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The much-anticipated blast-off release for Charles Speer and his band. Recently rewarded 5 stars in Time Out mag by the music editor, this album is a landmark in laid-back blues and country songwriting, feat. members of NNCK and Sunburned.
Seeking refuge in songcraft, D. Charles Speer and the Helix spin tales of mental instability and institutional exploitation into a thick, heady, groove laden brew. The professorial attack of the ivories, the sear of the strings, the pounding of drum skins amass into a righteous storm bound to overwhelm those uncoverted. This is an unholy mix of heart ripped vocal, Longhair piano, and guitar work drawing from both Mike Bloomfield and Norman Westberg. Featuring silk screened covers and hand stampe…
The newest release from D. Charles Speer & the Helix highlights narratives presented as gospel and then revoked in the wink of eye. Serpentine guitars encase a dirty groove on both sides of the slab, while the piano and bass smother the listener with affection. This single features a plethora of voices, with D. Charles, Margot Bianca, and Hans Chew all clocking time on the mic. A precursor to the full length “Distillation” due later this year, “In Madagascar” contains two exclusive tracks as it …
A true solo endeavor, this LP is the debut of D. Charles Speer on long player. Recordings over a span of 4 years have been assembled here into a rumination on loss in its many forms - loss of direction, loved ones, home, mental acuity, money, and emotional stability. Pressed on 180 gram virgin vinyl and limited to 500 copies.
This re-release of 1998's Letters From The Serth is a sequential follow-up to the monolithic double CD Letters From The Earth, as it was recorded exactly one year to the day later (Orthodox Easter, 1997), at the same location - on the roof of their building in Chinatown in the afternoon. It's only a single CD this time because as you'll hear at the end, it's starts raining. It features the regular No Neck Blues Band line-up, plus their newest member, the enigmatic Japanese dancer/icon, Michiko. …
The No Neck Blues Band have been enjoying a surge in popularity of late, what with their incredible Qvaris album last year and now a collaboration with Embryo on the Staubgold label turning heads good and proper. This album was the band’s first foray into the digital realm and was released way back in 1998 on the influential Ser label. Unavailable for far too long, Very Friendly have seen sense in re-issuing it, and for many of us (me included) it is the first time we can get to hear it in un-ab…
Yes, by God, here's another one. Rock root punch left in bloody piles of nutmeg dirt circus. Fuck the bleat. Fuck the beat. Fuck the entire fucking fleet. A return to the magnificence of spell-over-form. An end to spiel-necessity. Destructive formatting vanishes in a pfff of steam. Welcome to one future. For information on NNCK consult your local oracle.
The No Neck Blues Band, adrift in the ozone-tinged air of lower & upper Manhattan for nearly a ghost decade, stood at a fork. To one side lay the path to continued avoidance of human contact, and lifetimes of hemeretic improvisational events. To the other side was the trail into a kind of new free-pub-fat-rock dynamism, attaching the head of Lou Gare to the body of Martin Stone. Which way they would go was never predictable. The myriad recordings & performances that No Neck produced during their…