thoreau’s journals (in particular, passages which touch on the subject of music) ar…
A relentless explorer, composer, performer and theorist, David Dunn (b 1953) uses electro-acoustic resources, voice, non-human living systems, as well as traditional instruments. A creator of text-sound compositions, environmental installations, works for radio and video, he has also written and published extensively. Underlying all his work is a common regard for music as a communicative source with a living world. Growing up in San Diego in the sixties and seventies, he encountered people lik…
This marvelous recording of these elusive works features composer-supervised performances by a hand-picked group of renowned new-music exponents. "Your first encounter with the music of Christian Wolff leaves you with the impression you've just heard (or played, or read) something totally strange, unlike anything else you know. And yet, upon reflection, you realize it is at the same time something completely ordinary and normal, as familiar in its way as any number of repetitive actions …
Six Primes is composed using the first six prime numbers 2, 3, 5,
7, 11, and 13 to govern both its tuning and temporal structure,
including harmony, rhythmic subdivisions, and form. I wrote this music
to explore the limits of using the same integer ratios to simultaneously
provide melodic, harmonic, and rhythmic materials. The piano must be
retuned in just intonation using the tuning system factor of 2, three
ratios with highest prime of 3, and two ratios each with highest primes
of 5, 7,…
Featuring the foghorns and other maritime sounds of the U.S. Eastern Seaboard and solo improvisations by John Cage, Joseph Celli, Clark Coolidge, Alvin Curran, Jon Gibson, Malcolm Goldstein, Steve Lacy, George Lewis, Pauline Oliveros, and Leo Smith "In the middle 1970s I began to formulate ideas and projects leading to the making of music outside the concert halls-often in large open and naturally beautiful sites. Ports, rivers, lakes, caves, quarries, fields, and woods, always ready sources of …