New Arrivals
Phoenix & Phaedra Holding Patterns
Live composition for portable radios, FM transmitter, 4 corner speaker PA, found sound textures, & Shruti drone box. Sound is all around us. An ethereal tapestry of invisible radio waves and sound pressure waves fills our world. Live in concert, Phoenix and Phaedra plays with our sense of place and scale, by using a surround sound speaker system in combination with a short range FM transmitter which broadcasts to a collection of hand held radios located within the audience. The concert is perfor…
Few and far between
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…
Live in Paris
The release of this, our fifth album, coincides with the tenth anniversary of our first concert together, in Philadephia in 2000. Thanks to all the friends, fans, promoters, and producers who have made it possible for us to continue playing, recording, and touring together all these years. It’s a privilege and pleasure for us and we look forward to sharing the next decade with all of you.
Smudge Another Yesterday
Pimmon is the alias for electronic composer Paul Gough. In the last decade, Pimmon has forged an international reputation for creating dense, challenging and engaging electronic music. Smudge Another Yesterday is Pimmon’s first full length release in five years. This release picks up and goes further from the point where the acclaimed Secret Sleeping Birds left off. Smudge Another Yesterday is an exploration of the song behind the noise; the secret whispers hidden in the static. Within these vas…
In Winter
One more new Gianluca Becuzzi release on Silentes, this time in collaboration with Luigi Turra. Composer of musique concrete and graphic designer whose main interest is the musical balance between silence and the tactile perception of sound, Turra’s works were published by labels such as and/OAR, Unfathomless, Non Visual Objects, Smallvoices and many others. A lot has already been written about Becuzzi, here we would just like to remember his historic Darkwave / Industrial project…
Show em the door
Show Em The Door presents the first collaboration between Joseph Hammer and Jason Crumer. The pair come from very different backgrounds and are separated in age by a generation but have found in each other a surprisingly sympathetic and compatible musical partnership. Joseph Hammer has been a fixture of the west coast experimental music scene since the early 1980s. He remains one of the most active and visible members of the LAFMS collective, and has founded a long list of legendary bands incl…
Catch-Wave
Takehisa Kosugi is an inter-media artist and performer who started his career back in the '60s in Tokyo. With his first band Group Ongaku (free anarchist-conceptual improvisations) he was introduced to the Fluxus avant-garde movement. During the '70s, he was a member of the mystical, psychedelic, droning rock band Taj Mahal Travellers. He co-founded the band in 1969. Since the end of the '70s until now, he has released several solo albums and commissioned works for events and sound installations…
Hibakusha
Cyclic loops agglomerates resting on static drones intertwined by flashes of electronic frequencies; algorithmic manipulations of undefined sound materials moved by bouncing delays and recurring panoramic space variations; a sequence of metallic waves in continuous tonal variation, heavy dissonances and sonic stratifications in progressive and pseudo-randomic composition/decomposition; desolate silences corrupted by resounding echoes of entangled electric rhythmic impulses... Longly awaited re-e…
Ural Umbo
Ural Umbo is Reto Mder (Sum of R, RM74) and Steven Hess (Fessenden, Haptic) electrifying internal music through a broad spectrum of instrumentation. Horns, piano, organ, harmonium, bass guitar, strings, electronics, drums and percussion guide the formation of black, subliminal melodies and slow feedback accompaniments. Each piece consumes the organic and dynamically balanced process that created it. With a nod to 1960s horror movie scoring Mder and Hess displace sound from the veil of the supern…
Boca Negra
For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering cornet and rolling drums settin…
33 bays
Format: Glass-mastered CD. Packaging: Recycled Chipboard Sleeve. 33 bays was recorded in October 2009 in Kyoto, during a Japan tour by the duo of Tim Olive and Alfredo Costa Monteiro. Recorded live in the studio with no overdubs, the two untitled tracks were chosen from a number of pieces captured over several days, showcasing the duo's attunement and dramatic sense of structure. Olive (one-string electric guitar) and Costa Monteiro (electro-acoustic devices) produce a rough, feral music …
Shrine Of The Post
Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewhat and make a record seem a lot worse than it is, and if you see a band that are just frankly very awesome indeed and lovely folk to boot, then it can give you a different focus when you hear them on cd. Thankfully Humbolt crew Starving Weirdos fal…
The pursuit of happiness
Sylvia Hallett (violin & electronics, voice), Danny Kingshill (cello, voice), Gus Garside (double bass & electronics). First formed in 1988, arc have developed, through improvisation, a collective language that draws on the European textures of the violin family (with a little bit of voice added). This is their first album to use live electronics, at times effectively increasing the group to a quintet. They previously released two albums of acoustic improvisations in 1992-3 on Uneasy Listening a…
Hum Crackle & Pop
"The 2nd Digital Primitives release (Cooper-Moore, Assif Tsahar, Chad Taylor) digs in deep to fuse a new sound from blues, folk, jazz & funk, with accents from the music's African antecedents."
Un Jour Comme Tant D'Autres
This is an unreleased album from 1975 of studio/live material! Dieu has smiled upon us, for a previously shelved early album (1975) by Ilitch finally has its jour in the soleil. Thierry Müller's strange musical arc is further enriched and confounded by this exploratory cosmic release. A brilliant mix of Krauty space groans and experimentalism (see also Conrad Schnitzler and Ash Ra Temple, etc) and the progressive electronics of Igor Wakhevitch. There is some psych in the folds, and the albu…
Umbra
"Umbra was recorded in 2010 in Barcelona. I used a modified AM radio and a home-made oscillator. I found the radio in the street the previous year, discarded outside a huge warehouse full of electronic ‘garbage’. I took it to my studio and modified it using circuit-bending techniques. Umbra is comprised of ten short pieces. In most of them I played only the modified AM radio, in others just the oscillator, and in some both.”Juan Matos Capote is an artist from the Canary Islands living in Barcel…
Vital
In March 2006, Idea Fire Company made their first appearances in Europe. Core members Karla Borecky and Scott Foust linked up with Frans de Waard and hit selected hot spots in The Netherlands, Belgium, and Germany. Adding de Waard (Beequeen, Shifts, Kapotte Muziek, Freiband, etc) was a brave gamble that paid off handsomely. Armed with only a tiny digital keyboard (Borecky), a radio/cassette boombox and small echo unit (Foust), and a sawed off MS 20 (de Waard), the trio captivated audiences large…
Emotional Planet
Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisy shit, whatever. His playing is sick: fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play gui…
Birth Canal Blues
Birth Canal Blues is the first CD release on Coptic Cat, the new label started by David Tibet and Current 93. The album consists of one 20-minute song in four movements that sets the basic narrative structure of Anok Pe Current 93's new Hallucinatory Mountain trilogy, whose first part, Invocation of Hallucinatory Mountain, is due in January 2009. Birth Canal Blues was recorded by Tibet, Baby Dee, John Contreras, and Andrew Liles. The packaging includes an 8-page color booklet with photographs fr…
For/Not For John Cage
Line is pleased to announce the upcoming release of a elegant new sound work by Australian artist Lawrence English, inspired by John Cage.In 2011, anticipating John Cage’s centenary, I began thinking about how to approach a work that might act as a homage to the aspects of his life and work that have inspired me over the past two decades (ironically, those in which he has been physical absent, but philosophically more present than ever). John Cage, with that beaming smile and trademarked c…