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*2024 stock* It's quite unusual for me to take on an existing piece. Since I've been interested in contemporary music, I've devoted myself to commissioning new pieces. This time, it's a bit different. I wanted to extend the ringers' quartet into a form reminiscent of a bagad. In C (1964) consists of 53 ordered patterns. The musicians repeat them freely and move on to the next. Terry Riley simply explains that each musician must be neither too far behind nor too far ahead of the others. This grea…
The second full-length album by NYC composer and multi-instrumentalist Eve Essex, The Fabulous Truth is both an ecstatic paean to liberty and an intense look at the psychological prices paid for seeking independence in an unforgiving world.
Eve Essex’s solo debut is a multi-instrumental fea(s)t combining synthesizer, drum machine, alto saxophone, piccolo, electric organ/harpsichord, harmonica, slide whistle, bells, guitar pedals, and voice— composed, arranged, and performed by Essex herself.
Legend of e’Boi (The Hypervigilant Eye) is the powerful new work by composer & alto saxophonist Darius Jones. Both of his tremendous artistic strengths are to the fore here in a fully committed trio communion with longtime collaborator Gerald Cleaver (drums) & Chris Lightcap (bass). Five potent new Jones compositions, and a striking arrangement of “No More My Lord” (a prison song rec. by Alan Lomax at Parchman Farm). Legend of e’Boi is the 7th chapter (of 9 on completion) in Jones’ expansive Man…
Julianna Barwick's The Magic Place, is a nine-piece full-length album of magic and solace, bursting joy and healing tones. Julianna's mostly-a-capella music is built from her voice multi-tracked through a loop station. There's more backing instrumentation on this one than on previous albums but it's the vocals—soaring high in reverb-drenched, wordless harmonies—that matter most here. It's the layered fragments and pieces that become an intricate pattern through technology; it's the sound of a ri…
Quartet Records, in collaboration with Metro-Goldwyn-Mayer, presents the premiere complete CD release of Billy Strange terrific score for De Sade, an ambitious 1969 American International Pictures production directed by Cy Endfield. The film is a fictionalized biography of the world’s most famous sexual and physical pervert: Marquis De Sade, who was notorious for his sadistic behavior. The film stars Keir Dullea as the Marquis, Senta Berger, Lilli Palmer and John Huston.
Legendary musician and a…
Quartet Records, in collaboration with Metro-Goldwyn-Mayer, presents the world premiere release of two 70s killer-animals exploitation film scores from the vaults of American International Pictures.
*2024 repress* Over the last two decades Philadelphia-based guitarist Chris Forsyth has released over a dozen critically lauded albums that have established him as one of today’s most unique and acclaimed guitar player /composers – a forward-thinking classicist synthesizing cinematic expansiveness with a pithy lyricism and rhythmic directness that makes even his 20-minute workouts feel as clear, direct, and memorable as a 4-minute song. In retrospect, Forsyth’s career can be divided into two per…
Falter Bramnk, Philippe Lenglet (members of the Muzzix collective), and Samuel Bodart (Numero h.) have known each other for a long time, often crossing paths in various and diverse ensembles (always working with improvisation), but until now, never as a trio! A few years ago, they came together, and after a few concerts, they felt the desire to further develop their work and record it.
For this project, they decided to blend plucked/struck strings (acoustic guitar surrounded and enhanced with a …
On “Love2,” the second track on Zaumne’s 'Only Good Dreams For Me', Natalia Panzer’s voice emerges from a hazy smear of a pop-song chorus: “I am touching the cold window,” she intones. “I am touching the spinning walls. It’s a way to remember what’s mine is yours, and back again.” 'Only Good Dreams For Me', Zaumne’s first release with Warm Winters Ltd., embraces such direct contact as it cycles through states, from dread to hope. The heavy air that lingered on Zaumne’s previous releases, like hu…
Six Pianos is a minimalist piece for six pianos by the American composer Steve Reich. It was completed in March 1973. Music for Mallet Instruments, Voices and Organ – again – emerged in the same year. The piece is scored for glockenspiels, marimbas, metallophone (vibraphone without resonator fans), women's voices and organ. The piece is in four sections, played without a break, marked off by changes in key and meter.
Tropical is Jorge Ben's fifteenth album, a “muscular” mix of previously unreleased material and rearranged covers such as “Taj Mahal” and “País tropical”. The openness to more Pop, more Western arrangements, foreshadows his future work oriented towards the stereotypical World-Dance of the 1980s. Tropical was originally intended for the market outside Brazil, and was not distributed there until 1977. A very fine confirming his immense talent and ability to adapt to the zeitgeist by intelligently …
One of the most famous artists that came to light from the Swedish underground scene is the keyboardist Bo Hansson. His album "Lord of the Rings" inspired by the book of the same name remains a staple for all the freaks of the seventies and was internationally successful. "Lord Of The Rings" or "Sagam Om Ringen" remains a pre new age masterpiece of instrumental music for the mind, with splendid moog and organ releases, which underline Hansson's jazz origin, for four years and only until the firs…
It's Sandy Denny is a compilation album, issued in 1970. It consists of songs Sandy Denny recorded for Saga Records in 1967, and which were initially released on two separate albums: “Alex Campbell and his Friends” and “Sandy and Johnny”.
zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner) follow their recent ambient treasury, The Worlds We Leave Behind, with Jade, a surprise companion album that teases out several themes from previous works into three long-form sonic vessels, offering some of their most affecting work across nearly an hour of reflective bliss. In the process of allowing their individual instincts to further entwine, they have created a uniquely generative kind of collaboration, where every deep drone and deli…
The Worlds We Leave Behind is the second full-length from the duo of zakè (aka Zach Frizzell) and Tyresta (aka Nick Turner)
“Building on both quotidian and profound contrasts, ‘The Worlds We Leave Behind’ by zakè and Tyresta continues the theme from the pair’s earlier collaborative efforts, that of personal strife and experiential wisdom, which colour the impressions we derive from our environments. Being a “spiritual sequel” to the pair’s first album Drift (2023), the album educes long, heavy-s…
Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music. Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic s…
Twin heavyweights Kevin Richard Martin (The Bug) and Joseph Kamaru (KMRU) unite for Disconnect, a powerful study of dread, hope, and profound sonics that marries depth-trawling dub with Kamaru’s voice, ambient sensibilities, and negative space. Kevin Martin first became aware of Kenyan ambient musician KMRU “watching the short 2020 documentary Under The Bridge,” he tells us. “Which, aside from immediately finding Joseph's approach to sound and music so instantly impressive, I also found his spok…
Nigerian electronic musician and violist Ibukun Sunday debuts on Phantom Limb with Harmony / Balance, a brooding, introspective take on Afro-ambient music that follows two acclaimed digital-only albums for Phantom Limb imprint Spirituals. Based in Lagos, Ibukun Sunday has expertly positioned himself between the rarely-married cultures of ambient and West African musics. He entwines his compositions with field recordings from his native Nigeria and deeply considered philosophies of existence, hum…