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*2025 stock* "This latest release on Maya Recordings documents a new duo collaboration of Barry Guy together with the exceptional Norwegian saxophonist Torben Snekkestad. At convergent boundaries, tectonic plates collide with each other, sometimes slowly, other times giving way suddenly with huge energy being expended. The various plates that encompass this planet either get subducted by being bent and pulled under the crust, or they collide and fold the rock at the boundary creating mountains. …
There was a school of philosophy in ancient China whose core theory stems from a debate entitled “A White Horse Is Not a Horse.” In a book by Gongsun Long (公孫龍 320-250BC, about 200 years after Confucius) in the Warring States Period, two persons argue if a white horse is a horse: the protagonist argues it is not, because ‘white’ is the color of a (particular) horse while a ‘horse’ is a shape and a generic term. It’s a linguistic/logical paradox, or sophistry. Ridiculed by his contemporary philos…
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
For the first time a full album with recordings based on Yoko Ono’s 1964 collection of texts, event scores and drawings “Grapefruit”, a foundational cornerstone of what became known as conceptual art, and enveloping the orbits of Fluxus and experimental music. Performed by The Great Learning Orchestra which has during the 25 years of its existence worked with Gavin Bryars, Terry Riley, Pauline Oliveros, J.g. Thirlwell, Arnold Dreyblatt a.o.
Originally self-published in 1964 in a limited edition …
2025 stock Released in 2015, this is arguably Dan Melchior's stand alone release in a massively impressive catalog. Eschewing the gutbucket trawl & extended electro pedal-whomp,The Souls of Birds and Mice is more fugue like; it isn’t composed of elements so much as it is composed of the composing of elements. Recorded at a pivotal time in the his life, one can detect the influences varying from his wife, Letha Rodman-Melchior to Pale Cocoon, Martin Davorin Jagodić' & Pôle running through this l…
2025 stock Thought these were long gone, but hey, not so fast! Originally released in 2013, this was Letha's 1st foray into the vinyl game AND her 1st under her own name (as opposed to Tretetam, which she'd been using since 2008). 'Handbook' is a lovely sound pastiche of everyday day life turned inside out. Both ambient & disturbing, her sound distillations are wondrous & hypnotic respites in this suffocating modernity. FFO; Moondog, United Dairies label, John Bender. Very last copies.
2025 stock When Don Fleming was doing the initial transfers of the tapes we’d gotten retrieved from Randy Cohen’s barn, every evening seemed to bring a new surprise. But nothing was a bigger jawdropper than the material which makes up the second LP of our Jack Ruby archival series.
The central core of the album is the sixteen-and-a-half minute track, “Destroy/Lost”, recorded at the band’s rehearsal space in January ’74. Robin Hall vocalizes and Boris plays electric viola, but the bulk of the pie…
2025 stock “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder ∫ gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977. Friend …
2025 stock 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewood’s greatest lines ever “One week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.”
Lee Hazlewood…
Sky Blue, a collection of unreleased songs by one of the most celebrated songwriters of the twentieth century, is a time capsule that Townes Van Zandt created forty-six years ago, and we’re only now just unearthing and opening it to find the treasures inside.
Emerging from the late 1960s underground music scene, Clark-Hutchinson's collaborative masterpiece "A=MH" broke new ground in psychedelic rock. Guitarist Mick Hutchinson and drummer Andy Clark's fusion of blues, rock, and Eastern influences created a captivating sonic journey. The Underground Impresarios label brings this limited edition LP reissue on heavyweight red and black splatter effect vinyl.
Nashville's Terry Reed-he being neither Jerry Reed nor Terry Reed-self released his 'On Way To Alpha' mini album into this universe sometime in 1975 as a 7". While novel in formant, Reed's fantastical, solitudinarian take on inchoate, Psychedelic expression is uncannily impressive. Gentle psych, loner psych, however you choose to approach it, this aural nug is a giver of tremendous reward. Little seems to be known about Reed, or this release, via the interwebs & original copies rarely turn up. S…
Zaius Tapes is proud to announce the repress of Jim Shepard's dark, cathartic masterpiece, 'Picking Through The Wreckage with A Stick' lp. Originally released by Siltbreeze in 1995, it seemed no plans were in order to see it in print again, so we took matters into our own hands. And you will all be the better for it! 'Wreckage bears little to no resemblance to Shepard's proto metal-prog rock band, Vertical Slit. If anything it follows the trajectory of his debut lp, 'Slit And Pre Slit'. Both alb…
This is the second album by an Estonian composer and pianist, Volodja Brodsky, showcasing his original cosmic compositions performed on piano and vibraphone. Limited edition of 500 copies on 180g vinyl. Comes with a download code and an exquisite insert card by Savva Terentyev featuring the musical transcription of the title track.
This album is pure weird Alpine-Folk music with martial drinking-songs, alpine battle-hymns and strange fairie-tales out from the deepest Austrian and Bavarian forests, all embedded in a breath of black Monty Python humour. A pearl of pure Alpine Folkmusic!
"It begins with a shoebox of mysterious provenance, full of recordings from the Vendée department on France’s western seaboard: songs of love and war, life and death, played out on land and sea. Songs passed down and sung by ordinary men and women, gracefully delivered with the poetic economy which unites the folk song of all peoples. Next it takes a group of contemporary musicians to make selections from this treasure trove and sing these old songs anew; to sing them for their beauty, of course…
*200 copies limited edition* This is the second collaborative album between Matteo Uggeri (based in Milan) and Andrea Bellucci (from La Spezia). Their first work, "The Soundtrack of Your Secrets", was developed amid the well-known challenges of the pandemic, between 2020 and 2022. The last song of that album was titled “Opinions about Death”. Afterward, Matteo faced an even more difficult period in his life, accompanying his mother through her final days after a long illness that had lasted sinc…
*200 copies limited edition* Exactly two years after “They Cast No Shadows” comes “Tertium Quid”, third CD from the LHAM project headed by Bruno De Angelis (Mana ERG) and Giuseppe Verticchio (Nimh) which once again leads the listener through complex and enthralling instrumental sound textures. The richness of the album’s arrangements and the sophistication of its harmonies are striking, alternating between calm stillness, quasi orchestral crescendos, fragments of darkness and restlessness follow…
*200 copies limited edition* After a careful evaluation of numerous international proposals, Landscape 2024 announces the official selection of the ten finalist works in the SoundArt category. Curated by the Zeugma Collective and now in its fourth edition, the project has established itself as a reference point for sound artists and video artists exploring the concept of landscape through sound and image.
This year's selection stands out for its diversity, featuring works ranging from experiment…
*200 copies limited edition* "Desert Smell", a precious collaborative album by Fabio Orsi and Massimo Amato, is fundamentally centred on suffused and dreamy ambient atmospheres, with inserts of ethereal female voice, suspended notes of reverberated piano, echoes in reverse, breaths of synthetic woodwinds, floating and enveloping pads, fragments of abstract sounds, sequencer phrases sometimes kept soberly in the background, and sometimes reminding of cosmic memories brought more energetically to …