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“Epigenetic Poetry is an anthology documenting the sound works by the Italian sound poet Giovanni Fontana (b. 1946). These pieces, dating from 1968 to 2014, are scarcely available; culled from cassette magazines and art-book compendiums, along with two unreleased recordings. Fontana has been a pioneer of Italian visual poetry, sound poetry, and experimental theater since the mid-1960s. Together with peer Adriano Spatola, Giovanni worked on the publication Tam Tam (founded in 1972). He also rode …
Still In Your Pocket, an arrangement of piano pieces by Karla Borecky, is at once humble and profound. As this is Borecky’s first solo LP (away from her Idea Fire Company membership), the piano is allowed full prominence and discretion. Revolving melodies contract and expand across the seven vignettes presented here (recorded from 2007 to 2010). It reads as a withering novel, lush with romance and mystery. And although Borecky’s restrain and delivery imply a certain poise, there is an undercurre…
Following the breathtaking Airs, another gem from Loren MazzaCane Connors "story of shadowed miniatures; flickering electronic guitar poems,” the 14-track album was originally burned to CD-R in an edition of 100, but is now being remastered from the original tapes, with Loren’s recent artwork included as a 6”x9” insert reaches vinyl on Sean McCann’s Recital imprint. Lullabies renders Connors at his most sublime, wistfully sanguine, swaddled in tape distortion and gentle reverbs with a barely the…
"Cradle for the Wanting is the anticipated second album by vocalist Ian William Craig. It was recorded in the winter of 2014/15 in Vancouver, Canada, after the release of his acclaimed A Turn of Breath LP; which Ben Ratliff of the New York Times named one of his top 10 albums of 2014. Since A Turn of Breath‘s release, Ian has performed rare but much talked-about shows in the United States and Canada.
Comprised of eight silken movements, Cradle for the Wanting is set aside from A Turn of Breath…
“Music For Private Ensemble” is Sean McCann’s first new solo album since 2011′s “The Capital”. Demonstrating a more serious study of orchestration and timbre than his previous work; it is a big step forward. The four arrangements presented here shy away from the use of synthesizers and effects processing – instead relying on voicing and movement to actuate the album’s sentiments. Inspired by the grandiosity of John Adams, the concerned somberness of Gavin Bryars, and the guttural tape work of Fl…
Recital is joyed to bring to you the new Idea Fire Company album, Lost at Sea. Lost At Sea imagines the Idea Fire Company as the bar band on a small cruise ship. There are approximately 40 passengers aboard. Around 2/3 of them are in the lounge for the nightly IFCO performance. Most of them seem more interested in drink than in music. The ship has become lost and seems to be endlessly circling. Well stocked with booze and food, etc., the ship continues on. IFCO, armed with only a piano and…
* Housed in a 6-panel wallet, including a 24-page booklet reproducing the photos, scores, and writings from the original LP, along with a new foreword written by Enzo Minarelli in 2015 * A CD issue of the long unavailable international sound poetry compilation LP, Voooxing Poooêtre. Originally released in 1982, this collection was assembled by Italian sound poet Enzo Minarelli (who has also curated releases on Slowscan and Baobab, in addition to operating the 3Vitre imprint).
Comprised of voice…
Greetings, here we have Recital’s inaugural release, “Vanity Fair,” Sean McCann & Matthew Sullivan’s debut collaboration album. A fitting introduction to the ethos of Recital; the desire to turn a new page, to more accurately project what is significant and engaging in contemporary music.Matt and I had often talked about collaborating, as our musical understandings and interests align. Both drawn to minimalism and graceful ambience, we would trade tidbits and slivers of ideas casually over coff…
“Music For Private Ensemble” is Sean McCann’s first new solo album since 2011′s “The Capital”. Demonstrating a more serious study of orchestration and timbre than his previous work; it is a big step forward. The four arrangements presented here shy away from the use of synthesizers and effects processing – instead relying on voicing and movement to actuate the album’s sentiments. Inspired by the grandiosity of John Adams, the concerned somberness of Gavin Bryars, and the guttural tape work of Fl…
Annea Lockwood has been an active member of the sound art world for over 50 years. Known prominently for her Glass Concerts, exploring the sonic temperaments of glass; her Piano Transplants, a performance piece where a piano is lit on fire or partially buried; and Sound Maps, detailed audio studies of rivers in the United States. She has received international recognition for her unique relationship with sound. Annea Lockwood has taught at a number of universities, most notably at Vassar in New …
An edited and remastered issue of a tape by the IFCO quartet - Scott Foust, Karla Borecky, Jessi Swenson & Meara O'Reilly. Rags To Riches is a live record documenting pieces from 2003 through 2005. Showcasing some top-shelf unreleased works; "The Whole World," "Metropolis," & "The Bitter End." Older material is also included, a fierce version of "Artificial" from 2005's Stranded, as well as the notorious "Cycle-19." Additionally, there is a beautiful voice-based rendition of "Some Of Us" …