New Arrivals / Last 2 weeks
Satan’s Imperials
Satan’s Imperials by Pain Appendix & Tantric Death compiles five live-collaboration tracks into a burnt offering of noise extremity. The sound is wrenched from malfunction, with synths, feedback, and howl colliding under the “malevolent gaze of a punctured inflatable Satan.” Here, fun and brutality are inseparable; each track a riot of writhing electronics, live-wire tension, and mischief.
Absolute Earthbound Spirits
Absolute Earthbound Spirits by Death Kneel is a collection of five cassettes originally released on Life of Sensation between 2023 and 2024. Now presented as a unified CD album, it traverses harsh noise domains with a granular attention to texture, rhythm, and atmospheric collapse. Sculpted from aggression and nuanced sonic distortion, the album embodies a vital cross-section of contemporary noise music.
Reality Is Not a Theory
Reality Is Not a Theory by Mark Fell and Pat Thomas is a vivid collaboration exploring the friction between theorized structure and lived musical experience. By fusing Fell’s technologically limited triggers for creativity with Thomas’s exploratory improvisation, the album reimagines not only electronic and jazz vocabularies but also notions of time and agency, rendering a shifting landscape where each moment is both calculated and unexpected.
Ghost Story
Ghost Story, by Ron Geesin, is a previously unreleased, wildly inventive soundtrack to Stephen Weeks’ cult British horror film of 1974. Blending traditional folk motifs, modern electronic experimentation, and eccentric studio craft, Geesin’s score is at once haunting, playful, and profoundly original—characterized by spectral atmospheres and surreal sonic storytelling.
The Birds of Marsville
The Birds of Marsville, the seventeenth album from Friendly Rich, is a whimsical and experimental sound guide to 76 imaginary birds inhabiting the fictional island of Marsville. Featuring orchestrion, chamber ensemble, and a playful mix of genres, the work brings together carnivalesque sonorities, witty narratives, and a centuries-spanning tradition of birdsong composition.
Suns of the Heart
Suns of the Heart, the sixth solo album from Colin Fisher, unfurls a suite of intricate, emotionally charged improvisations that blend treated guitar, elemental electronics, and gestural samples. Across six movements, Fisher crafts an enveloping soundworld where each texture pulses with meditative warmth and restless sonic curiosity.
Mirante
Mirante, the ninth album by Nick Storring, is an impressionistic, multi-instrumental homage to Brazil. Across seven movement-rich tracks, Storring weaves liquid ambient textures, intricate rhythms, and a panoply of both Brazilian and experimental influences, forging an album that balances celebratory groove and lush introspection.
Universal Synthesizer Interface Volume Three
Universal Synthesizer Interface Vol III by Kristen Roos explores analog synthesizer landscapes with intricate sequencer programming and expansive rhythmic patterns. Released by We Are Busy Bodies, the album’s six tracks build lush, propulsive electronic architectures—melding modular arpeggios, pulsing bass, and shimmering effects into a hypnotic and meticulously detailed journey.
Synthetic - A Synth Odyssey: Season 4
Synthetic: Season 4, the final installment in Rich Aucoin’s quadruple-album saga, is a landmark in ambitious electronic artistry. Recorded over five years and utilizing 103 vintage and rare synthesizers—including the Buchla Electric Music Box and Ondes Martenot—the album traverses cinematic ambient, analog-driven techno, and experimental pop across fifteen intricately crafted tracks.
Synthetic - A Synth Odyssey: Season 3
Synthetic: Season 3 by Rich Aucoin continues the Canadian artist’s ambitious four-part electronic saga, zeroing in on dance and rave music influences with vintage synthesizer textures. Recorded across multiple studios between 2020 and 2024, the album features ten energetic tracks—a journey through nostalgic sounds, analog warmth, and kinetic club reverie.
Holy to Dogs
Holy to Dogs, the newest album from The MIDI Janitor, is a haunted, downtempo odyssey of outsider electronics and dusty, dreamlike beats. Vancouver’s Jonathan Orr repurposes scavenged MIDI controllers and obsolete synths, producing spectral melodies, melancholy textures, and a pulsating DIY spirit that veers between ambient, hauntology, and rusted techno.
The Tape Masters Vol. 2 - Soul Power West Germany
The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.
Shipwreck Radio Volume 1 Part One
First vinyl edition of Stapleton's aquatic transmissions. Hypnotic environmental sound dredged from oceanic depths: warped radio signals, spectral electronics, mechanical groans
Maggot Brain #21 (Summer 2025)
A REAL music magazine on printed paper. As always: substantial content delivered! Maggot Brain returns with issue #21 for Summer 2025. Underground music journalism the way we need it. The way we want it! No corporate sanitization, no algorithm-friendly content, no compromise. Just deep investigation into the music that matters - free jazz, experimental sounds, punk archaeology, and the radical fringes where creativity actually lives.
Issue #21 continues the Maggot Brain tradition of taking music…
The Yellow Box
As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive sense of poptimism, it’s easy to see how David Cunningham and Peter Gordon immediately hit it off upon initially meeting each other back in the late-1970s at the height of their youthful transgressions. Having initially worked together on the second Flying Lizards’ LP fourth wall, with its ingenious fusion of dismantled rhythms and rearr…
Scott Seskind
Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.
Folklore & Concepts
Folklore & Concepts, the latest release by Smegma—now five decades into their outsider avant-garde career—extends the band’s legacy of ritualistic collage, spontaneous improvisation, and anti-academic noise. Infused with tape, synths, prepared piano, horns, and voice, the album melds shamanistic energy with surreal group interplay, creating an unpredictable and stubbornly original sonic tapestry.
Sobbing Honey & Anna Homler
Sobbing Honey & Anna Homler brings together Sobbing Honey—an emergent force in LA’s experimental underground—and the legendary vocal sound artist Anna Homler. Through a sequence of improvisational, ritual-inflected tracks, the collaboration dissolves conventional boundaries, weaving extended voice, electronics, and found instruments into rarefied, playful atmospheres that embrace both textural mystery and tactile joy.
Already in Heaven
*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …
Last Night I Heard the Dog Star Bark
Last Night I Heard the Dog Star Bark, the third full-length from Gwenifer Raymond, finds the Welsh guitarist deepening her American primitive explorations with a turbulent, spectral intensity. Across ten instrumental tracks for solo guitar and banjo, Raymond braids the darkness of Appalachian nights with the cosmic anxieties of science fiction, displaying fierce dexterity and meditative nuance.