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*2023 Stock. 180gr LP deluxe heavy paste-on cover * In his liner notes to this release, John Fahey mentions his desire to have an entire world orchestra in his guitar, Western to Eastern, bagpipes to gamelan. Perhaps it's this mental approach that se…
Hamza El Din (July 10, 1929 – May 22, 2006) was an Egyptian composer, oud player, tar player, and vocalist. Performing on the oud (the Arabian short-necked lute) and the tar (the ancient single-skinned frame drum of the upper Nile), along with his ge…
Hamza El Din's second album is similar in tone to his debut, featuring original compositions based on Nubian folk traditions, masterful oud playing, and soothing vocals. Serene and haunting, this was among the first world music recordings to make an …
** 2021 Stock ** Sandy Bull, who died in 2001 at the age of 60, was part of the early blues/folk scene of the early 60s, friends with Bob Dylan, Joan Baez and both Roger MGuinn and Jim McGuinn. His own guitar and banjo style was quite distinct, featu…
Peter Walker was the quintessential psych-folk guitar player to come out of the '60s. Revered by Timothy Leary, who had him program the music for his Turn-Ons, Walker was one of the first to take the Indian tradition of ragas and channel them through…
Re-mastered from the original analogue master tapes, pressed on 180 gram . Remastered edition, ultralimited and, unfortunately, pricey/ originally released in either 1968 or 1969 depending on your sources, The Yellow Princess saw a post-philosophy de…
Robbie Basho's Zarthus, dating from 1974, is, in his own words, "An album of Persian, Arabic, Westerns Themes (sic), woven together into a single 'Fabric D'Amour' to cover the barren manekin (sic) of modern times." Easily the album that most indulges…
“I don’t call a lot of my stuff far out,” Basho explained. “I just call it a different level of feeling. It’s far in, as far as I’m concerned...I spent years on the road singing folk songs that had no meaning. It dawned on me music is supposed to say…
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but m…
Sandy Bull may have been the first man in the '60s folk renaissance to foreground modal drones in his music and thereby forge a link between Scottish ballads, jazz, and sitar meditations. The results are seismic, and when seen in the light of the mil…