★Primary Information
Shame Space
Shame Space is an artist book that explores the possibilities of narrative and identity. The book collects a selection of journal writings by Syms from 2015-2017 in which she attempts to capture her shadow self alongside a selection of image stills from the recent video project Ugly Plymouths (2020). The diaristic commentary in Shame Space is gathered into fifteen chapters that stage narrative as a process of being in the making.
Text entries in Shame Space have formed the voiceover of Mythiccbe…
A Documentary HerStory of Women Artists in Revolution
First published in 1971, A Documentary HerStory of Women Artists in Revolution documents the efforts of a group of women artists, filmmakers, writers, critics, and cultural workers organized around advancing women in the art world.
Women Artists in Revolution (W.A.R.) was founded as the women’s caucus of the Art Workers’ Coalition and was active from 1969 to 1971. This publication gathers manifestos, statements, and declarations by W.A.R. members; articles and reports about gendered and racializ…
Black Art Notes
Published on the 50th anniversary of the original printing, Black Art Notes features writings by Tom Lloyd, Amiri Baraka, Bing Davis, Melvin Dixon, Jeff Donaldson, Ray Elkins, Babatunde Folayemi, and Francis and Val Gray Ward. “If there is one lesson the post–civil rights period has taught us, it is that those most likely to shape the destiny of Black Americans in the next decade are activists and artists, who may possess additional skills as organizers,” writes Ward in “The Black Artist—His Rol…
The Matrix Poems: 1960-1970
The Matrix by Norman H. Pritchard (1939–1996) gathers a selection of the Concrete and Black Arts poet’s work from 1960 to 1970. The seventy-one poems collected here might be regarded, as Charles Bernstein has written, as “sound” poems, being tethered not only to the literature of the Black Arts Movement but also to jazz culture and urban life in New York. Drawing as much from the visual arts and concrete poetry as from sound-based experimentation and music, Pritchard utilized the simple tools of…
Four Basic Kinds of Lines & Colour
This publication is a facsimile edition of Sol LeWitt’s iconic Four Basic Kinds of Lines & Colour. Originally published in 1977, the publication stands as an enduring example of LeWitt’s rigorous process-driven practice, which utilized simple conceptual parameters to generate complex and formally-diverse visual works. Four Basic Kinds of Lines & Colour is a composite of two earlier publications—Four Basic Kinds of Straight Lines (1969) and Four Basic Colours and Their Combinations (1971). Each …
Stockhausen Serves Imperialism
A notorious, influential and radical critique of the avant-garde music of Stockhausen and Cage, by maverick composer Cornelius Cardew
Work 1961-73
Originally published in 1974 by the Nova Scotia College of Art and Design, Yvonne Rainer’s Work 1961-73 documents the artist’s landmark early works at the intersection of dance, performance, and art.
Art-Rite
Edited by Walter Robinson, Edit DeAk, and Joshua Cohn, Art-Rite was published in New York City between 1973 and 1978. The periodical has long been celebrated for its underground/overground position and its cutting, humorous, on-the-streets coverage and critique of the art world. Art-Rite moved easily through the expansive community it mapped out, paying homage to an emergent generation of artists, including many who were—or would soon become—the defining voices of the era. Through hundreds of in…
The New Woman’s Survival Catalog
Originally published in 1973, The New Woman’s Survival Catalog is a seminal survey of Second Wave feminist efforts, which, as the editors noted in their introduction, represented an “active attempt to reshape culture through changing values and consciousness.”Assembled by Kirsten Grimstad and Susan Rennie in only five months, The New Woman’s Survival Catalog makes a nod to Stewart Brand’s influential Whole Earth Catalog to map a vast network of feminist alternative cultural activity in the 1970s…
Womens Work
**in process of restock** Originally published in the mid-1970s, Womens Work was a magazine that sought to highlight the overlooked work of female artists working at the cusp of the visual arts, music, and performance. The magazine was edited by Alison Knowles and Annea Lockwood and featured text-based and instructional performance scores by the following 25 artists, composers, and choreographers:Beth Anderon, Ruth Anderson, Jacki Apple, Barbara Benary, Sari Dienes, Nye Ffarrabas (participating …
From the Archives of Peter Merlin, Aviation Archaeologist
From the Archives of Peter Merlin, Aviation Archaeologist is an artist book that features new photographs and text by Trevor Paglen centered on the archive of Peter Merlin—a historian, technical writer, and leading expert on classified aircraft. Guided by the idea that “something always remains,” Merlin, a former NASA archivist, has amassed a vast collection of flight wreckage, dossiers, and memorabilia—objects that are sometimes the only remnants of covert government operations. Merlin’s colle…
Just Another Asshole
Just Another Asshole was an influential and now-legendary mixed-media publication series edited by Barbara Ess from 1978 to 1987. The submission process was open and collaborative, and each issue was produced in a different format (e.g., limited-edition zine by Ess, tabloid-sized graphic arts magazine, 4 pages in an issue of Artforum, photography book, LP record album, paperback book). Several were edited with Jane Sherry or Glenn Branca.Issue 6 of the magazine, co-edited with Branca, was publis…
Top Ten: 2008-2018
Edition of 200. 550 pages, LP size. Top Ten: 2008-2018 is the second volume in James Hoff’s Top Ten series. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their favorite recent exhibitions (or concerts, television programs, books, events, etc.). In 2008, Hoff compiled the first ten years of this column into a new publication, with all of the articles’ accompanying images redacted, rendering the pictorial layout and design …
Top Ten: 1998-2008
Edition of 200. 440 pages, LP size. Top Ten: 1998–2008 is a new edition of the long-out-of-print publication by James Hoff. In almost every issue since April 1998, Artforum has asked an individual from the art world to compile a top ten list of their favorite recent exhibitions (or concerts, television programs, books, events, etc.). In this volume, Hoff compiles the first ten years of this column into a new publication, with all of the articles’ accompanying images redacted, rendering the picto…
Broken Music: Artists' Recordworks
**Facsimile edition of the definitive (and legendary) guide to records by artists. Comes with flexi 7"** Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Lasz…
Uncollected Texts
Uncollected Texts draws together a number of Carolee Schneemann’s earliest writings—many exceedingly rare and several that are published here for the first time—ranging from letters to the editor, dream journals, and film criticism, to satirical poems, detailed discussions of her art, and pointed feminist critiques. Edited by Branden W. Joseph, the book includes 30 texts by Carolee Schneemann written between 1956 and 1981, as well as an introduction by Joseph.First published in short-run magazin…
Notebooks 1967-70
**Very necessary reprint of the enigmatic Lee Lozano masterwork** Transiting Pop art, Feminist Expressionism, Conceptualism and Minimalism, Lee Lozano (1930-1999) sits alongside Eva Hesse and Hannah Wilke as a radical and influential model for younger generations of female artists. Lozano's notebooks, which she approached as drawings, and which were later dismantled and sold as individual pages, became a part of her artmaking at the height of her fame in the late 1960s. Reproduced here for…
Action-Interview At WBAI Radio Station-N.Y.
Primary Informatio is happy to announce the reissue of the LP by The Guerrilla Art Action Group titled Action-Interview at WBAI Radio Station-N.Y, orginally released by the legendary Radiotaxi imprint, and now impossible to obtain. The recording documents a live action/interview by the group on January 5, 1970 on the progressive radio station WBAI. The LP consists of a series of spoken statements describing the problematic relationship between art and business, art and the military, art and clas…
Yeah
Originally published between 1961 and 1965 by Tuli Kupferberg and Sylvia Topp’s Birth Press, this volume reproduces all ten issues of YEAH magazine as individual facsimile editions, housed in a single box. Kupferberg described the magazine as “a satyric excursion; a sardonic review; a sarcastic epitome; a chronical of the last days,” and throughout its pages he acts as both editor and artist, threading the needle of leftist politics with the sarcasm and sharp creative wit for which he became kno…
Variable Piece 4: Secrets
Variable Piece 4: Secrets is a facsimile edition of Douglas Huebler’s classic artist book, which was originally published by Printed Matter in 1978. Simple and salacious, the publication collects over 1,800 secrets written anonymously by visitors to the 1970 Software exhibition at the Jewish Museum. In doing so, the book provides a fleeting glimpse into the cultural, political, and social preoccupations of the era while showcasing Huebler’s open-ended and variable approach to art making—an…