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In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music. This style soundtracked the birth of a new, proud Ghanaian identity and captured…
Tip! Padang Moonrise is the story of modern Indonesian music that emerged underneath the volcanoes of Java and Sumatra. Java, the most populous island in the archipelago of over 17,000 islands and 1300 distinct ethnic groups, and its capital city Jakarta, was where most of the post-colonial national identity, politics, administration and music production was centred.
Traditional songs from Java, Sumatra, Bali and beyond were re-imagined by a small group of state-sponsored musicians that also com…
*2022 stock* Soundway presents the The Sound of Siam 2 - Molam & Luk Thung Isan from North-East Thailand 1970 - 1982 features 19 tracks, many appearing outside of Thailand for the first time. Both CD and double LP & is accompanied with detailed liner notes written by compilers Chris Menist and Maft Sai. Soundway's second foray into South East Asia is focused on North-East Thailand, the epicentre of Molam and Luk Thung Isan music. Hypnotic phin & khaen riffs, pulsing, electrified country rhythms …
Black Goddess was written and directed by Ola Balogun (recognized as one of Nigeria's most renowned directors) but shot and cast in Brazil and released in 1978. The soundtrack was composed and produced by one of Nigeria's most successful and original musicians Remi Kabaka (who has played with Steve Winwood, Paul Simon and Ginger Baker, amongst others). The record was originally issued in both Nigeria and Brazil, but recorded in Lagos, using four of the Nigerian music scene's most innovative…