★Staalplaat
Uzbekistani Bizzare and Souk
Sonically, Bryn Jones's work as Muslimgauze often pulled in two directions at the same time. The one, towards what fans of Can might call an "ethnographic" kind of practice, especially with his use of vocal samples and percussion instruments from the Middle East and other regions of the world Jones was so interested in (obsessed by?). The other is toward, for lack of more polite phrasing, harshly fucked-up digital noise and beats. Many interesting Muslimgauze releases tend more toward that …
Drugsherpa
The provenance of bonus tracks can often be tangential or suspicious; in this case, it's more like a homecoming. WhenBryn Jones turned in the master for what would become 1994's Drugsherpa mini-CD, Staalplaat selected the 20-minute title-track, truly one of Muslimgauze's most distinct and awe-inspiring tracks, to fill the release. The sinuous, doom-haunted "Drugsherpa" still sounds fresh today, but in 1994 it was so far ahead of its time, that the rest of us wouldn't catch up until a decade or m…
Turkish Berlina
Some might say that the continued stream of releases fromBryn Jones aka Muslimgauze is beginning to beggar belief. But Jones was always prolific, creating not just song after song but variant version after version of his existing work. And so Muslimgauze continues to reach out from the last century into this one. Although an intensely dedicated and creative producer and composer, Jones could be a little cryptic when it came to keeping his massive body of work organized. The recently unearthed Tu…
Un-used Re-mix's 1994-1995
"We do not work on a release, a piece is done at a time. A CD is drawn from various tracks which can span a few days, weeks or a month, or a day, each release is different." --Bryn Jones, Grinding Into Emptiness interview, 1998Not only has Muslimgauze's work survived the death of Bryn Jones, so have his working methods; with so much worthwhile material still in the vaults and much of it having little in the way of information or context left by the artist upon his untimely passing, recent reissu…
Deceiver vol. 3 & 4
The original 2CD Deceiver from 1996 is a seminal release in Bryn Jones' sprawling discography, one of the first major ones to really pivot into the noisier/more abrasive side of Jones' sound as Muslimgauze. From its epic, vinyl-side-long title-track down to terse, rhythmic snippets like "A Parsee View," Deceiver set out many of the avenues that Muslimgauze would continue to explore before Jones' death in 1999. Since then, Staalplaat has continued to release the massive back-log of Jones' work,…
Minaret Speaker
While the human voice has often been an element in Bryn Jones\' WORK as Muslimgauze, rarely did he highlight it as much as in Minaret Speaker, the latest in the Muslimgauze Archive SERIES, and its concurrent release, Feel the Hiss(ARCHIVE 030CD). While elements of Minaret Speakerappeared on the 7\" of the same name released by Staalplaat in 1996, much of the strongest material here is previously unheard. Jones\' normal practice was to send in tapes to the label with only a title for each tape as…
Feel the Hiss
Some of the tracks on Feel the Hiss, a release Bryn Jonesrecorded LIVE to cassette in early 1995 but never had the chance to remix and polish before he DIED, use the same kinds of devotional voices found on much of Minaret Speaker(ARCHIVE 029CD), but here other voices are present too. Conversational or angry, male or female, English or French or Arabic, almost inaudible or forcing their way to the front of the MUSIC, these "Zilver Tracks" (the name based on a note Jones wrote on the tape) engage…
Mort aux vaches
CD, 3-panel micro-wave carboard cover, pyrography on the front side and hand-stamped inside, ltd. 500ex. Produced and recorded for Dwars@vpro by Berry Kamer, Amsterdam, October 27, 2008.
Mort aux vaches
"For this live-to-air outing, Raphael Lyon’s primary instrument is a customised organ, with which he sketches out simple cyclical themes that suggest either a more rudimentary take on Terry Riley’s Persian Surgery Dervishes or a more involved reworking of Rick Wright’s Eastern-tinged organ mantras on Pink Floyd’s Ummagumma. He adds field recordings and occasional processed vocal incantations. Though modest in ambition, this is impressively concentrated work; its sense of warmth and honesty under…
Dark Market Broadcast
Recorded in Tokyo, New York and Los Angeles. Walpurgisnachet recorded with Joe Potts. Purge recorded live at Anticlub, Los Angeles. Live recording engineered by Joseph Hammer. Mastered by John Duncan at Unormori, Tokyo. The result is a terrific industrial album, rusty, acid and distorted soundscape with a massive use of FM waves and voices recorded along with low frequency sounds.
Mort aux vaches
MINBLOWING EDITION! 'This might very be the first time that Staalplaat repeats a cover for their Mort Aux Vaches: the metallic cover for this one was also used for the Mitchell Akiyama release (unless of course one states that a lot where printed on paper), but with a different pin. Musicwise of course Vernon & Burns are something different than Akiyama. What many perhaps don't know is that perhaps the whole Mort Aux Vaches enterprise started with VPRO and Staalplaat was by asking people to deli…
Mort aux vaches
New Ignatz cd out now on Staalplaat ´Mort Aux Vaches´ series. Live session at Berry Kamer´s Dwars program at VPRO. KRAAK is working on a new Ignatz lp as well, compiling the best tracks of his cassette releases. Will be released after summer...On Friday Ignatz plays at the Kinky Star in Ghent. On May 22nd his new band Beautiful Band plays at the RTT in Brussels with The Psychic Paramount and Das Os. ´Beautiful Band [Laurent of Rot (guitars), Bram Devens of Ignatz (vocals & guitars), Paul Labrequ…
Mort aux vaches
CD, 3-panel engraved sikscreened cover ltd. 500ex. Perhaps I told this before: one sunday afternoon two years I went out to see the farewell event of a band that I never heard of, Dagpauwoog, but I knew all of its members (including Rutger Zuydervelt) and was pleasantly surprised by at least two concerts: soccerCommitee use of voice and guitar blew me away (the female answer to Oren Ambarchi I thought) and Wouter van Veldhoven, who played some analogue synthesizer, a music box, an ancient tape d…
1980-82
A collection of recordings from Spains Esplendor Geométrico recorded between 1980 and 1982. Very much like a spanish Suicide, Esplendor blend soundscapes, industrial noises, vocals and early drum machines to brilliant effect
Bleu
long out of print "In their own way, ETANT DONNÉS perpetuate the very select circle of alchemist image-makers who, like Michel Maïers in his Atatanta Fugiens ou Lambpsrinck in De Lapide Philosophico, drew up allegorically, poetically, and in a way intelligible only to the followers, the various phases of the microcosmic and macrocosmic magistery. "What is at the top is like what is at the bottom, for the miracle of one only thing"Hermes Trismegistus."
Mort aux vaches
Pete Swanson (electronics, vocals) and Gabriel Mindel Saloman (electric guitar, electronics). Produced and recorded for Dwars by Berry Kamer, Amsterdam, May 17th 2007. Packaged in a 3-panel cardboard relief sleeve. Artwork & concept by Staalplaat. Limited edition of 500 copies.
Mort aux vaches
Packaged in a three-panel lenticular sleeve. Artwork & concept by Staalplaat. Limited edition of 500 copies.
Stoneface
Nigel Ayers’ most accessible emission? The glut of his ‘band’s prolific history has generally been a full-scale assault upon the senses, via either dingy slabs of noise or near-pretty industrial musique concrete. Stoneface operates on many levels, a set of gruelling, scraping, yet strangely attractive organic sounds that reveal numerously coloured layers with successive listens. Recorded in 1988, these nineteen sonic morsels play with near-baroque tendencies, devolved factory rhythms, spiritual …
Popular soviet songs and youth music
Zoviet*France are one of the most important collectives in the 'post-industrial' era. Their swirling, repetitive music changes shape each time it is listened to and has been, as much as the elborate packaging, of great inspiration to the current ambient music. Issued in a round felt piece on front and back of the set with a Soviet miltary pin holding the whole set together.
Mort aux vaches. Random Dilettantes
Back in stock! 'composition: reinhold friedl this cd should be played with random or shuttle function zeitkratzer will soon be the center of innovative music. This project promises to be endlessly fascinating, the Wire magazin wrote three years ago. Three years later, after a lot of different projects, inluding zeitkratzerÕs already legendary cooperation with Lou Reed, international critics agree: zeitkratzer is the best contemporary music ensemble in the world (entrevista Lissboa, dna Roma).…