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Alto Saxophone – Klaus Marmulla (tracks: 1-1 to 1-10, 2-1 to 2-15), Peter Reinke (tracks: 1-11, 1-12) Bass – Hajo Lange (tracks: 1-1 to 1-10, 2-1 to 2-15), Wolfgang Lauschert (tracks: 1-11, 1-12) Drums – Heinz von Moisy (tracks: 1-1 to 1-10, 2-1 to 2…
The International Nothing is the Berlin-based duo of clarinet players Kai Fagaschinski and Michael Thieke. The two have been working together since 2000, refining a highly personal language focused on introspective, microtonal textures through st…
“The story of this album began with the idea of composing my response to Melodie – one of the Louis Andriessen’s pieces dedicated to Frans Brüggen. At first, I searched for information on the circumstances in which Louis Andriessen’s specific comp…
“Sometimes (harmony series 1)”, realization for female voice and three electronics players by Colectivo maDam. This piece was, as the title indicates, the first of the 34 pieces that would eventually become the harmony series. in this and all the ot…
Raphael Roginski, guitar. Olga Myslowska, voice, synth. Sebastian Witkowski, synths. “I feel a very intimate relation with English culture thanks to my admiration to the music of the 60s. But then there is also William Blake’s Albion, Benjamin Brit…
Antoine Beuger (flute), Christoph Nicolaus (stone harp), Burkhard Schlothauer (trumpet, bass drum). Before starting the event series in 1995, I had been occupying myself with nonrepresentational minimalist painting, in which, rather than representi…
Alienated voices. Crackling noises. Abstract sounds of unidentifiable origins … these are just some of the sources that Zorka Wollny, visual artist / composer from Krakow (whose work a.o. has been presented at CTM Berlin or ICI London), and her Aus…
Our favorite shaman comes back with a new solo album. This awesome full length album by Charlemagne solo has been recorded especially for idiosyncratics. It has been brilliantly engineered by our long term associate Fredéric Alstadt (Angström Studi…
This is a duo album by Toshimaru Nakamura, a mixer player based in Tokyo, and Martin Taxt, a tuba player living in Oslo. Instead of a conventional tuba, Taxt plays a custom-made “microtonal tuba” capable of producing microtones. In this album, Nak…
'Sonatina no. 1' (2016). 'Sonatina no. 2' (2016). 'Sonatina no. 3' (2016). 'drones' (2014). Carson Cooman, organ. Eva-Maria Houben has been performing works for the organ for more than 30 years. As she is related to the “wandelweiser-group” of compos…
Beat Keller (Electric Guitar) Philipp Bowee (Electric Guitar) Recorded in Mellingen and Winterthur, Switzerland Recording: Philipp Bowee All tracks are composed (2014-2016), mixed and mastered by Cem Güney Special thanks to: Antoine Beuger, Sylvia …
Presented live in Los Angeles. Source material originally developed as part of mas gestos y mas caras, a collaborative performance with Rafa Esparza and Yann Novak, presented at the Hammer Museum on July 8, 2016. Robert Crouch is an artist and…
In 2000, The Wire wrote of Richard Chartier’s work: “it’s worth stretching the ears in search of Chartier’s sequences of exquisitely sculpted sonic events, as gorgeous detail bodies forth out of the shadows”… the same holds true today. Formed over …
Wojciech Blecharz is somewhat an exhibitionist. An emotional one, of course. With his music, he doesn’t create a vision of the contemporary world burdened with disasters, being neither a “digital indigent” nor a fan of algorithmic passages. He’s no…
Besando el Tiempo is a piece that was composed in 1995 in the space of four days. It was written in an automatic script that Maria de Alvear uses for many of her pieces. The work was originally composed for the flautist Caren Levine, who also gave …
University of South Carolina experimental music workshop, Greg Stuart (director). Kallam Ashmore (objects), Brian Bethea (saxophone), Erik Carlson (violin), Eric Dennis (objects), James Easteppe (guitar), Jürg Frey (clarinet), Michael Halbrook (objec…
The transcontinental collaboration of Arcata shoegaze abstractionist Brian Pyle and spectral Russian songstress Galya Chikiss began in Berlin, where the former was on tour and crashing with the latter, then finished in Northern California. Despite su…
Daniel Menche is best known for his assemblages of visceral, industrial-strength noise. In such head-rinsing recordings as Vilké (2013), Deluge (2003), and Fields of Skin (1997), Menche's compositional directives instigate and exacerbate the physiolo…
Thalassa is the avant-drone project of Aaron Turner (Sumac, Isis, Mamiffer, House Od Low Culture, etc.) and William Fowler Collins. In his many guises, Turner articulates a chimerical aesthetic that intrepidly explores beyond the scope of sludge, har…
Works for Percussion and Electro-Acoustic Devices is the second album of the Polish percussion duo Milosz Pekala and Magda Kordylasinska. The compositions Renaissance Gameboy #1 and #2 (2011) by Felix Kubin were originally written for violin, sax…