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*In process of stocking* :Zoviet*France: is an idiosyncratic group of anonymous music makers, gatherers of sound, and fabricators of unknown music. For nearly 40 years, they have explored and reported back from the liminal areas of music and composition, walking the margins where little is easily located and consensus reality melds with the hypnagogic and half-heard. Having wilfully obscured themselves in Newcastle upon Tyne since their inception in 1980, :zoviet*france: has developed a radical…
The artistic oeuvre of Berlin-based Sonja Deffner is as extensive and diverse as its contexts are high-profile: If the classically trained musician could in recent years be heard as a member of the groups Jason & Theodor, Die Heiterkeit, Globus and PTTRNS, as part of Christiane Rösinger's touring band, or as a recording musician on Andreas Spechtl's (Ja, Panik) albums, she has at the same time produced an acclaimed graphic work, video works and made her theater debut. Under the name Kalme, Deffn…
Eusapia Klane is an audiobook whose instrumental part composes the music of the entire Périmètre de Denver. Eusapia Klane is one of the main characters of the circus piece Le Périmètre de Denver. This 20-minute audiobook dwells on Eusapia Klane going to the car dealership, thinking that she can probably trade in her current car for a new one. So she tries a car, with which, suddenly, she runs away. Eusapia never left her town. She heads for Malaxy, a bright urban enclave. In this city, she will …
Stéphane Laporte's solo musical project, Domotic, is a fine example of longevity. Since Bye Bye, his first album released in 2002, the Parisian conscientiously digs a groove aligning on the same axis — which over time looks more like an orbit — the aesthetically perfect pop of the Beatles, psychedelic rock, Old School Ambient, the glorious electronica of the 90’s, the eccentricities of "library music" and the rigor of minimalism. However, it would be unwise to reduce the half-dozen albums and t…
The Plains at Gordium was composed from June to August 2004 and is dedicated to Charlotta Kotik. The incentive to compose the piece came from a percussion group in Brno, Czech Republic, who asked me for a piece of music. Not being a commission-disciplined composer, I wrote a piece for six percussionists, while the Czech group, DAMA-DAMA had only four members and could not perform it. The size of the piece also defies the scale of a standard percussion piece, 1,290 measures over a 108-page score.…
One of Alan Vega’s greatest talents was his ability to bring the past and the future together into a suspended place of timelessness. His groundbreaking duo Suicide was often seen as future primitivism and most of his musical output has exemplified this blending of the primordial human condition and visionary thinking. With Invasion b/w Murder One, the next release from the now infamous Vega Vault following 2021’s Mutator, we see this innate power in full effect. The two tracks “Invasion” and “M…
Nicola Giunta and Gioele Valenti (the musicians creating the Lay Llamas dimension) seem to communicate from a different solar system their ecstatic gaze towards an imaginary future world. They rely mainly on a narrative tone of mysterious and spectral dark-psych shades, digging abyss of glacial depht of the self, where light filters through lysergic languors and radiant progressions of luminous dust. Oneiric voices refer to the hybrid chaos of a metropolitan jungle, as a hypnotic and psychic di…
"L'Ultimo Treno della Notte" (Last Stop on the Night Train) is a 1975 thriller film directed by Aldo Lado, one of the most violent movies ever produced in Italy in the '70s (and beyond) that actually shows, even in the crudest scenes, for same admission of the director, a harsh attack against the bourgeois society and its powerful rich people. Despite the limited budget, the friendship between Aldo Lado and composer Ennio Morricone made this collaboration possible; nonetheless, only a 45rpm 7" w…
* 2022 stock * Marge Records presents Live at Dreher by Roy Burrowes Sextet featuring Mal Waldron Roy Burrowes (trompette & bugle), Richard Raux (saxophones ténor et soprano), Mal Waldron (piano), Patrice Caratini (contrebasse) & George Brown (batterie) - On two tracks : Roger Raspail (percussions) Recorded live on 10th march 1980 at Dreher, Paris.
* 2022 stock * Sunny Murray's Aigu-Grave, a nominal quintet date with percussionist Pablo Sauvage appearing on two of the five tracks; the rest of the group features French tenor saxophonist Richard Raux, Bobby Few and Alan Silva. Its two leading tracks, “Happiness Tears” and “Tree Tops,” are memorable Murray compositions which are given free and satisfying treatments. The theme of “Happiness Tears” searches through some minor intervals before resolving in a cheerful major chord. “Tree Tops” is …
Tip! * 2022 stock * This 1979 date by tenor saxophonist Billy Harper is one of his most transcendent. Rife with his deep study of Coltrane's modalism, and his own deep knowledge of the blues and Eastern music, Harper and his quintet take on three extended pieces: "Soran Bushi-B.H." comes in at over 12 minutes, while "Cry Of Hunger," is over 20; both work out of extended harmonic architectures to place improvisation as a new element (remember, this was 1979), as an extension of the jazz "song." T…
*2022 stock* This official soundtrack album for the Italian horror movie La Chiesa ("The Church") features four pieces performed by Keith Emerson. These are The Church (Main Theme); Prelude 24 (From Well Tempered Clavier); The Possession, and The Church Revisited, all four of which have also been included on the Keith Emerson "At the Movies" 3CD set. Emerson's contributions add up to about 13 minutes of music all in all.The rest of the music on this soundtrack is by other artists, including seve…
*2022 stock* "Non ho sonno isn’t exactly a return to the glory days of Suspiria and Roller, but it’s very good, and is worthy of purchase before most of the 1980’s soundtracks. Though Goblin managed to hold on to the 1970’s sound even on most of their 1980’s work, this album sounds much more like the 1980’s than the 1970’s or 1990’s, especially the guitar. As far as opening themes go, “Non Ho Sonno” is good. That basically goes for the rest of the music too. It’s all very good, but not as unique…
* 2022 stock * This new trio proposes a gritty and daring jazz, around the melancholy and the evil of homo urbanus... The singer Caroline Faber, known for her rhythmic energy and her contagious good mood (with DeNduM, BA-YA), explores here a blues space: She interprets her texts "written from the tip of her soul" (Pierre Gros, Culture Jazz) on compositions by Richard Bonnet (recently acclaimed for his work with Hasse Poulsen and Tony Mallaby) or great classics borrowed from Afro-American music. …
* 2022 stock * Jade is an ambitious blend of jazz, abstract improvisation, and classical sacred music. Recorded at the Organ Studio at Sweden’s University of Gothenburg, the album features sax and trombone echoing regally against a backdrop of honest-to-goodness choral hymns, performed by a church organ and the 10-woman Volcanic Choir, led by mezzo-soprano Maria Forsström.
In slow movements, as if to cherish the sounds and moods being created, the album blends its influences beautifully, conveyi…
For Alejandro Jodorowsky'"Santa Sangre," Simon Boswell has composed, arranged and conducted a fascinating electronic music score with Latin flavor that describes all the world of Fenix the magician from his childhood to young man, a world full of music and colors, but also filled with dark fears.
Suspended sounds and vocalizations in Latin introduce the scrupulous 'electronic' commentary of Pino Donaggio. While the mysterious atmosphere of the opener La Setta soon evolves into a syncopated rhythm, the following Ansimando offers the listener disturbing notes of keyboards and elliptical effects of synthesizers that constitute, in addition, the central body of the mysterious Il Cuore Strappato. The dreamlike plots of Sogno are, instead, based on the continuous dialogue between acoustic guit…
*2022 stock* `Contamination' sees Italian progressive and cult soundtrack band Goblin add a refreshing dose of other wordly sci-fi sounds to their usual creeping horror atmospherics, and it makes for a mostly consistent and successful album.This time the soundtrack to a science-fiction film, It's a shame that the album is another mostly unnoticed and somewhat ignored work from the band, because in addition to a number of suspenseful and moody numbers, it contains the classic Goblin track `Quiet …
*2022 stock* A reissue of Cherry Five, the first and only homonymous work of the band, made by Claudio Simonetti, Massimo Morante, Fabio Pignatelli, drummer Carlo Bordini and singer Tony Tartarini. The album was recorded in 1974 but published only in 1976, a year before the official birth of Goblin and the worldwide success of "Profondo Rosso". In the original vinyl Simonetti and Morante were included as authors of the songs but not as performers. The record in question is a rarity today, sought…
Futura Records presents For (and More): Daniel Beaussier & Manu Pékar with Jean-Lou Descamps & Pierre Marcault.Daniel Beaussier (saxophones, hautbois, cor anglais, clarinette, clarinette basse, flûtes en ut & sol), Manu Pékar (guitares), Jean-Lou Descamps (violon & objets sonores) & Pierre Marcault (percussion).Recorded 10th jan, 2nd jul & 20th nov 2016 at studio EDIM, Cachan (France).