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2024 stock The very first art monograph in print on the ‘aliencentric world’ of visionary outsider duo My Cat Is An Alien (MCIAA) and their interdisciplinary universe. Radical instantaneous composers, shamanic live performers and iconoclastic visual artists, brothers Maurizio and Roberto Opalio unveil a rich and astounding selection of their own paintings, drawings, installations, Polaroids, b&w photos, sculptures, cinematic poetry film stills, artist books, intermedia objects and phonographic a…
The extracøntinent that Damien Mingus invites us to visit on this new album from his My jazzy Child project is by no means an imagined or imaginary space. It's the palpable space forged by the musician's 25 years of activity, where popular and traditional music, free music and learned traditions collide. And don't confuse the ∅ (empty set) with the Ø (island in Norwegian) used in the title of this album and some of the tracks - it's insularity that's being asserted here. An island-continent made…
This music is the result of a friendship established in Mexico between Marius Houschyar, Fabio Levi, Mazatl Alvarez and Mich Rubio who came together in the gardens of Central Mexico for spiritual and sonic exploration. All songs were recorded outside at the ranch of Mazatls father in Michoacán and the magical garden of the wise Abuelos in Mexico State between cactus plants and gigantic trees. The music contains mostly indigenous instruments such as flutes and ceremonial percussion instruments, a…
The exhibition, "Old Instruments From the Future, New Instruments From the Past (and Characters)((by Artificial Intelligence))," was held from May 27 to August 4, 2024, as the 15th-anniversary celebration of Kanazawa Art Gummi. This project involves faithfully constructing physical versions of instruments designed by AI, interpreting the playing methods suitable for these instruments, and drawing music from them.
This special edition will be added a CDR reissued long out of print his early w…
I See / You Mean is an experimental novel about mirrors, maps, relationships, the ocean, elusive success, and possible happiness. Through a collage of verbal photographs, overheard dialogue, sexual encounters, found material, and self identification devices (astrology, the I Ching, palmistry, Tarot), it charts from past to future the changing currents between two women and two men: a writer, a model/stockbroker/maybe dictator, a photographer, and an actor. A lot happens between the lines. Art …
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Norwegian rock trio Crossbreeze’s self-titled LP is one of the rarest of all beasts to emerge from the Scandinavian rock scene of the 1970s. Pressed in minute quantities on Experience, the label and studio founded by engineer/guitarist Nils Johan Øybakken in the small northern town of Mosjøen, Crossbreeze moves between acid rock and prog-y folk-influenced rock, Terje Nilsen’s fuzz guitar and Walter Albriktsen’s Moog bleeps adding shades of psychedelic space-rock. Crossbreeze disbanded after this…
This psychedelic nugget wrapped within a lovely hippie album covers offers to an interested listener both conventional San Francisco psych pop rock, and also experimental material, proving that they were among the rock artists searching the boundaries of their art and style. The composition is interesting and quite innovative within the 1960's American garage scene.
The reissue of Tatsuro Yamashita's Add Some Music To Your Day marks a significant moment in music history, resurrecting a rare gem from 1972 for contemporary audiences to enjoy. With only 100 copies originally produced, this analog LP offers a unique opportunity to experience Yamashita's early musical journey.
10 Anos Depois is the tenth album by Brazilian musical artist Jorge Ben, released in 1973. It is a collection of popular songs from the first decade of his career re-recorded as medleys.
The long unavailable ninth album by Brazilian star Jorge Ben. Released in 1972, "Ben" comes from one of Jorge Ben’s most artistically important phases, the early 70s. The album has some of Ben’s most famous songs, “Taj Mahal” (plagiarized by Rod Stewart on his song “Da Ya Think I’m Sexy?”, as the British singer admitted himself in 2012), and “Fio Maravilha”, paying homage to Flamengo’s iconic football player Fio Maravilha.
This recording is roughly 80 minutes of the A&E three day performance superimposed. Performed by Paul McCarthy (Adolf / Eva) and Lilith Stangenberg (Eva / Eve).
*2025 stock. 200 copies limited edition* 'Variierende Töne' series by Melantónia's collaborators.
Produced and mixed by Lindsey Wang, Mattia Onori, Andrea Cossu, Simone Giovannetti, Natasha Giordano, Filip Sijanec and Camilla Pisani.
Mastered at Dadub Mastering, Berlin
Photograph and visual design by Pablo Diserens.
Following on from Mark Fisher & Justin Barton’s On Vanishing Land and Kode9’s Astro-Darien, the third release on Flatline, Hyperdub’s sub label for audio essays and sonic fiction, is By the North Sea by Robin Mackay, philosopher and founder of the UK publisher Urbanomic.
The project is a sonic exploration of the perplexities of time, disappearance, and loss, channelled through the fictions of H.P. Lovecraft, the speculative mythos of the Cybernetic Culture Research Unit (Ccru), and the ghost of…
AIR 's Jean-Benoît Dunckel & Jonathan Fitoussi have joined forces to release Mirages II, a sonic exploration of analogue synthesis, moving from the minimal to the cinematic. "After their first album as a duo, released in 2019, JB & Jonathan have gone back together to build another work, in which their two personalities unfold even more surreptitiously, always very attentive to each other. At their heart, an electronic spirit, anchored to a very mineral rhythm. There are glimpses and echoes of th…
A member of the radical black nationalist US Organisation, percussionist James Mtume championed the Kawaida way of life, aiming for collective creativity linked to its pan-African and Socialist ideals. With uncle Albert and father Jimmy Heath on board, Mtume cut this intense modal jazz concept album in December 1969 with Don Cherry, Herbie Hancock, Ed Blackwell and Buster Williams, yielding a masterpiece of percussion-heavy jazz, with every player on exceptional form, the five extended tracks re…
West Coast blues rock act Tripsichord Music Box were part of San Francisco’s psychedelic underground during the late 1960s and early 70s. Discovered by Matthew Katz, who brokered success for Jefferson Airplane, Moby Grape and It’s A Beautiful Day, Tripsichord’s debut long player somehow faded into obscurity, despite David Zandonatti’s inspired songwriting, his gripping lead guitar licks and some fine Hammond work from Oliver McKinney. The expanded edition has five sought-after bonus tracks, maki…
A slow building, dread filled bass rumble that gradually builds in intensity before you release you're surrounded by dense, crunching textures. Originally released on cassette in an edition of 30 copies, which was the last Less Than Zero cassette and last release for almost 10 years.
An icy cold blast of Italian harsh noise from Gabriele Giuliani, across two tracks of blown out electronics and feedback. Originally released as a cassette on Less Than Zero in 1996 and presented in a digipak case with a replication of the original layout.