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Time of the Last Persecution is the second studio album by English singer-songwriter Bill Fay, released in 1971 by Deram Records. Following the baroque pop tendencies of his self-titled debut, Fay stripped away the orchestral arrangements for a darker, more intimate vision that would prove to be his most enduring work. Proper Records is proud to present this apocalyptic folk-rock masterpiece on 180g vinyl. Written and recorded during a time when Fay was obsessing over the Biblical books of Danie…
Enigmatic UK-based singer and pianist Bill Fay's dark and haunting work gained him a strong cult following in the late 60s and early 70s. He released two albums on the Deram label in the early 70s and promptly disappeared into relative obscurity for 30+ years. In the last decade, those albums have finally begun to get the recognition they deserve, and Proper Records is proud to bring them back into circulation on 180g vinyl. First up is his self-titled 13-track debut from 1970, an absolute class…
Following on quickly from Fear, and capitalizing on that album's energy Slow Dazzle is another fiery release by Velvet Underground founder John Cale.
This reissue faithfully replicates the original 1975 Island Records UK release and is pressed onto high quality 180 gram vinyl. Released in March 1975, initially, the album offers a false sense of mellow security: "Mr Wilson", a tribute to Brian, the leader of Cale's beloved Beach Boys starts the album on a much sweeter note than "Fear Is A Man's B…
Recorded quickly between John Cale producing Patti Smith's Horses and his going out on an Italian tour, Helen Of Troy became Cale's third and final studio album for Island Records.
This reissue faithfully replicates the original 1975 Island Records UK release and is pressed onto high quality 180 gram vinyl. Helen Of Troy is a raw, fascinating listen. The title track with its horns and spoken word is one of Cale's best: after the sweet bubblegum of "China Sea", the album gets increasingly strippe…
This reissue faithfully replicates the original 1974 Island Records UK release and is pressed onto high quality 180 gram vinyl. Fear marked Cale's return to recording in London after the best part of a decade in America. Signing to Island Records, he made fast friends with two key admirers, Phil Manzanera and Brian Eno, who assisted him in returning his music to the rawer sound of his earlier work, as opposed to the lush textures of his previous studio album, Paris 1919. The tense, clipped "Fear…
When White Noise’s debut album, An Electric Storm, landed on Island Records in 1969, it must have sounded like nothing else. Packaged in a striking black and white sleeve that pictured a spark of lightning streaking across a black sky, this was an album that - quite rightly as it turned out - resembled as much a scientific experiment as any conventional musical document.
White Noise were first conceived when American electronic engineer David Vorhaus-- following a lecture by BBC Radiophonic Work…
Nearly five decades after its creation, Manuel Göttsching's groundbreaking New Age Of Earth returns to vinyl, offering a pristine window into one of electronic music's most influential albums. The guitarist and synthesiser player formed Ashra after disbanding Ash Ra Tempel, the outfit he had led since 1971, moving away from the space rock of his previous group toward a far more electronics-based project. Recorded in Berlin between March and June 1976, the four pieces on New Age Of Earth represen…
Generazioni del Cielo is a contemporary musical work in the form of oratory; it is born from a development of matured musical language across polyvalent experiences, that range from classical composition to the production of music widely listened to. The subject originates from the will to tell a story that is not usual, a story without real events but with real and felt emotions, drawing from contemporary literature and also taking cues from sacred texts. In the production, the music, which is…
Lucky restock, latest few copies around - "The Ann Steel" album was the pop project of Italian Avant-garde musician Roberto Cacciapaglia in 1979. It's a surprising mix between experimetal synths and cheesy pop melodies. Unfortunately, it didn't turn into a massive success. It should have.