New Arrivals

The debut album of the French master improviser from the early 80s finally available again! her impressive release-list over the years - solo, duos, trios, big projects – shows a range of works with most of the current improvisers, to new music (Cage, Scelsi) and dance and theatre with two main constants - playing live plus the celebration of improvisation. This album here shows in a wonderful way how it all started – a strong player with her voice and her instrument. Recorded at Studio Achille,…

The 2018 debut by Chicago saxophonist Isaiah Collier with The Chosen Few, recorded when he was 20: 66 minutes of spiritual jazz after Coltrane, between gospel, free improvisation and heavy rhythm. First time on vinyl, limited first pressing.

Deathpile's G.R., a power electronics album about the Green River Killer, begun during the hunt and finished after Gary Ridgway's arrest.

Wolfgang Dauner's 1967 SABA septet: Jean-Luc Ponty on violin, Gerd Dudek on tenor and clarinet, Eberhard Weber on cello, Jürgen Karg on bass, and two drummers, Mani Neumeier and Fred Braceful. Mingus-like themes that dissolve into free playing, Neumeier on tabla for the Spanish disguise. Out of print for forty years.

Villingen, 23 October 1967. Irène Schweizer's trio with Mani Neumeier and Uli Trepte, a year before Guru Guru, meets Dewan Motihar's sitar, tabla and tambura, with Manfred Schoof and Barney Wilen. Three pieces, two of them long, and the seventeen-minute Sun Love. All About Jazz calls it an unqualified success.

Three late acoustic works from Éliane Radigue's Occam cycle, written with and performed by bassoonist Dafne Vicente-Sandoval and cellist Charles Curtis: solos and a duo built on minute shifts of tone and resonance, on LP for the first time.

Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient minimalism, written with no deadlines after playing that 1979 album live in Milan.

Three string works written between 2020 and 2023, performed by Ensemble Modern: a nonet locked in seven-eight, a piece that splits sound the way a prism splits light, and a score written in mirror notation. Ikeda's electronic precision, played on bowed strings.

Long overdue reissue of the first Windy & Carl album and first ever vinyl pressing. Originally self-released by the duo as a cassette in 1994, Portal set the template for their singular sonic explorations to come. “…ethereal soundscapes that will transport the listener to other plains of reality.” —Acid Test! “Carl layers willowy guitar arpeggios, foggy keyboards, and chimes over Windy’s murmured intonations and rippling basswork. Everything sounds fresh and unaffected in the careful hands of th…

*150 copies limited edition* Overleaf is the new album by Paris-based musician Théo Martin, following Anti Atlas, released on Laaps two years ago. Overleaf was recorded over the course of a few intense months in 2026. Every recording made during this period eventually found its place within the album, transformed, fragmented and reassembled, sometimes far removed from its original form. The process gradually became a kind of puzzle, built from accumulated sounds, accidents and imperfections. Tap…

Hell is empty and the salsa is all there is. Chúpame el Dedo are back! After years of terrorizing the avant-tropical underground with their manic, mock-satanic metal-cumbia madness, the legendary Bogotano duo of Eblis Álvarez and Pedro Ojeda have officially scrubbed the pentagrams off the drum kit. They aren’t worshipping the dark lord anymore; they've found a much more chaotic deity. Please lower your expectations and raise your instruments: Chúpame el Dedo are now officially Geobah Witnesses. …

This is the sound of dream Texas, the cinematic Texas conjured in film and 20th century literary and art myth… big dark blueing horizons swallowing the infinite distance, a lonely poetry of sound, but also a stock taker of the iconoclastic, psychedelic, art rebel side of Texas… the cracked rock music side of Texas, the avant-garde in concrete cracks, the recklessly used, mind expanding drugs Texas, the dripping eastern swamps, the Houston house parties with the sounds of records blasting down th…

"A quick scan of the world’s favourite crowdsourced discography reveals that Sonic Youth co-founder Lee Ranaldo was not a total stranger to crackling electric experimentation in the years following his songwriting turns of the 20-teens. Yet »The System«, ingeniously culled and sequenced from Ranaldo’s soundtrack work for Dutch filmmaker Joris Postema’s ›eco-doc‹ of the same name, nonetheless feels like a reawakening. Quietly released in a vastly different (and much more ›filmic‹) form by Doxy Mu…

Madelyn Byrd returns to Glasgow’s Somewhere Press with a hazed set of weightless soundscapes. »Night Rider« opens in widescreen with the chirp of cicadas dancing across a desert landscape, before Shiroishi’s saxophone eventually cuts through the dark like neon. The story Byrd tells is close to their heart: they spent their teenage years in the Sonoran Desert, the vast subtropical expanse spanning parts of Arizona, California, and Mexico. Its seemingly alien landscape — pocked with giant, tree-li…

Following the critical acclaim of her 2022 breakout solo debut, Sweet Tooth, and her rock project Deerlady, which was named a Stereogum Band To Watch, the eight-track album was born out of years of listening to repatriated recordings that came back to Obomsawin’s community in 2023. Coincidentally, the ethnological language recordings that were recovered by Odanak from Dartmouth College came just after the release of her debut album. Obomsawin blends these with her own field recordings. Through t…

*300 copies limited edition* In 2023, Kraków-based composer Martyna Basta and Los Angeles-based sound artist claire rousay were invited to Poland by Unsound for a short residency, where they spent a few days trading ideas and concepts, and brainstorming their first collaboration. Initially motivated to create lengthy, expansive pieces together, they also ended up experimenting with shorter vignettes, and 'hotel room' expresses these two extremes, featuring three long-form tracks and three brief,…

*100 copies limited edition* New York City ensemble Part-Time Samurai introduces Grass Is Greener, its debut album for 577 Records: a collection of music shaped by movement, uncertainty, memory, and the gradual recognition that a life in transition can also be a life taking shape. Led by saxophonist, vocalist, composer, and bandleader Noah Galbreath, Part-Time Samurai brings together trumpet, trombone, saxophone, vocals, keyboards, guitar, bass, and drums in music that moves freely between intri…

Industrial veterans Satøri (with notable releases on Broken Flag) soundtrack a broken society. The endless attempt to document humanity's failings continue with their third album for Cold Spring. More noise. More anger. Just more. "They think it. Sometimes you think it. A black oppression that takes over; consuming your very soul. The pointlessness of existence. Your single-minded fight against a world and what seems to be an entire population who invalidate everything you believe or stand for, …

Jazz recordings by the Malaysian trumpeter and composer Johari Salleh from the 1970s: modal grooves and jazz funk with Malay folk themes, until now available only on a few dozen locally pressed copies.

Charif Megarbane's follow-up to Marzipan looks outward, to the diaspora and to exile: instrumental grooves built on the idea of hawala, with Somali, Mediterranean and jazz colours and a collaboration with Sven Wunder.

Habibi Funk's third compilation, drawn from the Libyan cassette scene of the late 1980s to early 2000s: reggae, synth disco, pop, house and funk, much of it recovered from the TK7 cassette factory in Sousse.

Compilation of Ara Kekedjian, singer born in 1946 in Bourj Hammoud and a central figure of Beirut's Armenian pop scene in the 1960s and 70s: Armenian rhythms, hard drums, funky guitars and organ, compiled with Darone Sassounian.

Both volumes of James Tenney's Postal Pieces, eleven short compositions written on postcards between 1965 and 1971 and mailed to friends including Pauline Oliveros, La Monte Young, Harold Budd and Max Neuhaus.

Blume returns to James Tenney's "Postal Pieces" with a second volume: three "Swell Pieces" and "Koan", written for Alison Knowles, Pauline Oliveros, La Monte Young and Malcolm Goldstein, on vinyl for the first time from one of the key suites of 20th Century avant-garde music.

Unreleased recordings made in 1988 and 1989 in a small home studio in Amman by the Jordanian trio Nechazz: smooth soul, jazz and synth pop in the spirit of Steely Dan and Bobby Caldwell, recovered from a family cassette.

New collaboration between the Jakarta trio Ali and Lebanese composer and multi-instrumentalist Charif Megarbane: 1970s Indonesian psychedelic funk, Melayu traditions, disco grooves and Arab melodic forms played on Western instruments.

Ten tracks from Lebanon's private press cassette scene of the late 1970s and 1980s, many tied to Ziad Rahbani's Bypass Studio circle: disco, soul, jazz, bossa and AOR, some tapes issued in tiny runs and some never released at all.

Paris, 1969: Grachan Moncur III's second album for BYG, cut with a Brazilian rhythm section and bassist Beb Guerin. Samba sway meets American creative jazz, with Fernando Martins' wordless vocals on the title track.

Big tip! Forty years of cassette releases, pressed for the first time on vinyl. First of two instalments exploring the previously unreleased sonic archives of one of Poland’s most enigmatic living artists - with its first volume focused on his deep listening practice and spiritual reverie (recorded 1990–2013). The last time Andrzej Dudek-Dürer took a banknote bearing the face of the Polish anarchist Jarosław Dąbrowski from his pocket to trade it for a pair of shoes was in 1969. He bought them fo…

*100 copies limited edition* A surprise archival LP collecting scattered recordings from across Juho Toivonen’s recent work. Following Kuun Sininen Rinki, Sekalaisia Äänityksiä brings together pieces previously released on small-run compilations, rare physical editions and limited formats to another limited release presented by New Zealand imprint What Lies Beneath.  Side A includes much loved “Peura”, originally released on the Kashual Plastik’s A Mistake By Mistakes compilation, “Kanava 5” fro…

On their new EP titled “O” we experience the evolution of the multifarious musical journey of drummer/composer Frank Rosaly and multi-instrumentalist Ibelisse Guardia Ferragutti. O finds center in loose polyrhythm, pulse, trance, and longevity, interweaving contemplation of their Latinx backgrounds and vast sonic textures with deft craftsmanship. Fascinated by prodigious sonic spaces that unfold over time, Ferragutti and Rosaly make way for storytelling and rumination. Both authors are adept in …

Tip! *200 copies limited edition* Here at last is another entry in FMOA’s ‘Cozy Mysteries’ series: collaborations between artist duos focusing on acousmatic processes, and sound freed from “conceptual” moorings and imposed meanings. Alan Courtis, who appeared as part of our label’s “Audio Postcards” series, returns here for a set recorded in Nantes with Julien Ottavi. Both are storied veterans of music based in experimentation, “extended” technique and the creative re-use of previously un-creati…

Villingen, 27 and 28 June 1968. Barney Wilen, the tenor of Ascenseur pour l'échafaud, with a young Joachim Kühn on organ and piano, Aldo Romano and Wolfgang Paap on two drum kits, Mimi Lorenzini's guitar and Günter Lenz's bass. Ode to Billie Joe, Respect, Lonely Woman and the Supremes, dedicated to Timothy Leary.

First release on Audible Beauty, Habibi Funk's sister label: eleven jazz pieces by the Malaysian pianist and arranger Alfonso Soliano, recorded for Radio Television Malaysia and pressed in only a few dozen copies.

A spontaneous musical transmission exploring healing, unity, laughter, and limitless possibility.

Maya Ongaku has always been searching for what exists just beyond the edge of perception. Since forming in the seaside towns surrounding Enoshima, the trio has followed a path guided less by intention than intuition, allowing songs, ideas, and experiences to emerge through a process they describe as 自然発生 (shizen hassei), spontaneous occurrence. Nothing Space Music is the deepest expression of that philosophy to date. Written in the aftermath of several years of international touring, the album e…

Twenty sides cut in the Russian Empire between 1889 and 1917, dug up by Gary Sullivan in the Russian shops of Brighton Beach and Forest Hills: music hall satire, drawing-room ballads and convicts' laments from the years before everything changed.

Half-speed master edition of Townes Van Zandt's 1969 second album, cut at StarDelta by Lewis Hopkin. Folk and country songwriting at its most intimate, from 'Be Here To Love Me' to 'Tecumseh Valley', with new clarity and depth.

Berlin Jazz Days, 6 November 1976. Albert Mangelsdorff's trombone, alone at the front, with Jaco Pastorius on electric bass and Alphonse Mouzon on drums, a year after Pastorius's debut. Five long pieces, recorded live, released by MPS in 1977. The trombone multiphonics against a fusion rhythm section.

Walldorf Studio, near Frankfurt, 1 and 2 May 1975. Albert Mangelsdorff on trombone, Palle Danielsson on bass, Elvin Jones on drums. Seven pieces, thirty-nine minutes, released by MPS the same year. Mangelsdorff had recorded with Jones once before, on the 1968 duet album Albert Mangelsdorff and His Friends. The Wide Point is the first of his trombone-bass-drums trio records, the format that would produce Trilogue with Pastorius and Mouzon the following year and the Montreux album in 1980. The ban…