New Arrivals

"Apocalypse of Intimacy" immerses you in a distinct sound universe of Concrète Pop. Strange and inventive, yet unmistakably felt. As if some not-quite-human entity wished to become a folk singer. A contemporary, experimental-electronic work with 11 instrumental pieces that reach toward song-like emotional directness without words. It sounds futuristic but perhaps also ancient. Karel Naessens is a musician from Ghent, Belgium, who has played with the avant-pop band Peenoise for years. Recently, h…

*300 copies limited edition* Tara Cunningham’s guitar glitch miniatures draw patterns in negative space on new mini-album Warm Ground. Operating predominantly within improvisational and experimental music, guitarist Tara Cunningham has developed a discrete sonic language that reveals the full textural and timbral range of her instrument. Marking a new chapter for Cunningham that builds on her solo debut, Almost – Not Exactly, released on Non Classical in 2025, Warm Ground unfolds across seven co…

*300 copies limited edition* Spring Back, Ball Forward is the Soda Gong debut from Jung dj, nom de plume of shapeshifting multi-instrumentalist Randy Riback. Following a series of uniformly great self-releases and cassettes on the dearly missed Lillerne Tapes, this collection observes the spacious and angular dynamics of 1990s Midwestern post-rock through the lens of the bedroom electronic music producer. Perhaps surprisingly, amp worship lies at the center of the album: a fascination with the …

*150 copies limitede edition* Originally released by Umor Rex on cassette in 2018, Rafael Anton Irisarri’s Sirimiri is now available on vinyl for the first time, newly remastered for this edition. This LP marks the fourth and final installment in a series of four reissues released throughout 2026 to celebrate the 20th anniversary of Umor Rex. It is a fitting way to close such a special anniversary year. Rafael is not only an artist who has released three albums on Umor Rex, but someone who has …

*100 copies limited edition* Astrocyrk (Astrocircus) is the next chapter in a story that began in 2123, when Captain Harrison Focus, after an emergency landing, finds himself on the mysterious planet Carmin. Following the events described in the previous album, the main character – Triceradiplodocus – leaves the planet's surface, following Ropuch’s instructions. However, the light on the horizon turns out to be the beginning of a new nightmare, and the dinosaur is trapped in the Astrocyrk. Under…

De Kloe: their name is as hard to explain as the music they channel from a total oddball universe. Rumour has it a wormhole sits hidden between the beer crates and a broken dartboard in the basement of the DPG Media building in Antwerp. Leon Jespers, Elian Van den Eynde and Midas Heuvinck stepped through and came back with De Kloe’s first full-length album. Needless to say, De Kloe operates in the cracks - splicing obscure samples, fractured lyrics, jagged basslines, and serrated guitar riffs in…

*200 copies limited edition* This year’s Aube tribute release from advaita records is Entangle Spirant, originally released in 1995 by Drahtfunk-Products. Using only steel wire as its sound source, this unique noise—in which various friction sounds intertwine to create a hypnotic soundscape blending chaos and order—embodies the quintessential Aube aesthetic. We have faithfully reproduced the original artwork, which perfectly complements the music.

Animal Sociale is three people’s exploration into the beauty of chaos and the chaos of beauty. It pulls out pieces of time, shuffles them, assembles them anew. Lyricality bordering on the baroque mingles with dionysian iconoclasm of a level truly scarce. This is the human condition crystallised. Featuring members of Ruusuriimu, Animal Sociale’s debut album Jesus Magazine offers a dose of avant-garde experimentation, intimate electroacoustics and a haunting post-industrial atmosphere. LP out now …

*250 copies limited edition* Campsite Love calls you to wander a timeless path of rural rustlings and misty atmosphere. Created by the minds behind Jazzhand and Haudat/Monocyclocybercilia, the album combines hands-on field recordings with ambient soundscapes. Rattles, resonances, and small details gathered along the way gradually blend together, carrying the listener deeper into a dreamlike summer-night haze. The campfire burns yellow.

Vision Test is the new project of Sampo Sihvola, known from Kluik and as one half of Ieskadulla duo. With this project, Sihvola shifts his focus toward tape manipulation and analogue sound sources. Implosion is a hauntingly psychedelic album, weaving together warped textures and bleak, cosmic atmospheres reminiscent of early industrial music.

Corral Shut returns to Satatuhatta with a tight and hardened 3”CD. Sweet, brutal scrap metal and feedback worship, perfectly suited to the format: fast, fierce, and unapologetically raw!

A double LP drawn from the Columbia recordings of Miles Davis with John Coltrane between 1955 and 1961, from So What to Someday My Prince Will Come, with Cannonball Adderley, Bill Evans, Wynton Kelly and Jimmy Cobb. First time on vinyl.

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, reissued as six CDs in individually designed minijackets with a 116-page book.

The 2000 Grammy-winning box of the complete Columbia recordings by Miles Davis with John Coltrane, 58 tracks from 1955 to 1961, on vinyl for the first time outside Mosaic: nine LPs cut from the analog tapes, in a slipcase with a 60-page book.

Joe Henderson's quintet live at the Lighthouse in Hermosa Beach in 1970, with Woody Shaw, George Cables, Ron McClure, Tony Waters and Lenny White. Deluxe 3LP edition with five unreleased tracks and new liner notes.

Montreux, 7 July 1973: Gary Bartz brings the NTU Troop on stage as a quartet and plays the first half of the concert as one unbroken suite. Langston Hughes turned into song, alto and soprano over electric piano and bass. First vinyl edition since 1975, cut AAA from the original tapes by Kevin Gray.

Jan Garbarek's 1998 double album with Rainer Bruninghaus, Eberhard Weber, Marilyn Mazur and Bugge Wesseltoft, on vinyl for the first time in ECM's Luminessence series: tip-on gatefold jacket with booklet.

Stanley Cowell's only ECM album, recorded in 1972 with Stanley Clarke on bass and Jimmy Hopps on drums. Reissued in the Luminessence series, tip-on gatefold jacket with new liner notes by Ethan Iverson.

Ahmad Jamal's 1973 album for 20th Century, his first on electric piano, with an orchestra arranged by Richard Evans and versions of Superstition and The World Is A Ghetto. Verve Vault reissue, all-analog, 180 gram.

The 2018 debut by Chicago saxophonist Isaiah Collier with The Chosen Few, recorded when he was 20: 66 minutes of spiritual jazz after Coltrane, between gospel, free improvisation and heavy rhythm. Japanese edition.

Rudolph Johnson's second album for Black Jazz, from 1973, with Kirk Lightsey, Kent Brinkley and Doug Sides: free, expressive playing in the wake of Coltrane, with little of the fusion of its time. Real Gone reissue on black vinyl.

Rudolph Johnson's 1971 debut for Black Jazz, a quartet date with John Barnes, Reggie Johnson and Raymond Pounds moving between bebop, soul jazz and Coltrane-like tenor. Real Gone reissue on black vinyl, remastered.

** Limited first pressing with Japanese obi strip ** One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! Descendents Of Mike & Phoebe is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautif…

Four years have passed since the release of Jon Collin's majestic Bridge Variations on Discreet Music, arguably one of the most defining and well-received releases on the label. Works is the first LP under the Early Music artist name - first the title of a 2015 solo LP, then a name for a label before being used for a couple of recent cassette releases - and was recorded in Stockholm over a nine-month period last year. The main instrumentation is again the keyed fiddle - a traditional Swedish fol…

By the end of the 1960s, Charles Lloyd was one of the biggest names in jazz. His quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette reached far beyond the usual jazz audience, while Forest Flower became one of the first jazz recordings to sell a million copies. In 1970, at the height of his career, Lloyd disbanded the quartet and withdrew to Big Sur. He continued to make records from time to time, but largely disappeared from the jazz scene while following a more inward and spiritual pa…

Plush shag carpeting, jazz flutes, analogue synths, funk grooves, exotica, and sultry, Italian-style vocalising: Erotica 70 is the new album from Larry Manteca, known for their inventive, tongue-in-cheek reimaginings of classic Italian soundtrack aesthetics. This time around, the Milanese collective sets its sights on the distinct sonic landscape of 1970s commedia sexy—a film genre that, for better or worse, defined an era and fed richly into the cinematic education of Larry Manteca’s members. T…

The latest instalment in Whitefield's Temple Jazz series brings you an enhanced collective improvisation inspired by the meditative styles of Pharaoh Sanders, Alice Coltrane and Sun Ra. An aural approach to soothe ones soul in overly hectic environments.

Analog Africa proudly presents Dur-Dur Band – Volume 3 (1988) & Volume 4 (1989), a stunning double-vinyl collection celebrating one of the most distinctive and influential sounds to emerge from the Horn of Africa. Originally recorded during the late 1980s, these two volumes capture the Dur-Dur Band at the height of their powers: vibrant, rhythmic and irresistibly danceable. Driven by hypnotic basslines, propulsive percussion, swirling keyboards, expressive guitar work and unforgettable vocals, t…

Tip! This is raw, unfiltered ceremonial gong ensemble music recorded on location by Laurent Jeanneau in Ratanakiri, Cambodia’s northeastern province, bordering Laos and Vietnam. Along with Mondolkiri to the south, it was once home to many of the country’s ethnic minority communities. During the colonial period, the French failed to establish full control over the region. After independence, the Khmer state also struggled to govern it, while Khmer Rouge rebels hid in its forests in the 1960s amid…

Tip! Mekong Shellac is an extremely rare collection of classical and popular styles of Khmer music from the 1930s to the 1950s. Restored from the few original remaining copies, this compilation reveals a remarkable world of early 20th-century Cambodian folk music previously lost in time through war, cultural shifts, and modernization. These recordings were selected for their distinctive musical qualities, the physical condition of the 78 rpm records from which they were sourced, and the circumst…

**First ever reissue! Audio remaster from original master tapes.** The Thinking Fellers’ third LP, the second released on vinyl, the first released on Matador Records, the first to include former Glorious Din guitarist and World of Pooh drummer Jay Paget (if only on the opening track), the first to showcase Mark Davies’ baritone horn and Brian Hageman’s viola, and the first where the band’s live and recorded sound sharply diverged, Lovelyville is transitional in just about every sense and yet so…

Cage was in his late twenties, a Californian, who had served an unlikely apprenticeship under two of the century’s great opposites: Arnold Schoenberg, who thought him gifted but harmonically hopeless, is said to have called him “not a composer, but an inventor of genius”, and Henry Cowell whom he had watched reach inside a grand piano to pluck and sweep its strings by hand. The music on this recording follows Cage through this early decade of his life, his twenties. But this is not the music bef…

The works on this CD were realized in collaboration between the composer Germán Toro Pérez and the musicians of PHACE – Petra Ackermann, Mathilde Hoursiangou, Ivana Pristašová-Zaugg and Roland Schueler – over a period of 15 years. They reflect two aspects of composition that have shaped Toro Pérez’s music from the outset: on the one hand, the question of how musical form emerges from the interplay between construction and perception; and on the other, an exploration of language as a means of con…

*300 copies limited edition* One of the first The Rita releases, out in 1998 on Labyrinth Recordings in an edition of only 50 copies and highly sought after. Finally this special album is going to be reprinted into CD. One of the early albums where Sam started his adeventure into Noise, or better said: the very  Harsh Noise subgenre known as "Harsh Noise Wall", a  the term coined specifically for its sounds. This reissue is dedicated to Isabella and Sister Angela. The recent related OEC cassette…

*300 copies limited edition* "Paranoia standard edition has sold-out and here comes the expanded edition / re-print of one the best, if not the best, Atrax Morgue CD release. To this new edition we have added two alternative versions of the track Il Forcipe di Thanatos which were first released on the 7" vinyl Malaplacenta out on OEC in 2017. The original project dates back in 2007 just before Marco's death. On those two alternative tracks you can hear Marco's voice ranting the text written by M…

*300 copies limited edition* "First releaset as a tape in 1995, reprinted as a CDr in 2002. Finally, after 24 years, in 2019 omes CD-Digipak re-edition of this legendary album. For the CDr re-release the tape was completely remastered at Sweet Slaughter by none else than Marco Corbelli and the following were added: 2 unreleased tracks recorded in 1995 + 2 unreleased tracks recorded in 2002. This was and still is best Italian Morgue P/E Industrial. Brutal Synth-Noise by the cadaverous mind of thi…

*300 copies limited edition* Re-edition into CD of the tape out on OEC in 2018 and immediately sold-out. Re-mastered for CD by Devi(L)s Granziera (aka Teatro Satanico). Live actions in their entirety by Atrax Morgue: Live @ SOTTOMONDO - Treviso / Italy - on October 23 1999; Live @ URGA - Tokyo / Japan - on December 03 2006. Music, words, vocals by Marco "M. Nothing" Corbelli, "Alive and Dead" no need to say more...

"In the dream, people didn't need water any more. People's minds became computer chips made of stone." (August in the Water, dir. Sōgo Ishii, 1995) There is a pivotal scene in “August in the Water” where the surface of a pool turns into a stone wall. The water that gave the protagonist's life its meaning becomes a threat. As you fall through this stone wall, you appear in a set of underwater coral-reef corridors, and one of the most beautiful musical themes begins to play: Aquatic Ambience, comp…

*35 copies limited edition* Written during a time of fracture and crisis, this album is about looking for a wonder in the cracks. It’s about embracing the flawed and the frail, positing that if re-enchantment is possible, it will sprout from the small things. Built from gentle field recordings and analogue synthesizers, it offers music as a talisman; a warm, homespun garment for uncertain days.

*35 copies limited edition* On Fioritures, Lamasz offers his debut for Le Mont Analogue, transforming fragments of classical music into a quietly immersive work. Rooted in material drawn from thrifted cassettes, the six pieces unfold through looping motifs that drift and dissolve, gently enriched with drones, field recordings, and tape textures. The result is a cohesive, meditative reverie, where each moment slowly erodes into a suspended, near-weightless state.