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Odysseus, Eero Koivistoinen's first proper jazz album, gets its title from the wandering spirit of its songs, traveling from one mood to another. Performed by the Eero Koivistoinen Quintet & Sextet, because Koivistoinen wanted to extend his standard quartet (Koivistoinen-Sarmanto-Laine-Hietanen) to a quintet and invited trumpetist Bertil Lövgren to join. Also Juhani Aaltonen is questing on two tracks. Odysseus is an excellent, youthful package of forward-thinking jazz played by ambitious young j…
*125 copies limited edition* Recording of Pavel Milyakov’s live performance for the closing night of Cyprien Gaillard’s Dumpty exhibition at Lafayette Anticipations in Paris on January 8th 2023. The automaton sculpture, Le Défenseur du Temps was being activated live during the performance. Its mechanical movements can be heard on the recording. All profits go to Livyj Bereh — volunteer group based in Kyїv and working in regions affected by the war.
*2023 stock* "This is a stellar freely improvised session featuring Rodrigo Amado on tenor saxophone, Goncalo Almeida on bass and Marco Franco on drums, recorded live in Portugal in December of 2015. "Shadow" opens the album with scraping bowed bass that is recorded beautifully, giving the sound a physical immediacy and presence. After the epic bowed bass opening, Amado's raw, rending saxophone and Franco's measured percussion enter, imposing their power upon the proceedings, burning a path thro…
*2023 stock* The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena…
*2023 stock* In Soundscapes of Liberation, Celeste Day Moore traces the popularization of African American music in postwar France, where it signaled new forms of power and protest. Moore surveys a wide range of musical genres, soundscapes, and media: the US military's wartime records and radio programs; the French record industry's catalogs of blues, jazz, and R&B recordings; the translations of jazz memoirs; a provincial choir specializing in spirituals; and US State Department-produced radio …
Sax player Junji Hirose and guitarist Kazuo Imai, both Tokyo residents born in 1955, are renowned Japanese improvisers who have long propelled the country’s improvised music scene. Australian drummer Darren Moore, who is currently based in Singapore, carries on his performance activity while also teaching at Lasalle College of the Arts.
Darren Moore lived in Tokyo for several years in the mid-2010s. Since then he has often visited the country and performed with Japanese musicians. In 2022 he cam…
Composer Masamichi Kinoshita, cellist Tomoki Tai, and composer/computer musician Takumi Ikeda perform on electrical equipment and electronics in the electric noise project Electric Powered Music. Kinoshita and Tai started playing sessions together around 2008 and were joined by Ikeda soon thereafter. This album includes two live improvised performances presented at Ftarri, Tokyo. The performance on track 1 (42 minutes) took place on February 26, 2023; the track 2 performance (31 minutes), on Oct…
Born in Yokohama in 1994, Kanon Aonami is an alto saxophonist and composer who plays jazz and improvised music at performance venues mainly in Tokyo and Yokohama. She is also a talented composer, and at Ftarri she often performs her own compositions in addition to improvised music. In June 2021 Aonami started appearing periodically at Ftarri; she has performed with musicians including pianist Fumi Endo, alto sax player Masahide Tokunaga, and British guitarist and Tokyo resident Sean Colum.
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The space funk, jazz and disco sound of genius Japanese producer Yuji Ohno. a selection - the first outside of Japan - made in collaboration with Nippon Columbia and Yuji Ohno himself. Remastered audio and liner notes by Nick Luscombe in conversation with Ohno.
Tip! Something Strange In The Mountains is a new step ahead in the sound of Giron. Ambient soundscapes with hard references of the late 70s kosmiche vibe with a twist taste of modular approaches. Something Strange In The Mountains was recorded at Cosmic Electric Sector Studio during some sessions between June and November 2021.
Gear used: Korg Lambda, 900ps, Electribe 2, Microsampler, Monotribe, Dreadbox Abyss, Hades, Erebus, Make Noise O-Coast, Behringer Model-D, Vermona Perfourmer mkII, Novati…
*2023 stock* Pigmy is the solo project of Vicente Maciá, founding member of 90s Spanish psych band Carrots. Highly influenced by late 60s / early 70s UK psych, folk-rock and baroque pop (think Magna Carta, Fairfield Parlour, Pete Dello, Duncan Browne, Cat Stevens, Amazing Blondel…) as well as Spanish 70s folk-pop / SSW (Solera, José y Manuel, Vainica Doble…), Pigmy surprised everyone with his previous two albums, “Miniaturas” and “Hamsterdam”, which are now cult items between psych-folk fans.
Af…
*300 copies limited release* A fortunate and successful meeting “between the romantic and the analytical, the sentimental and the Pragmatic”. This double soul lives inside the ambient-electronics contained in ‘Rote Um’, the debut album by the artistic partnership between TeZ (Maurizio Martinucci, member of Clock DVA since 2010) and Saverio Rosi (aka ‘Leastupperbound’ and member of the band ‘Open to the Sea’ with Enrico Coniglio and Matteo UIggeri). Both Italian composers based in Amsterdam, TeZ …
Berlin-based British composer, percussionist, and instrument maker Bex Burch was invited to spend a month in the US by International Anthem in Summer 2022. Burch immersed herself in the label's creative community and listened to what it gave her, making field recordings and allowing There Is Only Love and Fear to emerge from the collaborations and environments she encountered. Sessions for the album spanned multiple non-traditional recording spaces including a storefront in Bridgeport, Chicago a…
Another Holy Grail album from Jazz Room Records with Danny Ward & Reality who were the Go To Funky Jazz Band for College and other Hardcore Funk Party gigs in the Mid to late '70's in the Seattle area of the Pacific North West. They didn't just drop covers of the latest Disco or Top 40 hits though but instead took their audiences on a musical trip through the Funkiest and Jazziest sounds of the day featuring cuts made famous by George Benson, Lydia Pense and Coldblood, The Headhunters , Mandrill…
*2023 stock. 200 copies limited edition* Masahiko Okura is a Tokyo-based reed player (clarinet, alto sax, etc.), improviser and composer. Apart from his performances on reed instruments, he is energetically engaged in performance activities with his solo project Active Recovering Music. Okura is also a member of the experimental music group Suidobashi Chamber Ensemble.
In 2004, Okura released the solo album "Time Service" on the Improvised Music from Japan label. The highly original performance …
1978 live recording of French quintet consisting of Jouk Minor on beritone sax and contrabass clarinet, Josef Traindl on trombone, Jean Querlier on alto sax, Christian Lété on drums and Dominique Regef on hurdy-gurdy
Live performance of Barry Altschul trio, featuring David Izenson on bass and Perry Robinson on clarinet. Recorded October 14, 1978 at 131 Prince St., New York, NY
Live performance of two of the most important South Korean free music players Kim Dae Hwan on drums and Choi Sun Bae on trumpet. Recorded live on 26th November, 1999 at Aspirante, Hofu City, Yamaguchi, Japan by Takeo Suetomi.
*2023 stock. 200 copies limited edition* Active Recovering Music (ARM) is the solo project of Tokyo-based reed player Masahiko Okura. When he launched it in 2008, ARM was not a solo project, but a slide whistle ensemble with multiple players. In 2013, ARM performed as an eight-member group at Ftarri in Suidobashi, Tokyo. In the same year a CD documenting three performances from that concert was released on the Meenna label with the title "Active Recovering Music."
ARM later transformed into its …
*2023 stock. 200 copies limited edition* Misaki Motofuji plays baritone sax in all types of free jazz settings. She also carries out performances focusing on acoustic phenomena, based on sound-art-like concepts and incorporating field recordings. But she says her background is in neither jazz nor art—that she actually studied classical music as a music university student. In the bands she leads, Motofuji creates a wide variety of original compositions, from chamber-music-style pop, jazz and mini…