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Out of print since 2014!! Look Mom No Head! dresses rock ʼnʼ roll in its full regalia, with its many knobs, buttons and doo-dads. Man! The electric guitar sounds like it might launch a rocket! Replete with celebrations of intoxication and sexual prowess, The Cramps’ 1991 album sports “Dames, Booze, Chains and Boots” from the movie Hold Me, Thrill Me, Kiss Me, a torchy rendition of Jack Nitzscheʼs slow-fuck blues “Hardworkinʼ Man” and the cross-dressing classic “I Wanna Get In Your Pants.” Minute…
Originally planned for 1985 to join in the onslaught of Elvisʼs 50th Anniversary commemorative reissues, A Date With Elvis came out in early 1986 in Europe only, where it went on to sell more than 200,000 copies. The only album featuring The Cramps as a three-piece band (Poison Ivy doubled on bass), it careens from the sociopathic advice of “People Ainʼt No Good” (later covered by Nick Cave) to mind-on-vacation odes like “Aloha From Hell” and “Kizmiaz” (where The Cramps prove they were exotic wh…
Recorded at Ardent Studios in October 1977 as part of the sessions that birthed Gravest Hits, the tracks on Gravest Gravy were contained on seven 1/4 inch reels. The tapes were transferred by Brian Kehew, the tracks were selected for inclusion by Henry Rollins, engineered by Ian MacKaye and Don Zientara at Inner Ear Studios and mastered by Pete Lyman at Infrasonic Sound.
Originators of a mutant and primal, stripped-down sound with its roots in the primordial soup of Rock 'n Roll - The Cramps cra…
Dangerous, bizarre, but most of all cool, The Cramps one again prove themselves as leaders in skull-fracturing rock ʼnʼ roll, delving even deeper into a wicked netherworld where few have dared to tread. They are the architects of a sound that has spawned an entire subversive subculture. Originally released in 1997, Big Beat From Badsville is a haul-ass, careening monster of a record featuring more songs of mutilation, shape-shifting, psycho frenzies and she-devil-worship. The four rare bonus tra…
Sex-classic Stay Sick! was originally released in 1990 and features more of the dark side of rockabilly in a jugular vein. The opener, a hopped-up cover of obscure Sun Records tune “Bop Pills,” proves that rumors of amphetamine usage by the original Memphis rockabilly cats was not exaggerated, and sets the pace for the rest of the album.
Hog-wild covers of “Shortninʼ Bread” and “Muleskinner Blues” probably have the original writers dancing on their graves, and The Cramps’ version of the perverse…