New Arrivals
Astaganaga
Massada is a dynamic Dutch Latin band with deep roots in the Moluccan community, renowned for their unique blend of African, Brazilian, and Balearic grooves fused with soulful world music styles. Their music is a rich tapestry of rhythms and melodies that seamlessly cross cultural boundaries, captivating audiences with its infectious energy and heartfelt emotion. Since their formation, Massada has been celebrated for their ability to innovate within the Latin and world music genres, creating sou…
Tin Pan Alley
Tin Pan Alley is the iconic name given to a collection of New York City music publishers and songwriters who dominated popular music in the United States during the late 19th and early 20th centuries. Originally, it referred to a specific location: West 28th Street between Fifth and Sixth Avenues in Manhattan’s Flower District.
Drawing inspiration from this historic music landmark, renowned Japanese musicians Haruomi Hosono (Apryl Fool, Happy End, Yellow Magic Orchestra), Masataka Matsutoya (mus…
Mama Too Tight
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension.
The title track, Mama Too Tight, …
Milton
“Milton,” the fourth studio album from groundbreaking Brazilian artist Milton Nascimento, emerged in 1970 as a pivotal moment for the Minas Gerais music scene. Released in partnership with the progressive rock band Som Imaginário, this landmark record continues to inspire generations, both for its audacious blending of genres and its trailblazing studio innovations.
Renowned for its rich instrumentation and stylistic diversity, “Milton” laid the essential groundwork for Nascimento’s subsequent m…
Rats Notte Di Terrore
Beat Records Company and Cabum Edizioni Musicali are proud to present the CD release of the original motion picture soundtrack of Rats Notte Di Terrore, the 1984 Horror cult directed by Bruno Mattei and Claudio Fragasso.
The score composed by Luigi Ceccarelli it’s an electronic symphony, since years requested by horror cinema fans, it has been processed in a wonderful stereo thanks to remastering of a multi-track original master of the period and a meticulous restoration and mix by the composer.…
La Scorta
Beat Records is pleased to reissue on CD the soundtrack by Ennio Morricone for the drama film “La Scorta”, directed in 1993 by Ricky Tognazzi, with a screenplay by Graziano Diana and Simona Izzo, photography by Alessio Gelsini Torresi, editing by Carla Simoncelli and Filippo Bussi, music by Ennio Morricone, produced by Claudio Bonivento, distributed by Istituto Luce Italnoleggio, and cinematography by Pentavideo Medusa.
Ennio Morricone is no stranger to the noir and crime genres, having scored c…
Rumanikos, Kokin, Mixolydian, Kourd Atar, Pigmy, Slendro
In a sonic dialogue that balances delicacy and depth, Clinton Green and Barnaby Oliver explore the shifting textures of acoustics and resonance. Employing bowed aluminum bowls, strings, and a grand piano, their work unfolds in patient layers that probe the very essence of sound and its environment, evoking an atmosphere of quiet tension and subtle transformation.
Anxthelic Onghesont
Dervish-like guitar spirals by Ghent-based musician Benoît Monsieurs, following two excellent releases on Kraak under his Venediktos Tempelboom moniker. Ecstatic music that takes cue from psychedelism, modern and ancient - from Hildegard von Bingen to Vincent le Masne et Bertrand Porquet. Splendid stuff.
Unlike France, Belgian underground scenes never ceased to be consistent since the early 1970's and onwards, constituting vast, sprawling networks, that reaches present days via very active label…
Jacknife
Recorded at the legendary Van Gelder Studio in September 1965 and released on the prestigious Blue Note label, this remarkable album spotlights alto saxophone virtuoso Jackie McLean leading a powerhouse quintet through five original compositions. This recording captures a pivotal moment in post-bop jazz, highlighting McLean’s bold, expressive style and his commitment to pushing the boundaries of the genre.
Joining McLean are two celebrated trumpeters, Charles Tolliver and Lee Morgan, each bringi…
1960 Sessions
The killer tandem of Lee Morgan and Clifford Jordan takes center stage in these exhilarating 1960 studio sessions, delivering an unforgettable Hard Bop experience. Known for their fiery improvisations and melodic mastery, Morgan on trumpet and Jordan on tenor saxophone demonstrate their exceptional chemistry and technical brilliance throughout the recordings.
These sessions are enhanced by a rotating lineup of jazz heavyweights, featuring the elegant piano stylings of Barry Harris or Wynton Kell…
Wranglin'
First released in 1964 under the expert production of Blackwell for Island Records, this remarkable album captures the essence of Jamaican soulful jazz through the extraordinary talent of Ernest Ranglin. As a pioneering guitarist and composer, Ranglin delivers an impeccable performance that blends the rich traditions of jazz with the vibrant rhythms of Jamaica.
Accompanied by a highly swinging rhythm section, featuring Malcolm Cecil on bass and Alan Ganley on drums, the album explores a captivat…
Guitar In Ernest
Born in 1932, Ernest Ranglin stands as one of the most influential session guitarists in the history of Jamaican music. His iconic playing features on countless recordings by legends such as Alton Ellis, Jimmy Cliff, Bunny Wailer, Max Romeo, the Skatalites, the Heptones, and the Congos, among many others.
Produced by Chris Blackwell and originally released in 1961 on Island Records, "Guitar in Ernest" showcases the sophisticated jazz side of Ranglin’s artistry. This exceptional album highlights …
More Songs of Civilization
Excavating new sonic layers from archives and homemade instruments, Darrell DeVore extends his panoramic collage with More Songs of Civilization - the third volume of his highly personal, genre-scrambling series. This edition continues the kaleidoscopic fusion of outsider jazz, synthetic textures, chants, and fragmented ensemble dialogues, casting a wide net through decades of radical experimentation and archival recovery.
Another Song of Civilization
Unearthed from decades of cassettes, live sessions, and scattershot archive, Darrell DeVore’s Another Song of Civilization expands his collage of experimental Americana, global chant, tape concrète, and found-instrument jazz. The album takes his freeform, cross-generational vision still further—organizing fragments, improvisations, and irreverent juxtapositions into a warm, searching portrait of creative persistence.
A Song of Civilization Up to Now
With a panoramic sweep spanning ancient chant, synth experiment and fractured jazz, Darrell DeVore crafts a heady multi-part journey in A Song of Civilization Up to Now. Homemade instruments, electronics and stuttering ensemble work animate an unpredictable collection that tunnels between traditions, collage and improvisation, reflecting on humanity’s creative arc through uncompromising sonic invention.
You Must Be Certain Of The Devil
CD Edition. In 1988, with America's AIDS death toll at 46,000 and antivirals still years away, Diamanda Galás released You Must Be Certain of the Devil, the final installment of her Masque of the Red Death trilogy. Her brother Philip had died of AIDS-related illness in 1986. She had been attending Act Up protests. Critics dismissed her as "the AIDS lady," unwilling to reckon with what she was actually doing: creating a work she described as "begun in 1984 and not completed until the end of the e…
Melophobia
Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and then dissolve – melodic order.
Semiotic Drift
Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the edge between storytelling and pure abstraction.
Juno
Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than technical bravura.
Ensemble A
Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.