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"In 1980 I decided to write a cycle of 6 vocal pieces dealing with many different aspects of what it means to be ‘human’, and using the voice as the focus for this exploration. The new piece ‘VOX’, would begin with the sounds of the creation as suggested in various creation myths from around the world (VOX 1), and lead eventually to the disintegration of human society (VOX 4). In between these two poles, VOX2 would deal with contemplation of the natural world, and VOX3 with the excitement of int…
In the past, the quality or nature of sounds used in music was set by the technology of instrument design, and conventions about performance and musical 'expression'. In the 19th century, european composers became increasingly concerned with 'sonority', through development of new orchestration techniques, and new instruments. However, a systematic approach to sound itself had to wait for the invention of sound recording and the accurate computer analysis of sounds. Studios, and then computers, a…
2011 release. Amazing work completed Sept. 2011, an exploration of the music inherent in everyday speech, collected from all kinds of oral sound sources (fishermen, farmers, city-dwellers, etc.), highly processed vocal material between musique concrete & experimental earplay; comes with lovely 64p book
"Encounter in the Republic of Heaven” is a multi channel electro acoustic surround piece where Wishart works with phonemes as a musical phenomena in combination with storytelling. The materi…
2012 Release. "Globalalia is a 29 minute piece using syllables taken from 26 different languages, to create a series of elaborate variations on the sounds of language itself. Commissioned by Folkmar Hein and premiered at Inventionen 2004 in Berlin, June 2004, the piece was originally available on the DVD '50 Years Studio TU Berlin'. Voices in 26 languages were collected from the airwaves, and cut into over 8300 spoken syllables. These were organized in a database and then used to create a …