New Arrivals / Last 4 weeks
Four For Trane To Live Newport 1965
Temporary Super Offer! Four For Trane became one of the classic, iconic albums of the post-bop era. The explanation is three-fold. First, the material. Rather than follow Coltrane’s lead into the most extreme of his free-blowing anthems, Shepp selected three songs from the Giant Steps album, and one from Coltrane Plays The Blues (although “Cousin Mary,” from the former release, is also a twelve-bar blues). This is significant because it illuminates the two sides of Archie Shepp’s conceptual persp…
Summertime To Spiritual Unity Revisited
Temporary Super Offer! Summertime from the LP My Name Is Albert Ayler made me discover Albert Ayler. His unique interpretation of Summertime motivated me to go to Lörrach crossing the border from Switzerland to Germany to listen to the concert of the Albert Ayler Quintet in Lörrach on November 7, 1966. This experience has indoctrinated me forever for the music of Albert Ayler. In 1975 I created the label Hat Hut Records and in 1978 I had the chance, thanks to the support of Joachim Ernst Berendt…
Adam’s Apple To Super Nova "Revisited“
“The word ‘jazz,’ to me, only means I dare you.” - Wayne Shorter
Charlie Parker At Birdland 1950 "Revisited“
Temporary Super Offer! "This one was working. This one always had been working. This one was always having something that was coming out of this one that was a solid thing, a charming thing, a lovely thing, a perplexing thing, a disconcerting thing, a simple thing, a clear thing, a complicated thing, an interesting thing, a disturbing thing, a repellant thing, a very pretty thing. This one was one whom some were follow-ing. This one was the one who was working.” Gertrude Stein’s 1910–11 descrip…
Dizzy Gillespie & Charlie Parker At Town Hall 1945, Carnegie Hall 1947 & Birdland 1951 "Revisited"
Temporary Super Offer! When Charlie Parker and Dizzy Gillespie went into the recording studio together on 28 February 1945, they had already served a shared apprenticeship in the big bands of Earl Hines and Billy Eckstine, had jammed informally exploring their common interest in adventurous extensions of swing harmonies and reconfigured rhythms, and were, individually and collaboratively, prepared to redirect the course of modern jazz. That session shouldn’t in any way be considered the public “…
For John Cage
Temporary Super Offer! John Cage was an evangelist for a new mode of listening in which we would listen to everything with the same attention that we bring to music. For John Cage proposes instead that we listen to this music as if it were everything. While these two instruments are playing there is nothing else, just a violin and a piano. Even the process of remembering, normally so important in helping us make sense of what we hear, is altered: the ‘tenuous’ rhythms of For John Cage articulat…
She Knows...
Temporary Super Offer! The Thing started as a recording project in 2000, for the newly formed label Crazy Wisdom, run by Christian Falk, Conny Charles Lindström and me. I wanted to put together a trio, to record some Don Cherry pieces and since I had recently played with Paal in Stockholm and heard Ingebrigt playing live, I knew they were tight. So, things went where they went.
I invited the two young Norwegians to Stockholm for a recording date at Atlantic Studios. One day of recording for the …
Breaking News - Studio Dan
Temporary Super Offer! Founded in 2005, Studio Dan is a flexible ensemble, operating on the borders between diverse subgenres of contemporary music: improvisation, new music, jazz, art-rock, and others. The ensemble tours internationally. Appearances include concerts at Wien Modern and Ostava Music Days, and venuse such as Kampnagel Hamburg, Kimmel Center Philadelphia, and the legendary Roulette in Brooklyn/NYC. Past guest soloist and collaborations with Studio Dan include also Vinko Globokar, E…
Free Form & Abstract, Revisited
Temporary Super Offer! Unheard music from this key reedman on the British avant scene in the 60s – This double album features Joe Harriott working with a quintet that includes Shake Keane on trumpet, Pat Smythe on piano, Phil Seaman on drums, and Coleridge Goode on bass – playing in territory that's somewhat in the neighborhood of his Abstract and Free Form albums. 'Abstract is split over two dates some months apart, with some change of focus over the set. Free Form has more of the drama of a si…
La Cave Live, Cleveland 1966
the first authorized release by permission of the Estate of Albert Ayler of the two concerts played at La Cave, Cleveland on April 16 & 17, 1966. Remastered for best possible sound of these under difficult technical circumstances recorded performances.
Copenhagen 1963 „Revisited“
Temporary Super Offer! Despite persisting labeling of its music as avant-garde, The New York Contemporary Five played unthreatening contemporary jazz almost as often as it explored more daring materials. Two of Thelonious Monk’s loveliest melodies – “Monk’s Mood” and “Crepuscule with Nellie” – were embedded into their sets, aswell as three of Ornette Coleman’s more accessible, swinging vehicles, “O.C.,”“When Will the Blues Leave,” and “Emotions.” These pieces provided a perspectiveof contemporar…
New York Is Now & Love Call Revisited
Temporary Super Offer! New York is Now! and Love Call are rarely mentioned in surveys of Ornette Coleman’s music, and they are often glossed over when they are cited…. Even in commentary focusing on Coleman’s recordings for Blue Note between 1965 and ‘68, these albums tend to be overshadowed by the two volumes of At the “Golden Circle” Stockholm... However, these last sessions before Coleman’s departure for Impulse! are pivotal, influential albums that merit reassessment. – Bill Shoemaker"Alto s…
Nothing Is...
Temporary Super Offer! "Attempts to dismiss Sun Ra as an “outsider” artist, an eccentric who made strange claims, are always own goals. Of course he was an outsider. That was precisely his point. And not just an outsider. He came from so far away we could not imagine it. But he also came from right inside American culture and was deeply shaped by it. There is perhaps no more representative an American artist of the modern period. If the Saturn V rocket was the symbol one kind of hegemony, govern…
Song Of Praise, Live New York 1965
Temporary Super Offer! "These Half Note recordings from March 26 and May 7, 1965, two dates from an extended stay at the club, were captured as a radio broadcast. ezz-thetics has re-sequenced the music here to demonstrate Coltrane’s approach to incorporating all his inventions into a performance, while also mapping a future to his music." – Mark Corroto
Producers note: "We have re-sequenced these tracks to allow the listener to become part of the development of the music and to follow J…
Miles Davis Quintets Stockholm Live 1967 & 1969 Revisited
Temporary Super Offer! 'Was there more than one Miles Davis? Could he be both the Prince of Darkness and the purveyor of cool? A drug addict and an athletic boxer? A hip bebopper and a protohippie? A flamboyant dresser and a shy vulnerable soul? A brutal misogynist and an insecure romantic? The answer is yes, and yes. Miles Davis was both a creator and a destroyer. His chameleon-like nature can be explained by the times in which he lived and created his art. These live recordings in Stockholm, S…
At Slugs’ Saloon 1966, Revisited
Temporary Super Offer! 'Among the jazz innovators, Albert Ayler is still considered a solitary figure to this day. From 1964 on he pursued his vision with firm determination. Like no other artist he used well-known melodies from military, marching, blues, gospel and minstrel show music as a starting point, and from these biographical earworm references he set out with the greatest expressiveness into an unconditionality that caused productive disturbance, which his music still does. On the one h…
Ezz-thetics & The Stratus Seekers Revisited
Temporary Super Offer! On Ezz-thetics: Eric Dolphy alto saxophone, bass clarinet, Don Ellis trumpet, David Baker trombone, George Russell piano, Steve Swallow double bass & Joe Hunt drums. On The Stratus Seekers: Paul Plummer tenor saxophone , John Peirce alto saxophone, Don Ellis trumpet, David Baker trombone, George Russell piano, Steve Swallow double bass & Joe Hunt drums. The six albums that George Russell recorded in just two years – starting with Sextet at the Five Spot in September 1960 …
Favorites Revisited
Temporary Super Offer! 'The studio side of Coltrane’s catalog has greater consistency in terms of caliber of aural presentation, but fewer occasions for extended improvisation and creation. This is particularly evident in an analysis of the recordings made of his Classic Quartet comprising pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones. An ensemble that was a work in progress well before it was a finished cohort, Coltrane’s most fertile band was also best suited to the hot h…
Live Europe 1960 revisited
Temporary Super Offer! 'The Miles Davis Quintet of early 1960 was an endangered, embattled entity. Davis and his frontline foil John Coltrane had been drifting apart stylistically and temperamentally for months. United in the embrace and exploration of modal devices on the trumpeter’s seminal Kind of Blue album released the previous summer, bandleader and sideman were increasingly at odds as to where to go next with the celebrated innovations.' - Derek Taylor
Fire Music To Mama Too Tight, Revisited
Temporary Super Offer! 'Jost may have had Fire Music and Mama Too Tight in mind when he suggested that by 1965 Archie Shepp spoke “basically two musical languages whose grammar and syntax had hardly anything in common.” This reflected the commentaries’s insistence that a chasm existed between free jazz and mainstream jazz practices, and, implicitly, between the New Wave in Jazz and the New Breed led by James Brown. What was revolutionary about Shepp’s music is that it rejected the underlying bin…