★Squint Fucker Press
Playing Piano
"Playing Piano features a partially deconstructed upright player piano prepared in the spirit of John Cage. This fully mechanized 1920’s player piano is animated by a motor and pneumatics (as opposed to being played by a person). A perforated paper roll, the physical translation of the musical score, controls the mechanized elements.
The preparations to Playing Piano include various machines which strum and press a pie plate against the strings, whistle using the air of the pneumatics and amplif…
Kunstradio
Third in a series of seven. Includes 7-inch embossed front cover with die-cut hole back cover + grooveless opaque vinyl with an off-center hole in addition to the center hole + two 7″x7″ full colour inserts + AIFF and MP3 (320 kbps) versions of 7 tracks, 45:11 total. Edition of 77.
Christof Migone is a multidisciplinary artist. He has a Master’s degree in visual arts from the Nova Scotia College of Art and Design in Halifax, and has performed in Europe and Canada on many occasions. His instal…
Avatar
Second in a series of seven. Includes 7-inch embossed front cover with die-cut hole back cover + grooveless opaque vinyl with a burn mark made by a soldering iron on one side + two 7″x7″ full colour inserts + AIFF and MP3 (320 kbps) versions of 5 tracks, 31:18 total. Edition of 77.
Christof Migone is a multidisciplinary artist. He has a Master’s degree in visual arts from the Nova Scotia College of Art and Design in Halifax, and has performed in Europe and Canada on many occasions. His insta…
Silo City
Edition of 77 copies. includes 77 grooveless 7-inch opaque white vinyl records, plus 2 full-colour inserts, and embossed die-cut cover. First presented as part of null point 7: Decay/Reverberate, Silo City, Buffalo, New York, June 12-14, 2015. Curated by Colin Tucker. Publication (vinyl object and digital) contains 6 tracks, total running time 33:41. Tracks based on recordings done at Silo City during a site visit in summer of 2014 and during the presentations/performances onsite the foll…
Greatest Hits
Edition of 300. A release featuring the first twelve presentations of Hit Parade, where a total of 180 performers in Seoul, Montreal, Quebec City, Dundee, Winnipeg, Porto, New York, Toronto, Rotterdam, Kitchener, Milan and Melbourne, lying face down hit the ground 1000 times with a microphone.
Waterways : four saliva studies
Soundtrack to Vito Acconci’s 1971 video “Waterways: Four Saliva Studies” as well as a remix by undo (Christof Migone and Alexandre St-Onge) entitled “Vito Acconci’s undoing.” cd in custom cardboard box with video stills of each Acconci study covered by hand in silver paint. "New York artist Vito Acconci belongs to that generation of conceptual players, including Chris Burden and Denis Oppenheim, who were more interested in what th…
Fingering
*Numbered edition of 300. Digital download card included. It comes with 2x inserts with two holes and a tear* In Christoph Migone's own words: I've been using gutted reel-to-reel machines in my live improvisations since about 1998. At first principally in the context of my work with Alexandre St-Onge in the duo undo, but also in all sorts of under configurations, with the groups: Set Fire to Flames, l'oreille à Vincent, Fly Pan Am, Klaxon Gueule, Mecha Fixes Clock; and with individuals: Tim Heck…
Rimmed Records
Vinyl records physically reduced to just the outer rim, packaged in silk-screened recycled record covers. Playable at your own risk. Edition of 100.
99 fingers: recordings 1997-2007
Being the fruit of the gesticulation of the ninety-nine fingers of the unspeakable guiding hand which in the end does not appear to guide and of which we can perhaps speak.Simon Brown lived on a dairy farm until age of five (Sucker of Coc). A sibylline apostate put blood in the choclate milk. Taintid; Simon was God punishd bye-bye. He accept this, form of full-body massage, manifestations of mental illness and pornography. Dylan Crichton is afraid of touching things. His life skills were honed i…
Kasi Naigo
.....kasi naigo is a sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other...the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question... A singular blast of air interchanged with a hollow, crackly static drone are almost constant through this, disc, and they serve to create an eerie, lonely, wide-open silence... This disc is expansive, tense, terrifying and subtle (Boss Sambosa, The Montreal Mirror).