New Arrivals / Last 4 weeks
Pierrot
At a time when most bands in the post-Group Sounds boom were gravitating toward British rock, Hiroshi Segawa stood out as one of the few artists exploring country and southern rock sung in Japanese. "Pierrot" represents a peak in that pursuit, backed…
The Sisters
A heretical symbol of Rare Groove, with its alternative and avant-garde ferocity! Irvine Weldon's 1973 masterpiece, which continues to have a wide influence around the world even today! Although it is based on jazz, it is a work released in 1973 that…
'79 Live
’79 Live catches Friction right as Japanese punk is mutating into something stranger and more angular, a December 1979 set that sounds like it was recorded with the mics pointed straight at the band’s collective nervous system. The trio are all attac…
Friction
The 1980 album Friction (軋轢, literally “friction”) stands as the moment Friction stop being a rumour from the Tokyo underground and become a fully formed threat on record. It is their first LP and the only one to feature singer Masatoshi Tsunematsu a…
Live at "Ex Mattatoio" in Roma
Recorded on 28 August 1984 at the Japan Japan Festival in Rome and originally issued the following year on the Marz label, Live At "Ex Mattatoio" In Roma captures Friction far from home but fully in their element. Playing inside the former abattoir o…
Live, Pass Tour '80
Live Pass Tour ’80 captures Friction at the precise moment their legend hardens into tape. Recorded during the Pass Tour at Kanagawa University in 1980, just as the band were releasing their first full‑length 軋轢 = Friction, this set has been describe…
Collusion And Collaboration
Avant-garde multi-woodwind maestro Vinny Golia and innovative bassist-vocalist-composer Kelsey Mines unite in a dynamic duo recording. Stripping back to just their voices and instruments, this collaboration delivers finely nuanced interplay where Gol…
Holy Trinity
Rooted in Altman's exploratory practice, she weaves clarinet alongside a sparse palette of preparations, objects, tapes, and feedback. She crafts a series of pieces that are at once delicate and textural yet bold and expressive that reflect both the …
Lament For The Maker
“In 2022, with the closing of Mills College imminent and my bicoastal life coming to an end along with it, I requested of my colleagues works I could perform to mark this loss, honor the school's great legacy, and conclude the thirteen years I spent …
Izipoh Zam (My Gifts)
Two years after the death of his mentor and boss, John Coltrane, and just before signing his own contract with Impulse!, Pharoah Sanders finally got around to releasing an album as a leader apart from the Impulse! family. Enlisting a cast of characte…
Pax
On Pax, Arvo Pärt’s most emblematic pieces are gathered into a single, quietly radiant anthology, turning his tintinnabuli language into a long meditation on stillness, vulnerability, and the possibility of peace in a noisy, fractured world.
Spirit of Eden
On Spirit Of Eden, Talk Talk dissolve the idea of a “band” into a hushed, slow‑burning soundscape, six long pieces where jazz, blues, chamber music, and near‑silence fuse into something that feels less like an album and more like a single, ritual act…
Marquee Moon
On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.
Un Biglietto del Tram
On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.
Fun House
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.
The Stooges
The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.
Cliphop
*300 copies limited edition* "The Glitch hype was a rather short one. But it brought together different scenes; minimal techno, sound art and electronic minimalism. Then it hit a dead end and dissolved. In the centre of Glitch we found labels like Mi…
Desaparecido
On Desaparecido, Litfiba ignite their “trilogia del potere” with eight songs where British‑tinged new wave collides with Mediterranean melody and political allegory, turning Italian rock into something at once cosmopolitan, urgent, and obstinately lo…
Copenhagen, Bordeaux 1966 & Newport 1967 Live First Release
Tip! "These powerful performances from Copenhagen and Bordeaux, released officially here for the first time, and the Newport Festival in the U.S., provide further evidence of the music’s collective necessity – the true ensemble coordination which A…