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Bastian Epple makes an eagerly anticipated return to marionette under his elusive MinaeMinae guise that imagines rich sonic architectures for the journeying spirit to voyage to. Räumlichkeit is Epple’s debut album and third release to date following Gestrüpp from 2020, venturing further into melodic electronic nostalgia and percussive beat oriented soundscapes. Spanning fifteen vignettes that trapeze through uncharted winding trails and familiar spaces, the album’s recordings evoke a scenic sta…
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Here, on this duo with his long-term accomplice Werner Dafeldecker, we hear the sound of two instrumental practitioners as they explore the nature of their respective instruments with a paced and thoughtful guidance, with little intervention or overt de…
Introducing Marc Codsi’s new Arabic infused synth oriented album, ‘Songs from the Aftermath'. Lebanese musician and composer Marc Codsi has released numerous albums with various projects such as Scrambled Eggs, Lumi, Zalfa and many others whilst maintaining a very active career as a solo artist and film composer. ‘Songs from the Aftermath’ is his 5th album and presented as a natural continuation to his 2019 opus work, ‘A New World’ (Annihaya Records). Codsi continues his personal exploration of …
Ghost Producer aka Badawi (aka Raz Mesinai aka Bilal ibn Yakub al-Badawi) is a prolific producer and artist who has been on the forefront of underground experimental jazz and electronic music scenes around the world for over thirty years, with a catalog of albums on labels as ROIR, Asphodel and Tzadik under various monikers dating back to the late 1980s.
Ghost Producer released his first albums starting in the late 80’s under the monikers Psy Co. and Ruff Riddim Productions, selling his cassette…
** Limited edition of 50 copies for each series ** A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards. Pictures printed on fine 250 g/m² uncoated paper, inserted in silk-screen printed and numbered glassine paper sleeve.
Limited edition of 50 copies for each series.
Co-founder of the Groupe de Recherche Musicales in Paris (GRM) with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005) is a pione…
* Japan only edition of their 2nd album. Comes with a bonus CD * NON BAND were formed in the early 1980s. Bassist and vocalist NON had been in a number of bands before going solo and then reconsidering her choice; NON BAND was the eventual concession, a three piece that placed NON with Kinosuke Yamagishi on violin and clarinet and Mitsuru Tamagaki on drums.
'The Japanese punk rock movement known as Tokyo Rockers began in the summer of 1978. It incubated an independent music culture as well as a …
Holy Similaun and Archipel dwell once again in the complex intersection of human memory, time and its perception with "Radicor al flort, espert on'ill il erb, aor Raetia".
The music of Zima Stulecia is difficult to label in terms of genre. It oscillates towards melancholic electronic music. For some it will be techno, others will hear elements of house, all accompanied by improvised synth and percussion music.
** The first cassette edition of this album to exist in the universe, ltd to 100 copies in white **Malik King was an important part of the St Louis jazz scene of the 70's & 80's. He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human Arts…
Limited edition The most valuable of Gürtler’s (founder of Saar Records in 1950) jewels came from the jazz world. Gürtler donated all his passion and expertise to jazz, financing every project without complaints. The jewel in the crown of his productions was the LPJ 5007 album (Basso-Valdambrini Octet), considered by critics the best one ever published in Italy till that moment. The records selection, to which also Gürtler took part, leaned towards the classic themes of the American repertoire, …
Inspired by Kraftwerk's "Autobahn", Southampton-based musician Steve Hartwell, aka The Dead Goldfish Ensemble, started to craft his own music in 1983 using sequencers and the MSX computer, which could be said as the first generation of home computers available for music production. Hartwell made a tremendous amount of recordings in his home studio until 1993, reflecting his take on minimalist music of Steve Reich and Philip Glass, it featured strange imaginative polyrhythms and friendly playful …
English edition, 21,5 x 28,5 cm (Hardcover), 472 pages. Edited by Luca Cerizza and Cristiana Perrella. Contributions by Fiona Bradley, Luca Cerizza, Laura Cherubini, Carlo Falciani, Chus Martínez, Jeremy Millar, Cristiana Perrella, Marco Scotini, David Toop, Andrea Viliani. The most complete publication ever dedicated to the Tuscan artist. In Japanese Nō theater, Hagoromo is the title of a pièce featuring the fisherman Hakuryo, a magical mantle of phoenix feathers, and a Tennin, a dancing spirit…
**300 copies** Edmony Krater grew up on the side of Morne Rouge in Sainte-Rose, north of Guadeloupe. His mother sang in church, but Edmony was drawn to the sound of Gwo Ka, which was frowned upon but very present in ceremonies or funeral vigils.
As both a fashion designer for the theater and a musician (percussion, trumpet, vocals) in the group Gwakasonné, formed by Robert Oumaou and Georges Troupé, Edmony left Guadeloupe in 1983 to settle in mainland France just after recording their first albu…
First LP from Donna Candy, the bass-vocal-drums trio trawled from the sub genres of experimental rock and busy pushing to the front of heavy music. Nu metal bass riffs, switch-pitched fuzz vocals and big, splashy drums layer over unsettling narratives and extreme loops to bring a bit of the pit to the dancefloor.
Begun as an off the cuff party band with the idea of finding a live sound that would fit between 4am trance sets, the trio soon found themselves addicted to the euphoric sludge they cre…
— Edition of 150 "Earth Swirl" blue and green marbled vinyl — Like a winding system of trails and paths cutting through a digital forest-scape, M. Sage’s Paradise Crick is shaped by time. Full of wonder and charm, designed patiently and from a rich, curious mulch of synthesized and acoustic sound, the versatile American artist and magic realist’s new suite of music is an imaginary destination and a pastoral fantasy that envisions the natural and fabricated worlds as one.
Matthew Sage is a musici…
Legendary Pink Dots’ frontman Edward Ka-Spel and Modelbau mainman Frans De Waard have been friends for 30 years, yet it took a Global pandemic to light the touch paper for a collaboration. With much the World’s population peeking through closed curtains in surgical masks, Frans sent a few hours of musical ideas to Edward through cyberspace. However there were a few well developed nuggets that Frans wanted to be given special attention. They were the works he had created together with Johan Nÿlan…
Eric Random is a British pioneer of post punk electronica. Born in 1961 Eric soon joined the Buzzcocks’ road crew. At the age of 17 he became a third of a group called The Tiller Boys, the other two being Pete Shelley and Francis Cookson. They played their live debut in 1978, supporting Joy Division at Manchester’s Factory club. For Pete Shelley The Buzzcocks were his main concern, so The Tiller Boys soon fell apart. Eric founded Free Agents with Cookson and soon met Richard Kirk and Stephen Mal…