New Arrivals

Two familiar faces within the Kohlhaas fold—Stefano Calderano as part of the trio McCorman (2023), and Giovanni Di Domenico through his solo works "Polvere di rabbia" (2021) and "Stella Maris" (2025)—join now forces on "Caperea". Bridging Rome and Brussels, where Calderano and Di Domenico are respectively based, the record marks the first collaborative LP by the two musicians. Born from a shared sensibility and a mutual curiosity for non-linear structures, what began as a brief two-day session o…

Weekend With Friends is a collective featuring Jacopo Buda (trumpet, electronics), Alberto Brutti (double bass, electronics), Mattia Bellei (clarinet, electronics), and Demetrio Cecchitelli (flute, guitar, electronics). At its core, the project thrives on organic improvisation and the fluid freedom to drift across diverse musical languages. The result is a captivating, symbiotic dialogue among the musicians—weaving a sonic narrative that is simultaneously cinematic and introspective, yet inheren…

Nurse With Wound's 1979 debut, newly mastered from the original 1978 source. Metallic purple gatefold sleeve, purple particle effect vinyl limited to 300 numbered copies. Three long pieces of collage, drones and studio improvisation.

Second duo LP by Sarah Hennies and Tristan Kasten-Krause: two sidelong pieces grown from a live work played in darkness, singing bowls, gongs and double bass drifting into waltz-like pulses and field recordings. Numbered edition of 200.

Second album by the Finnish free jazz quartet Fågelbörs: sax, trumpet, bass and drums in an Aylerian spiral of chaos and joy, with marching band reveries and slow blues dissolves. Limited edition of 200 LPs on Monk's Hood.

What happens over the lifecycle of a commodity? Where do its components come from? How are they extracted, processed and put together? Where does it travel? How is it used, thrown away, re-used, broken apart and reconstituted? These are the questions at the heart of Rubbish Music’s Symphony of Waste. Over four years as Rubbish Music our practice has intervened in modest ways in the lives of discarded commodities. Packaging has lived on as instruments, tin cans have been re-purposed as tools for …

Tip! Spartiti Spariti is a composition in which diverse practices and experiences converge and overlap: the processing of ‘concrete’ sounds, magnetic-tape collage, field recording and the manipulation of acoustic instruments. At its core lies a profound investigation into the ecology of sound, understood not as mere phenomenological documentation but as a radical experience through which identity is rediscovered. The work’s genesis is deeply rooted in the composer’s biographical memory and in th…

Ludwigsburg, 1 and 2 July 1975. Hannibal Marvin Peterson's first record for MPS, with Diedre Murray's cello, Michael Cochrane's piano, Stafford James and Thabo Michael Carvin. Two modal originals, a version of Misty, The Voyage with Hannibal on koto, and the fourteen-minute Soul Brother for Malcolm X.

Berlin Philharmonie, 3 November 1976. Hannibal with George Adams on tenor, Diedre Murray on cello, Michael Cochrane, Steve Neil and Allen Nelson. His own 23rd Psalm, Coltrane's Bessie's Blues and My Favorite Things, Willow Weep for Me, and Swing Low Sweet Chariot as a memory of the Texas cotton fields.

Villingen, 1965. Nathan Davis, the Kansas City tenor who had shared a Paris band with Eric Dolphy, records his second SABA album with a fellow Kansas Citian, Carmell Jones, just off Song for My Father, and the Clarke-Boland rhythm section: Francy Boland, Jimmy Woode, Kenny Clarke. Includes The Hip Walk.

Nathan Davis's first record as a leader, cut at the SABA studio in Villingen on 31 January 1965 with a twenty-year-old Woody Shaw on trumpet, Larry Young on piano rather than organ, Jimmy Woode on bass and Billy Brooks on drums. Tenor, soprano and flute in the Paris expatriate style of the mid-1960s.

Studio Tempo, Montreal, 19 July 1996. Kenny Wheeler and Paul Bley, two Canadians who left for New York forty years earlier, in duo for the first time on record. Thirteen short pieces, seven by Wheeler and six by Bley, alternating; trumpet and flugelhorn against a piano that leaves most of the space empty.

Los Angeles, 1969. The first record of the John Carter - Bobby Bradford Quartet, the West Coast free jazz band Ornette Coleman had brought together in 1965, with Tom Williamson on bass and Bruz Freeman on drums. Five Carter pieces for Bob Thiele's new Flying Dutchman, from Call to the Festival to Domino.

A New Black Poet: Gil Scott-Heron's first record, 1970, a book of poems read in front of an audience with three percussionists, Eddie Knowles, Charlie Saunders and David Barnes, produced by Bob Thiele. The first version of The Revolution Will Not Be Televised, Whitey on the Moon, and the title piece.

RCA Studios, 19 and 20 April 1971. Gil Scott-Heron's first studio album, with Brian Jackson on piano, Ron Carter, Hubert Laws, Bernard Purdie and Burt Jones, produced by Bob Thiele. The band version of The Revolution Will Not Be Televised, Lady Day and John Coltrane, Home Is Where the Hatred Is.

Lonnie Liston Smith's first album under his own name, 1973, straight out of the Pharoah Sanders band and the Thembi sessions where the title track was born on a Fender Rhodes. Cecil McBee, Joe Beck, Badal Roy on tabla, Mtume on congas, a tamboura. Six pieces, produced by Bob Thiele for Flying Dutchman.

Martinique, December 1984. Jaco Pastorius and Rashied Ali, Coltrane's last drummer, on stage together at the end of a workshop, taped for French radio. Bass and drums alone. Released by Timeless; Pastorius died three years later. Never issued in the US until the Music On Vinyl LP.

Grand Rapids, Michigan, Urban Institute for Contemporary Arts, 28 April 2003. The Billy Bang Quintet with Frank Lowe on tenor, Andrew Bemkey on piano, Todd Nicholson on bass and Tatsuya Nakatani on drums. Lowe was playing with one lung. He died that September, and this is his last recording. Bang and Lowe went back to the loft years and had made a run of duo and group records together. Justin Time, which had Bang under contract for Vietnam: The Aftermath and its sequel, released the tape in 2007…

NoBusiness Records is proud to present Incantations, an extraordinary live recording featuring three uncompromising voices of free jazz and spontaneous composition: pioneering drummer Sunny Murray, visionary multi-instrumentalist Arthur Doyle, and the commanding trumpeter Rasul Siddik. Recorded at Thelonious in Bordeaux, France, on October 21, 1999, Incantations documents a volatile and deeply intuitive musical encounter. Across five performances, the trio creates a world of shifting rhythms, fr…

NoBusiness Records is proud to announce the release of New Light, a previously issued live recording featuring three singular figures in the history of free jazz and improvised music: legendary drummer Sunny Murray, multi-instrumentalist Arthur Doyle, and trumpeter Rasul Siddik. Recorded live at Thelonious in Bordeaux, France, on October 21, 1999, New Light captures an intense and uncompromising meeting of three musicians whose work has consistently challenged convention while expanding the expr…

NoBusiness Records proudly presents Rivbea Live! Series, Volume 5, a previously released live document capturing the remarkable creative energy of the Black Artists’ Group at Studio Rivbea in New York City on February 6, 1974. Featuring alto saxophonist and composer Julius Hemphill, trombonist Joseph Bowie, cellist Abdul Wadud, drummer Charles “Bobo” Shaw, and special guest violinist Raymond Lee Cheng, this essential archival recording offers an intense, searching encounter at the crossroads of …

The Fall's first four Step-Forward singles, 1977-79, plus Dice Man from Dragnet: Mark E. Smith's early art punk of atonal guitar, looping bass and combo organ, back on vinyl for the first time with liner notes by Stephen Malkmus.

The Fall live in Auckland, August 1982, recorded by Chris Knox for Flying Nun: Marc Riley's last tour, two drummers, feedback-drenched rarities and Hex Enduction-era favourites. First vinyl reissue, with poster and notes by Roy Montgomery.

Companion to the expanded Comme à la Radio: unreleased ORTF radio sessions from 1969-71 with Areski Belkacem, plus four unissued studio takes, among them two instrumental versions of the title track and a full 10-minute "Leo" with the Art Ensemble of Chicago.

A solo acoustic guitar record by Atsushi Tsuyama, of Acid Mothers Temple and Omoide Hatoba, who has also spent fifty years as a mountain keeper in the Ina valley. Vinyl only, 200 copies, in a silver screen printed sleeve.

John Clyde-Evans played in that formidable band called Hood in the early 90s. In the years that followed, he was one of the most adventurous figures in the incredibly diverse British underground scene. His productions from that era ranged from blissful tape loops of string instruments to bizarre, mind-numbing noise experiments—created using, among other things, traditional Indian instruments from the time he spent living there... Then, for nearly twenty years, he completely fell off the radar...…

4 tracks recorded in 2025 and 2026 by young mancunian duo Hewn, whose music Jack Davidson (Noise not music) once described as "frail but nonetheless flesh-and-blood ambient". Still about there...

*100 copies limited edition* Founded by Moreno Daldosso in 1992, Murder Corporation emerged during a crucial transitional period for the Italian industrial underground. The ritualistic and experimental tendencies that had characterized many projects of the 1980s were progressively mutating into harsher territories shaped by power electronics, death industrial, noise extremism and transgressive performance aesthetics. Within this shifting environment, Murder Corporation rapidly developed a distin…

*100 copies limited edition* Founded by Moreno Daldosso in 1992, Murder Corporation emerged during a crucial transitional period for the Italian industrial underground. The ritualistic and experimental tendencies that had characterized many projects of the 1980s were progressively mutating into harsher territories shaped by power electronics, death industrial, noise extremism and transgressive performance aesthetics. Within this shifting environment, Murder Corporation rapidly developed a distin…

*100 copies limited edition* Eighth Tower Magazine is a periodical publication dedicated to music and modern mythologies. It explores alternative and experimental sound practices, tracing connections between contemporary music, invisible cinema, and dark fiction. Eighth Tower investigates how modern mythologies are shaped, transmitted, and transformed. It is conceived as a space for reflection, documentation, and critical exploration, where sound, image, and narrative converge into a shared cult…

Fukuoka, early '80s. In the backstreets of Hakata, between neon lights and moonlight, three figures shaped darkness and grey shades from the Far East. The "Moonlight" EP and all the Neo Museum rarities finally collected in one vinyl release: the most ritualistic and lunar side of Japanese new wave shines again.

If it's extreme, leave it to us. Challenging the sound, playing with the sound, laughing at the sound. A docking of debut recordings from the most talked-about street artists and "sound collages & sound gags" by pro musicians with eccentric ideas. An exciting, bold, and humorous "bright" New Wave omnibus album. Featuring artists like: Kaoru Sato (EP-4), Masumi Hara & Banana, Shingo Tomoda, Chinju, Mammy, Muzeum, and more.

Following the acclaimed Milano Undiscovered, Italia Undiscovered and Italia Synthetica series comes Italo International: a new collection celebrating the enduring legacy of Italo Disco. Eight exclusive tracks by established European artists reimagining one of Italy's most influential musical movements with originality, respect, and a contemporary vision. Italo International is a journey through the many shades of elegant and visionary electronic music, moving between Italo Disco, Synth Pop and d…

Marco Farina aka Canva6 is an Italian artist and longtime member of the Presto!? roster. He has performed at MACRO Roma, Triennale Milano, C2C Festival, Aaniwalli Helsinki, Signal Festival Prague and across Europe. His music has also crossed into film and contemporary art: “Still Cry at High Speed” was featured in Caroline Poggi and Jonathan Vinel’s Eat the Night, presented at Cannes’ Directors’ Fortnight, while “Raging Euphoria” and “Sleepwalking” were used in Stephanie Comilang’s Search for Li…

In Cyano, synthesist and composer Emily A. Sprague questions self, other, ecology, and life in a distant realm. Conjured around the idea of an imagined planet whose inhabitants are rebuilding forbidden capacities for expressivity and emotional connection, Cyano is a meditation on visibility, psychic transformation, light transmission, and worlds beyond our knowing materialized through an intuitive use of modular synthesizers and voice.

Eight years after the masterpiece Africa Oscura, Four Flies revisits Giuliano Sorgini’s afro-dark universe, unearthing and compiling another suite of previously unreleased music recorded by the Roman composer for television documentaries in the mid-1970s. Savana Selvaggia is a tribute to the continent that left the deepest mark on Sorgini’s creative trajectory. Traversing ancestral percussion, synthesizers, enigmatic themes, and mystical expanses almost like a spiritual journey, Savana Selvaggia…

On the eve of the 15th anniversary of Vladimir Karpov’s voyaging, visionary solo synth entity X.Y.R., the project unveils its vastest quest yet: Saga. Recorded and revised intermittently at his home studio in Alexandrovskaya, St. Petersburg across 11 years, the album’s four side-long songs span overlapping panoramas of twilit drone, desert wind, stargate electronics, and jungle temple percussion, alternately elevated and desolate. Working with his signature Soviet-era synthesizer, the Formanta-M…

Maryos Syawish (b. 1993, Iraq) is a Chaldean Iraqi artist and musician based in Naarm/Melbourne working fluidly across visual art, sound and curatorial practice. His creative work spans more than 15 years and is defined by a lawless, unorthodox approach that resists traditional genre boundaries. His Research Records debut is an introspective and meandering exploration of place, legacy and personal history. It’s a marked change of pace for the Melbourne-based producer, who has carved his name int…

Renowned saxophonist, woodwind player, bandleader and composer Tamar Osborn stands at the heart of the UK’s forward-thinking music movement. A multi-instrumentalist whose genre-slipping creativity has made her the go-to voice for artists within the new wave of jazz and improvised music, Osborn now unveils her most ambitious and exploratory project to date. Well known and highly regarded as a bandleader and featured player across a wide number of groups - most notably her modal ensemble Collocuto…

Oruma is a trio formed by Ola Rzepka (drums, zither, percussion), Artur Rumiński (electric guitar) and Mat Barski (electric guitar). At its foundation is the musical dialogue previously developed by Rumiński and Barski as a guitar duo and documented on the albums “On the Margin” and “At the Junction”. Their encounter with Ola Rzepka during Kraków’s Kakofonie series opened this music to a new sense of dynamics, pulse and collective form. Oruma’s music exists at the intersection of free improvisat…